59 min

TLJ 29: From a Violinist’s POV (Minutes 141-145 with Lorenz Gamma‪)‬ Star Wars Music Minute

    • Music Commentary

With a final swell of the Force theme, the orchestra pulls us into the credits. Today, I am pleased to speak with Lorenz Gamma, violinist on The Last Jedi score. We talk nitty gritty details -- including what it was like working with John Williams, what the orchestra spent the most time rehearsing, the importance of inaccuracies, and how The Last Jedi score is like "a rich wine that goes with a rich meal."
Timestamps:
00:00 - intros01:43 - Lorenz's history with Star Wars04:41 - What's the difference working for John Williams versus other Hollywood composers?07:00 - craft, intricacy, painting11:18 - orchestration, synthesizers, nitty gritty details in string writing16:49 - dynamics: are they performed live or mixed later?20:43 - touching quotes from John Williams about the Los Angeles recording orchestra26:20 - no click track29:10 - descending bass line + ascending melody33:57 - difficulty of John Williams music (to play)35:10 - funny anecdote about the Harry Potter score36:35 - "wash of sound," how inaccuracies are part of a desired effect, patina42:33 - advice to young composers43:08 - how Star Wars is like a Wagner opera45:00 - delaying the perfect authentic cadence48:46 - classical music recommendations for listeners who like Star Wars scores51:18 - Richard Strauss, programmatic music, Alpine Symphony56:37 - rundown of the motifs from these 5 minutes, where we are in the soundtrack
Musical Themes/Motifs (in order of appearance, using Frank Lehman's names):
3. Force with descending lament bassline
41a. Kylo Ren 1 (Aggressive) with march snares as Kylo is walking out, overhead shot  
42. Kylo Ren 2 (Hesitant) after Rey shuts the door on him and the dice disappear
50. Poe when Rey and Poe meet
45a. Rey 1 (Theme) mixed with 3. Force
2. Rebel Fanfare
1a. Main Theme (A Section) on celeste
3. Force when broom boy looks up at stars
1a. Main Theme (A Section) in credits
55a. Rose (A Section)
Soundtrack: "Peace and Purpose" and "Finale"
Other episodes with musicians from The Last Jedi soundtrack:
#1: From a Cellist's POV (with Erika Duke-Kirkpatrick): https://youtu.be/nHrblao5iWk
#11: Steel Pans of Canto Bight (with Tyler Hunt): https://youtu.be/JWTWFCUw5pc
Additional References:
Musical terms/concepts: Romantic tradition, ascending melodies, descending basslines, passacaglia, virtual instruments, just intonation, equal temperament, cadence, perfect authentic cadence, melody, program(matic) music, tone poem
J.S. Bach, master of descending basslines.
Tristan and Isolde (opera) by Richard Wagner
Lohengrin Prelude by Richard Wagner - https://youtu.be/lqk4bcnBqls
(full opera) Lohengrin by Richard Wagner
"The Planets" - Mars, Jupiter, etc - by Gustav Holst - https://youtu.be/Isic2Z2e2xs
The Flying Dutchman "Overture" by Richard Wagner - https://youtu.be/Dv0OqRKrmH8
(full opera) The Flying Dutchman by Richard Wagner - https://youtu.be/_6_jS9dhtkc
"Till Eulenspiegel's Merry Pranks" by Richard Strauss - https://youtu.be/QV5r9KG1eyc
"Symphonie Fantastique" by Hector Berlioz - https://youtu.be/5HgqPpjIH5c
"Alpine Symphony" by Richard Strauss - https://youtu.be/Tzr2Fw_0nY8
Complete Catalogue of the Musical Themes of Star Wars (Frank Lehman): https://franklehman.com/starwars/
Lorenz Gamma is a violin soloist, chamber musician, faculty member, Artistic Director of the Borromeo Music Festival in Switzerland, and Hollywood recording veteran who played on The Last Jedi score, as well as The Rise of Skywalker, Solo, Rogue One, and 70+ other films.
Star Wars Music Minute:
YouTube: /starwarsmusicminute
Twitter: @StarWarsMusMin
Instagram: @starwarsmusicminute
TikTok: @StarWarsMusicMinute
Email: podcast@starwarsmusicminute.com
Merch: to come one day...?
Chrysanthe Tan (Xanthe):
Twitter: @chrysanthetan
Instagram: @chrysanthetan
Spotify Artist Page: Chrysanthe Tan
Website: chrysanthetan.com
Patreon: patreon.com/chrysanthetan

With a final swell of the Force theme, the orchestra pulls us into the credits. Today, I am pleased to speak with Lorenz Gamma, violinist on The Last Jedi score. We talk nitty gritty details -- including what it was like working with John Williams, what the orchestra spent the most time rehearsing, the importance of inaccuracies, and how The Last Jedi score is like "a rich wine that goes with a rich meal."
Timestamps:
00:00 - intros01:43 - Lorenz's history with Star Wars04:41 - What's the difference working for John Williams versus other Hollywood composers?07:00 - craft, intricacy, painting11:18 - orchestration, synthesizers, nitty gritty details in string writing16:49 - dynamics: are they performed live or mixed later?20:43 - touching quotes from John Williams about the Los Angeles recording orchestra26:20 - no click track29:10 - descending bass line + ascending melody33:57 - difficulty of John Williams music (to play)35:10 - funny anecdote about the Harry Potter score36:35 - "wash of sound," how inaccuracies are part of a desired effect, patina42:33 - advice to young composers43:08 - how Star Wars is like a Wagner opera45:00 - delaying the perfect authentic cadence48:46 - classical music recommendations for listeners who like Star Wars scores51:18 - Richard Strauss, programmatic music, Alpine Symphony56:37 - rundown of the motifs from these 5 minutes, where we are in the soundtrack
Musical Themes/Motifs (in order of appearance, using Frank Lehman's names):
3. Force with descending lament bassline
41a. Kylo Ren 1 (Aggressive) with march snares as Kylo is walking out, overhead shot  
42. Kylo Ren 2 (Hesitant) after Rey shuts the door on him and the dice disappear
50. Poe when Rey and Poe meet
45a. Rey 1 (Theme) mixed with 3. Force
2. Rebel Fanfare
1a. Main Theme (A Section) on celeste
3. Force when broom boy looks up at stars
1a. Main Theme (A Section) in credits
55a. Rose (A Section)
Soundtrack: "Peace and Purpose" and "Finale"
Other episodes with musicians from The Last Jedi soundtrack:
#1: From a Cellist's POV (with Erika Duke-Kirkpatrick): https://youtu.be/nHrblao5iWk
#11: Steel Pans of Canto Bight (with Tyler Hunt): https://youtu.be/JWTWFCUw5pc
Additional References:
Musical terms/concepts: Romantic tradition, ascending melodies, descending basslines, passacaglia, virtual instruments, just intonation, equal temperament, cadence, perfect authentic cadence, melody, program(matic) music, tone poem
J.S. Bach, master of descending basslines.
Tristan and Isolde (opera) by Richard Wagner
Lohengrin Prelude by Richard Wagner - https://youtu.be/lqk4bcnBqls
(full opera) Lohengrin by Richard Wagner
"The Planets" - Mars, Jupiter, etc - by Gustav Holst - https://youtu.be/Isic2Z2e2xs
The Flying Dutchman "Overture" by Richard Wagner - https://youtu.be/Dv0OqRKrmH8
(full opera) The Flying Dutchman by Richard Wagner - https://youtu.be/_6_jS9dhtkc
"Till Eulenspiegel's Merry Pranks" by Richard Strauss - https://youtu.be/QV5r9KG1eyc
"Symphonie Fantastique" by Hector Berlioz - https://youtu.be/5HgqPpjIH5c
"Alpine Symphony" by Richard Strauss - https://youtu.be/Tzr2Fw_0nY8
Complete Catalogue of the Musical Themes of Star Wars (Frank Lehman): https://franklehman.com/starwars/
Lorenz Gamma is a violin soloist, chamber musician, faculty member, Artistic Director of the Borromeo Music Festival in Switzerland, and Hollywood recording veteran who played on The Last Jedi score, as well as The Rise of Skywalker, Solo, Rogue One, and 70+ other films.
Star Wars Music Minute:
YouTube: /starwarsmusicminute
Twitter: @StarWarsMusMin
Instagram: @starwarsmusicminute
TikTok: @StarWarsMusicMinute
Email: podcast@starwarsmusicminute.com
Merch: to come one day...?
Chrysanthe Tan (Xanthe):
Twitter: @chrysanthetan
Instagram: @chrysanthetan
Spotify Artist Page: Chrysanthe Tan
Website: chrysanthetan.com
Patreon: patreon.com/chrysanthetan

59 min