48 episodes

We believe in theatre that raises more questions than answers. So Currency Press staffer, Caitlin, is travelling beyond the page and stage, talking to playwrights and theatre-makers about their work. These respected voices of Australian theatre share their inspiration, creative process, ideas on narrative, building character, dramaturgy, trade secrets and much more.

Browse our full catalogue and other performing arts resources at www.currency.com.au

Not in Print: playwrights off script - on inspiration, process and theatre itself Currency Press: the performing arts publisher

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We believe in theatre that raises more questions than answers. So Currency Press staffer, Caitlin, is travelling beyond the page and stage, talking to playwrights and theatre-makers about their work. These respected voices of Australian theatre share their inspiration, creative process, ideas on narrative, building character, dramaturgy, trade secrets and much more.

Browse our full catalogue and other performing arts resources at www.currency.com.au

    'The law of sexual assault spins on the wrong axis': Suzie Miller on her play, Prima Facie

    'The law of sexual assault spins on the wrong axis': Suzie Miller on her play, Prima Facie

    "Five years at law school,eleven years of practice,I have always believed.Now I need to know that I was not mistaken."
    ---
    In this episode we spoke with playwright Suzie Miller about her award winning play, Prima Facie.
    Winner of the 2018 Griffin Award, Prima Facie is an indictment of the Australian legal system’s failure to provide reliable pathways to justice for women in rape, sexual assault or harassment cases. It’s a work of fiction, but one that could have been ripped from the headlines of any paper, any day of the week, so common you could cry.
    Tessa is a criminal lawyer at the top of her game who knows the law permits no room for emotion.
    To win, you just need to believe in the rules. And Tessa loves to win, even when defending clients accused of sexual assault.Her court-ordained duty trumps her feminism. But when she finds herself on the other side of the bar, Tessa is forced into the shadows of doubt she’s so ruthlessly cast over other women.
    Turning Sydney’s courts of law into a different kind of stage, Suzie Miller‘s (Sunset Strip, Caress/Ache) taut, rapid-fire and gripping one-woman show exposes the shortcomings of a patriarchal justice system where it’s her word against his.
    ***
    Prima Facie will be showing again at Griffin Theatre 23 June - 10 July 2021. Tickets here: https://tinyurl.com/4j8kd74x
    Grab copies of the script here: https://tinyurl.com/5zdjzr2y
    ***
    Music by Grace Turner.
    Thank you to Sarah Easterman for reading the excerpts from the play for this episode. 
     

    • 32 min
    Fangirling over FANGIRLS with Yve Blake

    Fangirling over FANGIRLS with Yve Blake

    "Tease us and hate us / but don't underestimate us..."
     
    This month we spoke with Yve Blake, playwright, screenwriter and composer, and the creator of the hit musical FANGIRLS.
    FANGIRLS is showing again at Sydney Festival 2021 before touring Australia, and you can now get the script through Currency Press.
    The song in this episode is a track from FANGIRLS performed by some of the original 2019 cast, including Yve Blake, who played the role of Edna. 
    Learn more about Yve and her work over at yveblake.co
     

    • 25 min
    'Counting and Cracking': in conversation with S. Shakthidharan

    'Counting and Cracking': in conversation with S. Shakthidharan

    ‘In Tamil we don’t say goodbye. Only, I will go and come back.’‘நாங்கள் விடைபெறேக்க, ‘போயிட்டு வாறன்’ எண்டு மட்டும் தான் தமிழில சொல்லுறனாங்கள்.’
    In this episode we speak with S. Shakthidharan, a writer, director, musician and producer of film and theatre who grew up in Western Sydney and has Sri Lankan heritage and Tamil ancestry. 
    We discussed Shakthi's multi-award-winning, multilingual play, Counting and Cracking, which traverses countries and decades to bring us an epic tale of family, love and politics. 
    See more of Shakthi's work at kurinji.com.au 

    • 31 min
    'For We The Young': Finegan Kruckemeyer on writing plays for children and young people

    'For We The Young': Finegan Kruckemeyer on writing plays for children and young people

    To re-launch Not in Print, we spoke with Finegan Kruckemeyer about magical worlds where monsters are friends and lighthouses are boats, and on the richness and dynamism of theatre for children and young people.
    ***
    Finegan has had 94 commissioned plays performed on six continents and translated into eight languages. His work has enjoyed seasons in more than 200 international festivals and in 2018, he was the most-produced playwright of original children’s theatre in the US. 
    He and his work have received 36 awards, including the Mickey Miners Lifetime Achievement Award for international Theatre for Young Audiences, David Williamson Prize for Excellence in Australian Playwrighting, seven Australian Writers' Guild Awards and an inaugural Sidney Myer Fellowship. Finegan has spoken at conferences in ten countries, with papers published and works studied at international universities.
    Finegan was born in Ireland and moved halfway around the world to Adelaide, Australia, aged eight. After 15 years, he and his wife Essie left for the island state of Tasmania. And after 15 more, with their son Moe, they returned.
    Finegan is committed to making strong and respectful work for children, which acknowledges them as astute audience members outside the plays, and worthy subjects within.
    See more of Finegan's work at finegankruckemeyer.com
    **
    Currency Press has published four titles by Finegan, including one play collection; For We the Young, At Sea, Staring up, The Grumpiest Boy in the World and The Violent Outburst that Drew Me To You. Available at currency.com.au/books-tag/finegan-kruckemeyer/ 
     
     

    • 27 min
    War Crimes: How do you win the battle inside your head? l Award-winning Australian theatre

    War Crimes: How do you win the battle inside your head? l Award-winning Australian theatre

    A powerful story of five disenfranchised young women who are fighting for respect, railing against authority and struggling to form an identity in a small town with limited opportunities. The relocation of an Iraqi refugee family to the town provokes a climate of hostility and tension that threatens to violently explode.--Angela Betzien is a multi-award winning writer and a founding member of independent theatre company Real TV; her work has toured widely across Australia and internationally. She is currently the Patrick White Fellow at Sydney Theatre Company and developing new plays for them, as well as Melbourne Theatre Company and Belvoir.Angela’s play Children of the Black Skirt toured Australian schools for three years and won the 2005 Drama Victoria Award for Best Performance by a Theatre Company for Secondary Schools. Another work, Hoods, won the AWGIE Award for Theatre for Young Audiences in 2007 and the Richard Wherrett Award for Theatre for Young Audiences in the same year.

    • 30 min
    A Town Named War Boy

    A Town Named War Boy

    "We hit Cairo like a train!... Every dirty little alley, every dusty back room bar. The pyramids are marvellous, but I could spend the rest of my days quite happily in the arms of your temptation."Inspired by The State Library of New South Wales' jaw-dropping collection of World War I diaries and letters, A Town Named War Boy explores both the events of war and the impact it has upon soldiers and their families. Written with insight, humour and sensitivity, Ross Mueller's moving play brings the ANZAC legend to life. 

    • 32 min

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