500 épisodes
ray_cobley ray_cobley
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- Musique
Abstract Sound Structures, Musique Concrète & Live Electronics.
Experimental animation videos.
It is my aim to create and/or edit my tracks & videos using free or open-source software only.
Influences include: J.S. Bach, John Cage, Iannis Xenakis, Giacinto Scelsi, Mauricio Kagel, Conlon Nancarrow, Christian Wolff, Harry Partch, Luc Ferrari, Morton Feldman, Cornelius Cardew, Bernard Parmegiani, Ana-Maria Avram, David Tudor, Alvin Lucier, Pauline Oliveros, Renaissance Polyphony.
All my work is published under a Creative Commons licence & can be freely downloaded (as wav) or remixed.
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Moon Floating (naviarhaiku538)
An electronic composition created in Pure Data.
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Ancient Stones (disquiet0643)
Electronic composition, a textured drone sequence, original sounds created in Pure Data.
More on the 643rd weekly Disquiet Junto project, Stone Out of Focus — The Assignment: Make music inspired by a poem — at https://disquiet.com/0643/
This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit60 years ago, back in 1964. -
Deep Streams (naviarhaiku537)
An electronic composition, original sounds created in Pure Data.
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Bubble, Bubble (disquiet0642)
A slowed down recording of pouring fizzy water combined with an electronic sequence created in Pure Data, with some additional detuning, delay, reverb, etc.
More on the 642nd weekly Disquiet Junto project, Kick from Champagne — The Assignment: Use carbonation to make a beat — at https://disquiet.com/0642/ 2 -
Wide-Arching - for John Hinks (naviarhaiku536)
An electronic composition, original sounds created in Pure Data - both a response to the haiku & an elegy for John Hinks.
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Standing Alone (disquiet0641)
This is a reworking of my contribution to the collaborative exercise, the right-hand part of: https://soundcloud.com/ray_cobley/diluted-disorder-with-encym-disquiet0637?si=8014e0c43a394dc9b938c666bbf0d50e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
I wanted to create a more interesting standalone track & (I hope) have done this by carefully applying numerous tweaks to the dynamics plus a degree of delay & reverb.
More on the 641st weekly Disquiet Junto project, Re-re-re-re-revise — The Assignment: Take an old track and make it better — at https://disquiet.com/0641/ 1