74 épisodes

Criminal Broads is a true crime + history podcast about wild women who’ve ended up on the wrong side of the law, whether for leading a cult, serially murdering their husbands, swindling billionaires, or faking ectoplasm. The podcast is hosted by Tori Telfer, author of “Lady Killers: Deadly Women Throughout History.”

Criminal Broads Cloud10

    • Criminologie
    • 5,0 • 3 notes

Criminal Broads is a true crime + history podcast about wild women who’ve ended up on the wrong side of the law, whether for leading a cult, serially murdering their husbands, swindling billionaires, or faking ectoplasm. The podcast is hosted by Tori Telfer, author of “Lady Killers: Deadly Women Throughout History.”

    Violette Szabo, Secret Agent

    Violette Szabo, Secret Agent

    The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.  
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    ****STAY IN TOUCH!****
    toritelfer.com
    toritelfer@gmail.com
    tinyletter.com/toridotgov
    instagram.com/tori__telfer
    ___
    Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm’s entire library of soothing meditations. Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode68
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 1h 12 min
    Juvenile for Life: Sharon Wiggins

    Juvenile for Life: Sharon Wiggins

    Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world.
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    Subscribe to my newsletter: tinyletter.com/toridotgov
    Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode70
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 47 min
    Mary Vincent and the Survivor Narrative

    Mary Vincent and the Survivor Narrative

    In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she’d never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can’t always give us.
    Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide. Or become a patron at patreon.com/criminalbroads.
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode69
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 47 min
    The Parker-Hulme Murder Case

    The Parker-Hulme Murder Case

    In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder.

    Support the podcast by supporting its sponsors! Go to calm.com/criminalbroads for 40% off Calm’s entire library of soothing meditations. Or become a patron at patreon.com/criminalbroads.
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode68
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 55 min
    American Juvenile: Cyntoia Brown

    American Juvenile: Cyntoia Brown

    “Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn’t believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side?
    Cyntoia’s Instagram: https://www.instagram.com/cyntoiabrownofficial/?hl=en
    Falicia Blakely episode: https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely
    Support the podcast by supporting its sponsors! Go to dameproducts.com/criminalbroads for 15% off sitewide, and modernfertility.com/criminalbroads for $20 off your fertility test. Or become a patron at patreon.com/criminalbroads.
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode66
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 48 min
    The Massie Affair

    The Massie Affair

    One night in September, a white lady in a long green dress reported that she’d been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved.
    Read David Stannard’s book on the Massie case here: https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/
    Become a patron: patreon.com/criminalbroads
    Follow on Instagram: Instagram.com/criminalbroads
    Find sources here: criminalbroads.com/sources/episode66
    Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. 
     
     
    Learn more about your ad choices. Visit megaphone.fm/adchoices

    • 1h 3 min

Avis

5,0 sur 5
3 notes

3 notes

ice.tea.lover99 ,

My favorite podcasts

This is my very first podcast and my favorite.I’ve listened to other one after this and they were never as good as any of Tori’s podcasts.The research,the details,the way she speaks…It makes the hole story come to life .I’ve always wanted to know more about crime and the American justice system (I’m French) and this was just perfect. EVERY ONE RAISE THEIR GLASSES (of orange juice probably,please no poison here) TO THE AMAAAAZING TORI !!!!!

Wosny ,

Excellent podcast

I like the way that Tori understands the very uneven playing field for women in society. I avoided this podcast at first because I don’t think that is addressed often enough.
For French readers I recommend the book “Présumé Coupable” which looks at the way society judges women in a more serious light if they should stray from the prescribed roles.

paris908 ,

Great voice and curated stories

Great concept. A lot of podcasts on crime are morbid for the sake of shock value and too detailed to not be traumatizing.

This podcast is well done by being able to tell a good story in a way that shows respect to listeners and subjects. There isn’t useless banter or giggles that are inappropriate or random conversations. It’s a simple clear story and it works.

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