Suffolk 'n' Cool - International Indie Music Podcast

Peter Clitheroe
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An international indie music podcast produced by Peter Clitheroe in Suffolk, England

  1. 01/10/2014

    SnC 429 – Finale

    The ever-interesting Jordan Reyne features on this the final Suffolk’n’Cool weekly show. (Photo: Sławek Niedlich) A retrospective show this week to celebrate the past (almost) nine years of weekly Suffolk’n’Cool shows. There’s a mixture of old and relatively new music from artists that have a significance for me always, initially for their music and also , in many cases for the personal contact and friendships that have developed and continue to this day. Sadly, this is the final SnC weekly show and there’s an awful lot of music, so brace yourself! Happy – Jimmie Bratcher (Kansas City, USA) Jimmie Bratcher was unhesitating when he granted permission to use his instrumental track Happy from his album Red as the main Suffolk ‘n’ Cool signature tune. Jimmie is a fine blues player (and preacher) from Kansas City. His most recent album, Secretly Famous, was also produced by Jim Gains (Carlos Santana, Steve Miller, Stevie Ray Vaughn, Huey Lewis, etc) is available through his site. www.jimmiebratcher.com Southbound – Ben Caplan & The Casual Smokers (Halifax, Nova Scotia, Canada) Ben Caplan is a larger than life character with a really interesting take on life. He puts together bands for different tours (always called The Casual Smoikers) and Codger, Grumbler and I had the pleasure of hanging out with them all at The Great Escape a couple of years ago. Ben’s over here again this month and will be playing dates in Ireland 15 – 21 October with shows in CLONAKILTY, DINGLE, KILKEE, BALLYVAUGHN, and DUBLIN. bencaplan.ca facebook.com/thecasualsmokers @bencaplanmusic Alright – Sydney Wayser (Los Angeles, CA, USA) Sydney won our artist of the Month feature a bit back when she also had a rather fetching video that was partly shot at a performance I was at  in New York’s The Living Room a couple of years ago. This seems the perfect excuse to play another track and to suggest that you pick up the whole Bell Choir Coast album for yourself. sydneywayser.com Cog In The Machine – Will Knox (New York/London) Will’s site is minimal right now but there’s a new album on the way. The first video on his home page was shot at the fabulous Flux Studios in Manhattan whose boss FAB I know, from personal experience, knows how to throw a great studio and rooftop party. Will recorded The Matador and the Acrobat at Flux with his band, hugely talented musicians every one. Meredith McCandless performed some serious alchemy in engineering the album and the magic that is Flux, shines through the video. http://www.will-knox.com Just in case the site changes, here’s another video for one of Will’s newer songs, Lucky Man. Factory Nation – Jordan Reyne (London) Jordan became a permanent fixture in the SnC psyche a few years ago. Her distinctive steam-punk tinged music stretches the brain. She’s recorded a couple of Sessions ay the Barn with us and has become a friend in the process. It is quite fitting that she has written a fascinating and insightful piece on her blog about creativity. Well worth a read http://jordanreyne.tumblr.com/post/89952952919/creativity-a-guide-to-making-it-happen-without-any “Jordan grew up on a remote peninsula on New Zealand’s west coast, 3 hours drive from the nearest city. She began making music by collecting bits of iron and discarded farm implements, banging them together and singing at the top of her lungs. When her parents could stand it no longer, they bought her a guitar. Her sense of the land, and peoples relationships to machines and nature remain a key part of her work. Jordan left her homeland for Germany in 2005 and moved on to the UK in 2011. She currently lives in London, touring Europe annually.” She’s regularly playing live in Second Life – check her site for scheduled shows. You can download music from her site and find out more about this remarkable woman. Do it now. www.jordanreyne.com https://twitter.com/jordanreyne Burn – Grace Valhalla (Nancy, France) I’ve been a serious fan of Grace Valhalla’s work for the very early days of SnC. She first popped up in show 94 back in 2007. This is from her album PEAK~. She has released quite a few albums since her first in 2006 her instinctive talent for creating quite captivating music is remarkable. Lots is available on Jamendo and more on iTunes, Juno, Amazon etc, details on her site. gracevalhalla.tumblr.com facebook.com/gracevalhalla.official jamendo.com/en/artist/2208/grace-valhalla La Plaie Et Le Couteau – Marc Farre (New York, USA) A gorgeous track from my dear friend Marc who typifies the best of thoughtful French and New York sensibilities in his intelligent song writing and performance. A true gent, it’s always a treat to have dinner with Marc generally at the wonderful Cafe Asean the West Village. Ah, those glass noodles! Always showing up with something new and interesting check out his beautiful site. http://marcfarre.com Here’s a video of the rather dark Harry Battles – Funke and the Two Tone Baby (Margate, Kent, UK) direct Ah, what can we say about Dan (aka Funke)? Strikingly original songs, energetic performance and a thoroughly great guy. He played a spectacular Session at the Barn for us, from which the barn is almost recovered. He’s a hard-working musician playing small gigs across England and beyond. Catch him if you can. His most recent album The Last Thing We’ll See Is The Sea is out now. funkeandthetwotonebaby.co.uk Here’s The Great Storm, from his most recent album My Father The Sailor – Nordgarden (Norway and Italy) direct Terje Nordgarden is another real friend of the show having recorded our first Session at the Barn way back. A deeply personal song My Father shows his understated song-craft. It’s from his album A Brighter Kind of Blue (2006) on which quite a number of tracks feature guitar voice and trumpery. An unusual but really effective combination. His most recent release Dieci is sung in Italian throughout. He has shows in Italy tomorrow and the next night, details on his site nordgarden.info Bodmin Dubbing – Bagas Degol (Cornwall, UK) No celebratory tour of SnC could be complete without a dose of solid Cornish dub with bagpipes. So, it’s as well that we still have access to the majestic music of Bagas Degol and their seminal album Party Like It’s 1399. The band is no more (as I understand it and I’d love to be wrong) but their Cornish language work is remarkable and very, very Celtic. cdbaby.com/cd/bagasdegol Try this the for size too: To give credit where it is most certainly due, Pete Cogle discovered this album on the old Podsafe Music Network way back in the day. Pete consistently finds “weird and wonderful” music for us. petecogle.co.uk That’s the end of Suffolk’n’Cool in its current form. It’s been a blast and a labour of real love to bring you the best I can find every week as your blast of fresh musical air. The weekly show may be stopping but I’ll be popping up now and again with something for you, perhaps a Session at the Barn, a special feature, a video to share or a report from one of the music events I’m planning to get to. So not so much an end as a refresh. The site isn’t going away and new developments and episodes will appear here. If you want to be sure to get whatever’s coming down the track, be sure to subscribe through iTunes or Stitcher or any of the podcast subscription services. My thanks to all the artists, labels and publicists who have kept up a relentless flow of interesting music for me to select from. Of course, the artists and labels are all independents and I’ve been delighted to do what I can to support them. I hope you’ll continue to do so. Finally, of course, my thanks to you, for taking the time to listen. You really are the stars of the independent music world. Without loyal fans (or perhaps it’s patrons) oiling the wheels, the real music economy would stop. Thank you so much; I’ll catch you later. Mind how you go.

    48 min

  2. 24/09/2014

    SnC 428 – Dubby

    Tonight We Fly are singing in a Bath – the one in southwest England. We’ve gone a bit dubby this week with a couple of artists from the excellent A Quiet Bump net label in Sicily. Boo Boo Davis brings us back to our blues roots and then gives it all a bit of a twist and to start a great sound from Bath, here in the UK.   Allergy – Tonight We Fly (Bath, UK) Highs – Tonight We Fly  Tonight We Fly formed early in 2014 in Bath, Somerset, and are made up of members Jack Godby, Tom Summers, Ned French and Craig Spensely. The band seem perennially in love with the notion of true ‘indie’ music, referencing a time when the best place to hear British independent music was when it was being introduced (and occasionally played at the wrong speed) by John Peel, back in the days when BBC Radio 1 still saw a value in occasional risk-taking. Whilst their style may hark back to the ‘shambling’ bands of British indie music’s true heyday, Tonight We Fly’s attention to detail in both lyrics and music is formidable, and cheerfully rewards repeated listens. Their music is a welcome reminder in these heady times that the ones convictions are oft best expressed with a sad-sack demeanour and an unwavering appreciation of persistently cloudy skies. www.facebook.com/tonightwefly @TonightWeFlyUK soundcloud.com/tonightwefly foofrecords.com   The Bath and Bahamas connection? A belated thanks to Jalal who left a kind comment on the show notes for show 246 a couple of weeks ago to say “Another nice one Clithers” and that he regarded Dálava as a particularly good find and that he’s looking forward to their album coming out next month. I also see that he appears to have a Bahamian connection through WildQuest who run venture swimming with dolphins in Bimini – well, there’s a happy co-incidence. The I’ve been is swimming with a remarkably inquisitive barracuda on a small reef off Long Island, way down at the other end of the Bahamas. It was pretty amazing though. www.wildquest.com Diggin In Ya Boongie – D Mac   We See – Voodoo Tapes (Napoli, Italia) Colonial Blend Extra Bold – Voodoo Tapes Voodoo Tapes is the pseudonym of Giovanni Roma (aka Blob). It began in 2011 for an irresistible impulse to perform digital dub vibrations. There is no other reason why this project was born over the trance of bass, hi-hat and spring reverb. This comes from the latest release on the excellent A Quiet Bump label in Sicily. www.facebook.com/pages/voodoo-tapes/119135084830065 Aquietbump.com facebook.com/pages/AQUIETBUMP-label/58343125859 @aquietbump soundcloud.com/aquietbump   Thirsty Version – Hotdrop (Madrid, Spain) Sexo Duro Chapter1 – Hotdrop Hotdrop was born in the winter of 2004, in dark rehearsal rooms of Madrid”s suburbs, where the irresistible attraction for Jamaican rhythms made these reggae lovers take the same direction. The band grew gradually, thanks to underground jam sessions, summer recordings and amazing coincidences…Long inspired rehearsal nights did the rest. But the road is long and Hotdrop’s story suffered many encounters and farewells, until it reached the stable musical line up that currently creates its mystic reggae-dub sound. Hotdrop have been busy lately, touring in the main cities of Spain opening for important artists such as Toots Hibbert, Slackers, Baba Toure, Heptones and heating the waves of many reggae radios across the world. Hotdrop is preparing now the tracks of their next album, so stay tuned. They are now presenting their latest record “No barriers”, a vinyl EP full of hypnotic rhythms and special vocal collaborations. www.hotdrop.es/  (not working at date of show) Aquietbump.com facebook.com/pages/Hotdrop/24969607548   Late last week? Were we late last for the subscriber download last week? If so, sorry, it was my finger. Ot didn’t press the wrong button but it failed to click on the final crucial publish to iTunes button at Libsyn.   Blues On My Mind – Boo Boo Davis (St Louis, Missouri) Bring Back My Baby – Boo Boo Davis Boo Boo Davis is a survivor and belongs to the last generations of musicians that write and play the blues based on first hand experience of a hard life in the Mississippi Delta. He was born and raised in Drew, Mississippi in the heart of Delta. It was the richest cotton land in the South and the large amounts of field workers attracted the best musicians from the surrounding areas. The entire Delta region was rich with blues, but the town of Drew was a particularly fertile one. Charley Patton stayed near Drew for many years and several legendary performers spent time there. Sharecroppers sang loudly to help pass the greuling hours of work and without a doubt Boo Boo developed his loud, bellowing voice based on the singing he heard in the fields as a young boy. Boo Boo Davis used to play the renowned blues club Tubby’s Red Room in East St Louis with his brothers, as the Davis Brothers. His raw uncompromising blues sound, reminiscent at times of Howling Wolf, has been given a really interesting twist by Jan Mittendorp at Black & Tan and the Blue Acid Team near Amsterdam who explain that: “We started with recording his vocals and harp parts and afterwards BLu ACiD created a musical background for these vocal tracks. What you hear is a voice from ‘the delta’ running into 21st century technology. Like moonshine, this music was slow brewed in seclusion during all-night-and-day marathons attended only by the two BLu ACiD members and the ghosts of the past, who were eager to have their voices echo into the modern world.” It certainly works for me. booboodavis.com facebook.com/BooBooDavisMusic crossroads.nl/blacktan/

    46 min

  3. 17/09/2014

    SnC 427 – Days of Summer

    KateTucker and The Sons of Sweden bring their music/film project The Shape The Color The Feel to life. As the dog days of summer splutter into the first mists of autumn we’re taking a moderately chilled approach to this week’s show with tracks from artists in Nashville, Halifax, New York and Lisbon, Portugal. Kick back, chill out and enjoy the music although there is, of course something bit more rocking in the first track.   Blue Hotel – Kate Tucker and the Sons of Sweden (Nashville, USA)  The State I’m In – Kate Tucker and the Sons of Sweden (Nashville, USA) Seattle-born, Nashville-based Kate Tucker and the Sons of Sweden play lush, layered indie rock with sparkling melodies and shimmering soundscapes. In 2013, the band launched a highly successful crowd-funding campaign via Kickstarter for their collaborative film+music venture, The Shape The Color The Feel. The project attracted the attention of many, including Huffington Post who called the “effort to bring the best of the past and the present together” “admirably ambitious,” going on to say, “the real beauty of the project is that just as it seeks to recapture some of what music has lost to technology, it’s utilizing the same technology to make that happen.” Upon completion, KT+SOS turned the record over to a group of filmmakers and artists, handpicked by the band, asking each of them to choose a song and create a visual expression of it. The first of these aural and visual pairings, “Looking Around,” premiered on the Vinyl District in November and the most recent, “Best Friends’ Love” saw its debut on Esquire. Music videos and short films are set to premiere throughout 2014. In addition to the short films and music videos, Australian artist Jessie English created a series of wet process photograms based on each song. The Shape The Color The Feel visual exhibit opened in Nashville on February 16, 2014 and will travel to several cities throughout 2014. As this all unfolds, Tucker and filmmaker Miriam Bennett are working on a documentary featuring the creative community that has emerged throughout the project. For Kate Tucker and the Sons of Sweden, The Shape The Color The Feel is a sort of homecoming, but it’s also a leap into the great unknown. Sep 26 The WorkPlay Theatre Birmingham, AL Dec 06 Musica Akron, OH Dec 07 Empty Bottle Chicago, IL Dec 08 Plush St Louis, MO katetuckerandthesonsofsweden.com www.facebook.com/sonsofsweden twitter.com/sonsofsweden www.soundcloud.com/sons-of-sweden   Babylonis – M-PeX (Lisbon, Portugal) Staphila –  M-PeX A tradição envolve-se com a modernidade numa relação que tem tanto de promíscua como de frutífera e verdadeiramente interessante. M-PeX é um projecto que alia a Guitarra Portuguesa à música electrónica, e que ousa explorar paisagens musicais nunca antes visitadas. Uma experiência arrojada que estabelece um teste aos nossos sentidos, que se atreve a derrubar clichés e que prova que a música tradicional também pode ser moderna, ou vice-versa. Imagine-se o som cristalino de uma Guitarra Portuguesa. Imagine-se um laptop a debitar ritmos electrónicos. M-PeX é isso mesmo, música electrónica com Guitarra Portuguesa. Ou talvez seja Guitarra Portuguesa co electrónica. De qualquer forma, o projecto cruza estilos musicais aparentemente inconciliáveis. Mas afinal parece que é possível. O resultado não é Fado, nem electrónica, nem apenas a soma dos dois: é algo de indefinível que nasce do casamento da tradição com a inovação. Which basically means that if you’re familiar with the works of Portuguese Fado singers such as Mariza you’ll know and probabl y love the sound of the 12 string Portuguese guitar. Now mash that sound up with a laptop generating electronic elements and you’ve got a new take on Fado. Both tracks are from his Jamendo album, iPhado which you’ll find at https://www.jamendo.com/en/list/a136632/iphado www.myspace.com/mpex www.facebook.com/pages/M-PeX/126605314037429 soundcloud.com/m-pex-remixer   Thanks to Nick in Germany for the screen shot of his SnC collection, every single edition since 2006. He did describe last weeks show as “diversified”. Yes I rather think so, perhaps a bit too diversified! This week perhaps less so.   Season’s Rest – Paper Beat Scissors (Halifax, NS, Canada) A welcome return for Tim Crabtree aka Paper Beat Scissors. We’ve heard a few of his beautiful etherial tracks in the past year or so including a couple of tracks from his live recordings at St. Matthew’s Church. This time both tracks are from the eponymous and solidly excellent Paper Beat Scissors album. Tim is a Brit living in Nova Scotia and an active member of a vibrant musical and creative community in and around the city. If you get the chance, do catch one of the shows on his current European tour – his live performances are very special indeed. Watch Me Go – Paper Beat Scissors Remaining dates on the Paper Beat Scissors Solo Euro Tour: September 17 – Mainz, DE: Haus Mainusch September 19 – Newcastle, UK: The Butterfly Cabinet September 20 – Ramsbottom, UK: Ramsbottom Festival September 22 – Sheffield, UK:  Cafe #9 September 24 – Leeds, UK: House Show September 25 – York, UK:  TBA September 27 – Paris, FR: TBA September 28 – Augsburg, DE: House Show September 29 – Graz, AT: Die Scherbe October 3 – Reykjavik, IS: Kaffi Rósenberg paperbeatscissors.com www.paperbeatscissors.bandcamp.com/ www.facebook.com/pages/Paper-Beat-Scissors/33296413739   CMJ initial artist line-up and mixtape Did I mention that the initial artist line-up for CMJ has been announced and it looks as intriguing as ever with loads of artists I’ve never heard of! That’s the point really – discovering new music. There will be more announcements in the next couple of weeks before the Music Marathon itself in NYC Oct 21-25. The initial daytime panel programme looks rather good too. I often think that the quality of some of the panels is itself worth the price of admission, although youm can still save $25 omn 2014 badges if you’re quick about it. Having said that, the full badge is discounted from $549 but then that is for four full days of music, panels and the parallel Film Festival. A student badge will cost $365 less the $25. It’s not cheap, but in my view, it’s excellent value. There’s also a free mixtape available from CMJ if you fancy a listen to something else a bit different. Free download here: … and let me know what you like.   L’été – Wyatt (New York) Walking Down 6th Avenue – Wyatt WYATT’s music is born out of the Colorado calm and NYC craze that have molded Maddy as a writer. It continues on the folk/pop path they’ve forged, but this time it’s infused with bits of psychedelia, California dreaming and French revolution. Maddy, Paul, and Alex Wyatt grew up outside Denver, right where the mountains start, and WYATT’s music is influenced by the space, peace and grandeur that Colorado exudes. Coming from French Canadian stock on their dad’s side, and having been taught songs in French from a very early age, it was fairly inevitable that Maddy would start writing songs in French. She embraces the inherent beauty and flow of the language, and enjoys the challenge of writing in a second language, as it forces her to keep things simple and efficient as she puts the pen to paper. Here Comes Everybody is produced by Matthew Maroulakos (Waking Lights) and Grant Zubritsky (Alex Winston, Nina Persson) at The Den Studios in Woodland Park, NJ. It was mixed by Dave Robertson (Dangly Studios) in Brooklyn, NY and mastered by Hans DeKline (Sound Bites Dog) in Los Angeles, CA. WYATT will be on the road through the fall in support of the Here Comes Everybody EP scheduled for release on November 11, 2014. www.bandofwyatt.com/ www.facebook.com/bandofwyatt

    48 min

  4. 10/09/2014

    SnC 426 – Wildly West

    We Are The West are back with a brand new EP. Excellent news! We’ve got a live recording from the high desert of New Mexico, Ghostly sounds from Seattle, Afrobeat from Brooklyn and to start, songs collected by a biologist in the Carpathian mountains of Central and Eastern Europe over a hundred years ago.   Ej, Lasko, lasko – Aram Bajakian & Julia Ulehla (Dálava) (New York City, USA) Rock Paper A biologist was so enchanted by the music of a small Moravian village at the western hem of the Carpathians over a hundred years ago that he meticulously transcribed them into a tome of a book. The songs had been carefully preserved. But how could they come alive over a hundred years later? The NYC based band Dálava gives a beautifully idiosyncratic answer with their eponymous debut album (release: October 14, 2014). Based on the Moravian folk songs transcribed by biologist and ethnomusicologist Dr. Vladimir Úlehla, and led by vocalist Julia Ulehla (Vladimír’s American great granddaughter) and guitarist Aram Bajakian, the album vibrates with intensity, even when whispering and sparse. Prepared and distorted guitar alternates with eerie soundscapes. Ulehla’s voice teases and caresses (“Milá má”), then leaps and bounds (“Mamičky”). “The song texts feel like fairy tales, like compact parables,” muses Ulehla. “They are so evocative of a whole miniature universe. We tried to give each song its own sound world. We knew nothing about the traditional way it was done at the time. It was simply a work of creativity and imagination. We were totally free.” Bajakian has toured extensively with Lou Reed, who he played alongside during the rock legend’s final two tours. Bajakian then went on to perform over 100 shows alongside multiple Grammy winner Diana Krall during her much lauded Glad Rag Doll Tour. He learned from friend and guitar mentor Marc Ribot, and has worked with John Zorn and his circle to compose and perform challenging contemporary music (though often with a strong rock kick). He has also experimented with tender, more acoustically leaning treatments of Armenian folk tunes with his project Kef. Ulehla, classically trained at the Eastman School of Music, left the opera world for the uncharted, exploratory territory of the Workcenter of Jerzy Grotowski and Thomas Richards, drawing on the experience of the theater icon and his collaborators to dig deep into the physical experience and ritual mindset of songs in performance. The two childhood friends crossed paths again as adults, meeting up in Italy where Ulehla was an actress at the Workcenter. Eventually, they found themselves back in New York together as young parents and curious musicians. They decided to tackle the love songs and philosophical ballads, the recruiting chants and cryptic fragments transcribed by Ulehla’s great-grandfather Vladimír. A ty moja najmilejsi – Aram Bajakian & Julia Ulehla (New York City, USA) www.dalavamusic.com/ arambajakian.com/   The Trilogy – We Are The West (LA, CA, USA) We heard from We Are The West a while ago and now they have a new work out in the wild called We Are The West III. This is a single track offering somewhat confusingly called Trilogy. Brett Hool together with his musical soul-mate, John Kibler, are interested in exploring the convergence of sound and space. For this recording they leave the storm drains and underground garage spaces of LA and head out for a live recording in the high desert of New Mexico. Yes, WATW really are interested in exploring the convergence of sound and space. Their  skilfully crafted music is layered into the context of very live performing and recoding spaces, resulting in songs of a haunting beauty and intimacy. Their WATW III recording brings us close to performance poetry in places but always underpinned by fabulous playing and voices that reveal real passion. It repays focussed listening. Ann De Witt has an insightful written interview with Brett and John in The Believer magazine   You can get the EP (if that’s what it is) at http://wearethewest.com/WATW/EPIII.html where there is a link to their Bandcamp page. It is offered on a pay what you like basis (min $3) have a listen and discover how much you like it, then let that tell you want it is worth – I’d say the benefit to my soul is worth way more than $3. The bands previous episodes in the four recording suite are available from Bandcamp too. wearethewest.com www.facebook.com/wearethewestmusic Arterial – Lusine (Seattle, WA, USA) Lusine is Texan Jeff McIlwain, an ambient/IDM musician. Originally a Texas native, McIlwain now resides in Seattle. After his diverse yet cohesive 2013 album The Waiting Room, Lusine, is back with a more tightly focused EP. The release of Arterial, his fourth EP for Ghostly International, marks another successful foray into a niche that most artists would spend their careers immersed in. A calmly effortless work, Arterial is economical in everything it does, creating its own tiny universe to house expertly crafted productions. On the title track, crackling samples simmer like heated atoms narrowly missing each other, suspending us as we wait for release. “Eyes Give In” encapsulates the EP’s feel, taut, with no sound out of place, and yet over the course of its five minutes warming into something undeniably human, even comforting. “Quiet Day,” the most accessible track here, demonstrates McIlwain’s gift for merging heady electronic music with the visceral appeal of pop, as his gorgeous synth melodies compliment submerged vocals. Eyes Give In – Lusine At 20 minutes, the EP is exactly as long as it needs to be, showcasing yet again the multiplicity that exists within Lusine’s work through songs that form a compact whole. As McIlwain told Giant Step in a recent interview, his goal is to find “beauty in strange places” and “warmth under the surface” through all his music, and on Arterial he fulfills this wonderfully. You can buy it direct from Ghostly International at: http://www.theghostlystore.com/collections/music/products/lusine-arterial lusineweb.com   Bella Ciao – Underground System (Brooklyn, NY, USA) Underground System’s music finds its roots in Fela Kuti’s West African pioneered Afrobeat aesthetic that is chopped and screwed with the disparate influences from dance halls around the world. The band’s female frontline pushes them ahead with a unifying socially conscious voice, Underground System is a force: a freaky, dancey, multicultural party. From the two track Bella Ciao EP a five track remix album has emerged, that truly displays the diversity of Underground System’s music.  To create this album Underground System has called upon their extensive network of beat makers, electronic musicians, rappers and DJs to create five incredibly different remixes of the tracks D.O.N. and Bella Ciao.  Underground System Remixed features reworked tracks from the Brooklyn-based trio Archie Pelago brings their electronics, trumpet, cello, sax in for a spaced-out disco remix of Bella Ciao.  Globe-hopping DJ and educator Chief Boima twisted that same track into a dark percussive track ready for the international dancefloor. The Bella Ciao remixes are rounded out by none other than Peter Matson, Underground System’s own bandleader and accomplished DJ and producer in his own right.  The track D.O.N. was put into the hands of Das Racist alums Kool A.D. and Kassa Overall aka Kool and Kass, the result is an epic extended verse track that only these two hip hop magicians would produce.  The final remix of D.O.N. is the premier of the newest Underground System offshoot project Big Everything (Elenna Canlas and Peter Matson) dance floors beware! undergroundsystembk.com twitter.com/USAfrobeat instagram.com/undergroundsystem The video for the original mix.

    45 min

  5. 03/09/2014

    SnC 425 – Crooned and stirred

    Twin Brother bring their thoughtful brooding music to the show this week. Variety again I’m afraid, with tracks from  a bunch of Milwaukee collaborators, a film music studio not quite on the Pont d’Avignon, the legend that is Plastikman and, to start, a multi-instrumentalist obsessive in Portland, Oregon.   Violet Waves – Bike Thief (Portland, OR, USA) Bike Thief is the brainchild of vocalist and multi-instrumentalist Febian Perez. According to PDXPick.com, Perez was inspired by the Italian film, The Bicycle Thieves, when he named his band Bike Thief. After moving to Portland in 2012 and auditioning over one hundred musicians, Perez finally found band-mates who could help him realize his precise and complex musical vision. Perez acknowledged that he knew exactly what he wanted out of the band back when he was the only member and living in Austin, Texas. It was tumultuous at the beginning, and Perez admits that he is a bit obsessive when it comes to his sound and, by extension, the pieces that make it. Perez is adamant, however, that this obsession comes from a place of passion: “I want to make our music as true as possible to the sound I hear in my head.” Last weekend saw release of their debut record, Stuck in a Dream. Benjamin Violet, known for his work with Of Montreal, The Polyphonic Spree, and Kishi Bashi, directed the animated video for “The Burning Past.” According to Portland’s Deli Magazine, Bike Thief “capture sounds of deterioration and rejuvenation through crooning vocals and stirring string movements.” Ghosts of Providence – Bike Thief  bikethiefband.com @BikeThiefBand facebook.com/bikethief   Swing – ALM Productions (Avignon, France) A hip hop enthusiast from a young age, ALM offers us a journey through time. Starting with 1930s samples and swing jazz exclusively from old vinyl he builds layers out of those old sounds accompanied by rhythmic old school hip hop, sometimes very “dirty”, but always impressive. Everything is inflated by the very powerful and enriched sounds of vintage synthesizers and subs. His work seems to be geared towards sound for sync licensing but you can still enjoy it free from Jamendo. Just do it…every night – ALM Productions www.almstudio.fr www.jamendo.com/en/artist/363592/alm-productions   Who Is Right Now? – Twin Bother (Milwaukee, WI, USA) Twin Brother has been kicking about their musical aspirations in the upper Midwest in various formations throughout their collective years in Milwaukee, rooted in the steady musical (and comradic) bond between vocalist/guitarist Sean Raasch and drummer Tyler Nelson. The energetic pop-rock duo, Jackraasch is where Twin Brother really took off, and their progression into their freshly determined (but still easy-spirited) music is a testament. It wasn’t until Raasch and Nelson ironed out those early-20s’ wrinkles in their Jackraasch days that they set their form to fly true by joining forces with musical comrade, Lodewijk (“Lodi”) Broekhuizen on bass and violin and set to writing, together, with Raasch at the helm. The three matured and bonded with their new musical form, claiming its name of Twin Brother (holding familial meaning to Raasch), flying right and singing out with a sincere, new sound. Early 2013 saw Twin Brother reach out, pull in and collaborate even further with several Milwaukee musician friends to set to tape Raasch’s songs filled with nervous conviction. Nelson’s busy but delicate shuffle on the kit and Broekhuizen’s steady bass and strings set the ground solidly for additional strings from Nathaniel Heuer and Amelinda Burich (upright bass and viola, respectively) and lapsteel from Shawn Stephany (all of Milwaukee’s Altos). That collaborative taping lead to Twin Brother’s fully realized and sparsely beautiful self-titled debut, Swallow The Anchor which The Onion’s AV Club hailed as “[taking] the basic elements of folk and graft[ing] them to the fraying body of alt-rock.” True enough, Twin Brother’s debut held fast to modern folk efforts but was singed through with the defiant energy of the 90s — heartfelt and winsome but with plenty of piss and vinegar, playing off of Raasch’s lyrically acerbic but hopeful viewpoint. Way To Be – Twin Brother www.twinbrother.net www.facebook.com/twinbrothermke @twinbrothermke www.instagram.com/twinbrothermke www.twinbrothermke.bandcamp.com   Exhale – Sonar Live Mix – Plastikman (Windsor / Berlin) Richie Hawtin is many things – an extraordinary DJ, creator of the ENTER. experience, mastermind behind the M_NUS label, technological innovator, art aficionado – in 2011 he collaborated with British sculptor Anish Kapoor for an installation in Paris – and style icon. Before this, though, and perhaps most famously of all, he was and is Plastikman, an electronic music phenomenon whose followers are legion and fanatic. Between 1993 and 2003, Plastikman created an astonishing body of work, one that didn’t so much define a time and place as explode them, expanding the dimensions of Detroit techno and redefining the possibilities of electronic dance music. Across six albums (‘Sheet One’, ‘Musik’, ‘Recycled Plastik’, ‘Consumed’, ‘Artifakts (B.C.)’, and ‘Closer)’ and numerous singles such as ‘Spastik’, ‘Plastique’, and ‘Sickness’, Plastikman evolved into one of contemporary electronic music’s most distinctive voices: minimalist, psychedelic, seriously groove-laden, and ever mindful of the transcendent properties of electronica. On the evening of 6 November 2013, at the invitation of Raf Simons of Dior, a special Plastikman live show composed of entirely new material took place at the Guggenheim Museum, NYC. The album, EX, was released in June, and then days after its release, a second performance took place at the renowned Sónar festival in Barcelona. Plastikman has now unveiled a live recording of EXhale from the Barcelona performance – the Sónar Live Mix – available as an MP3 / AIFF to download for free. EX Plastikman’s first album release since 2003’s Closer, and is out now on vinyl, CD, digital and limited edition SubPac bundle. For the limited edition, Plastikman teamed up with SubPac to create a Limited Edition Premium Bundle: the album is presented on vinyl, with a signed certificate of authenticity and a custom Plastikman edition of the SubPac S1. Here’s the video of the Barcelona performance. plastikman.com/ www.facebook.com/PlastikmanOfficial @PlastikmanLive

    43 min

  6. 27/08/2014

    SnC 424 – Mystery time

    Lay Low with a live track this week [Pic. Oliver James]An interesting collection of artists again this week a few of which take us off into almost uncharted and mysterious territories. Every once in a while it’s good to hit your ears with something a bit different eh?   Black Eye Friday – Heavyball (London, UK) Heavyball are a hard rocking indie/ska band based in London. They are a four piece whose sound fuses traditional British ska with contemporary indie. The music has distinct and uplifting melodies with a driving percussion heart and honest lyrics. Formed in late 2011 when Nottingham brothers Bigface and Habs Salisbury and school friend Johnny Iball, began to play together. The band’s sound is indie fused with traditional UK ska. Influences include Viz, Shane Meadows and the story writing traditions of country and western. Heavyball’s recordings have been championed by DJs such as 6 Music’s Tom Robinson and Chris Hawkins. In 2013 Heavyball supported the Kaiser Chiefs on their UK and Holland tour, playing sell out venues such as the Manchester Apollo, Glasgow’s Barrowlands and Corso in Rotterdam. 2014 sees Heavyball embarking on a busy UK and Europe festival season, a European tour in October (Holland, Germany, Austria and Czechoslovakia) with a debut album scheduled for recording in winter 2014. Small Town Hero – Heavyball They have shows listed on their site – most of the upcoming ones are over on the mainland. www.heavyball.net/home/4562286672 www.facebook.com/pages/Heavyball/194975950591779 @Heavyballreal   Our Conversations – Lay Low (Ölfus, Iceland) Lay Low is the easy name of Icelandic songwriter Lovisa who has been putting out some gorgeously intimate music for a few years now. The name Lay Low came about in 2006, after Lovísa was contacted by a local label that picked up on a raw demo that she had uploaded onto MySpace. Not one to waste an opportunity, Lay Low’s debut album ‘Please Don’t Hate Me’ was released that same year. An intoxicating take on classic Americana sounds, the record topped the Icelandic charts and became the bestselling original album in the country, winning no less than 3 Icelandic Music Awards. She’s been a great favourite of Codger Cogle and The Grumbler for most of those years since they first saw her at TGE. This year, they got to hang out with her for a while after the show which clearly pleased the dear old chaps. Our Conversations is on her current album Talking About The Weather. By and By – Lay Low The track is on her second album “Farewell Good Night’s Sleep” (2008) but Mr Cogle has the extreme presence of mind to record her performance at The Speigeltent at the Great Escape this year. There’s not a lot of updating going on on her site but you can get hold of her music through the “Shop” tab in the menu bar on her site. www.laylow.is/ facebook.com/baralovisa @lovisalaylow soundcloud.com/lovisalaylow Hear more from Lay Low at TGE on PC Podcast 463 petecogle.co.uk/blog/2014/05/12/pcp463-great-escape-2014/   The Great Escape I expect I’m the last person in the world to work out the significance of name of the festival. Doh! It don’t occur to me until Sir Richard Attenborough died at the weekend that as well as having a big role in The Great Escape (1963), he also starred in the Boulting brothers’ 1947 production Brighton Rock which is, of course, exactly what we go to Brighton for – every year! I just booked my ticket for next year. A pretty good deal at £43.45 for three days of interesting live music. If you’re up for it, let me know and we’ll arrange a meet-up in Brighton. greatescapefestival.com Réalité – Silence (Bruxelles, Belgium) More mystery. This is an album called L’autre endroit that has had almost 2 million plays on Jamendo since its release in 2006. The artist has provided no information and, as you’ll see the given url leads to a 3D designer who may just be the artist. Who knows. Interesting sounds though.   Cellule – Silence www.vincentgires.com/ www.jamendo.com/en/list/a830/l-autre-endroit   Shine – Catalin Dinu (Richmond, BC, Canada) 30 years old Catalin Dinu lives in Richmond, Canada. Although his favourite instrument is the bass guitar, which he took as a major in college, you’ll not hear much of it on this track. This is from his second album, My Religion. Born in a modest, middle class district of the city of Brasov, Romania he had dreams of becoming an actor, early before the age of 11. That’s when he moved to Canada. Years went by and he never really gave up on his bass. He took lots of lessons– bass, music theory, piano– and eventually landed himself a position as a bass major at one of the top colleges in Vancouver. www.facebook.com/pages/Catalin-Dinu/131517103594126 @dinu_catalin   Tare Too Te Rut Te Instrumenta – HooYooSay (unknown) I really can tell you almost nothing about the artsit(s) here. The birth of hooyoosay was an occasional recording jam, a couple of guys playing some cover songs just for the fun of it, but eventually leading to an online release. As the founding artists each had their own reasons for remaining anonymous, this idea was maintained as a principle when things further developed into an organized project. So hooyoosay became this peculiar music recording project, having a variety of constantly changing unnamed collaborators, inevitably displaying a wide diversity in styles with their releases. Googly Goo – HooYooSay hooyoosay.com/ www.facebook.com/pages/Hooyoosay/201239069949729 @hooyoosay www.reverbnation.com/hooyoosay

    47 min

  7. 20/08/2014

    SnC 423 – Smiley time

    Kuenta i Tambú put a smile on our collective faces this week. A somewhat exotic show this week with a slight variation of approach. We’ve got five fascinating independent artists from Amsterdam (with their take on the music of Curaçao), Montreal (singing in Spanish), California but with a song in Serbian and, of course, a German Ska band.   Take My Hand – Dirty Primitives (Lille, France) The band comprises Jean Bernard Hoste: singing, feet drumming and basic guitar along with David Bausseron: guitar, noise / Fuzz and More Fuzz! The minimalist duo’s music is described as “electric and noisy primitive”. Located somewhere near the crossroads of stomp garage rock and blues folk noise. The line-up offers two electric guitars, a bass drum, a hi-hat, and a few touches of “random loop” electro. Dirty Primitives played their first concerts in 2011 www.dirtyprimitives.com   Chilly Winds (Trad. Appalachia) – moira smiley & VOCO (CA, USA) Moira Smiley & VOCO have created on their new album, Laughter Out of Tears (released September 15, 2014 on Whim Records), pulling together people from Australia, Europe, and all throughout North America. Redefining harmony singing with the power & physicality of folksong, the avant-garde fearlessness of Béla Bartók and vaudevillian combo of cello, accordion & banjo. Working with voices has always been Smiley’s joy.   A virtuosic singer, she works with artists as varied as Paul Hillier, Ladysmith Black Mambazo, KITKA, Tim O’Brien, Solas and tUnE-yArDs, and has sung everything from Stockhausen and Stravinsky to traditional folk music – which remains her deepest love, to the level that she’s spent time as a song collector in the Balkans. She’s recorded Irish sean-nós on her solo record Rua, been featured on radio, television and films, taught at the University of Birmingham in England and several American universities, and been the recipient of an enviable list of grants and awards. In 2006 Smiley formed VOCO, a five-piece group of singers and players, with an improvisational – and uniquely vocal – approach to American and Eastern European folk music, and Smiley’s polyphonic originals. “The band is made up of spare ingredients,” she says. “There’s usually cello, always body percussion, and everyone sings, of course. I write for three or four voices in harmony, and I play banjo and accordion.” Laughter Out of Tears continues a journey Smiley has begun with VOCO’s three previous releases. Oj Jabuko (trad. Serbia) – moira smiley & VOCO (CA, USA) A second track from Moira Smiley. www.moirasmiley.com www.facebook.com/VOCOinfo   Relojes – Alejandra Ribera (Montreal, Canada) Alejandra Ribera has a small tattoo inside each wrist. On the right, in Spanish, is the word ‘Listen’: on the left, ‘Remember.’ They’re not for display, but reminders to herself, watchwords for living and art. And she does both without compromise on her long-awaited second album, La boca (release: June 10, 2014 on Pheremone Recordings), a disc that brings together all the separate strands of her life and creativity. “My first album (Navigator, Navigather) came out in 2009, and people said I was crazy to wait to record the second,” she explains. “But I knew I wanted to work with producer Jean Massicotte (Lhasa de Sela, Patrick Watson). He was booked, so I waited for three years until he was available. And I was right; he was the person to find my thread, no matter whether I was singing in English, French or Spanish.” In part, her approach to words comes from the fact that Spanish was her first language. Her father hails from Argentina, and the family spent a year there when Ribera was very young. Finally, when they returned to Canada, she announced that she was just going to speak English. “But the sound of Spanish still feels very familiar,” she says. “It’s like something just out of reach, beyond a veil. So much of my writing is like a conversation with myself that’s very open-ended. And going outside my comfort zone, especially traveling where you don’t speak the language, stimulates me.” But the Canadian-born singer-songwriter has always followed her convictions, no matter where they’ve taken her: to Glasgow when she was 19, to see her mother’s Scottish homeland, living in Paris and Malaga, or moving to Québec to work with Massicotte.   I Want – Alejandra Ribera (Montreal, Canada) A second track from Alejandra Ribera which features on her album, a richly textured, multilingual album that reflects the artist’s roots as much as the journey she took to bring it to fruition. The artist, who cites amongst her greatest influences Rufus Wainwright, Chavela Vargas, and bagpipes, now divides her time between Montreal, Paris and Malaga where she continues to create.. August 20th, 2014 New York City, NY  Joe’s Pub August 21st, 2014 Washington, DC  Bossa Bistro October 3rd, 2014 Lavaltrie, QC  Café-culturel Chasse Galerie October 4th, 2014 Eastman, QC  Cabaret Eastman October 9th, 2014 Varennes, QC  Maison Saint-Louis October 24th, 2014 Saint-Georges de Beauce, QC  Entrecours du Cegep Beauce-Appalaches November 14th, 2014 Sherbrooke, QC  Théatre Centennial November 15th, 2014 Baie-Du-Febvre, QC  Théatre Belcourt November 20th, 2014 Charlottetown, PEI   The Mack November 21st, 2014 Margaretsville, NS  Evergreen Theatre November 23rd, 2014 Truro, NSMarigold Cultural Centre November 26th, 2014 Saint John, NB  Imperial Theatre December 6th, 2014 Ottawa, ON  National Arts Centre Studio www.alejandraribera.com https://www.facebook.com/alejandraribera @alejandraribera Purchase La boca on iTunes   Lightswitch – Kuenta i Tambú (Amsterdam, Netherlands) When Roël Calister, a Curaçao-born percussionist who moved to the Netherlands, began his career, it was with the traditional music of his homeland, everything he’d learned as he grew up. The band he founded in 2005, Kuenta i Tambú, played and sang acoustically. It even infused the material he composed. But in 2010 a sea change happened, following a change in band membership. “Like a lot of people, we were listening to hip-hop, to dance music,” Calister recalls. “We started experimenting with beats and electronics to give our music the feel that fascinated us in European electronic music, music we really loved. We released an EP and the style we call Tambutronic was born.” Since then Kuenta i Tambú have evolved and refined their music. They’ve introduced Tambutronic music to several continents, including prestigious gigs at Kennedy Center and Lincoln Center, and added a new singer, Diamanta, to make them into a five-piece. And, Calister says, “We knew it was time to make a proper album.” For all its contemporary sound, though, the music of KiT is very solidly based in tradition.   Bool – Kuenta i Tambú Our second track from KIT Here’s the About video: http://www.aboutkit.com/ https://www.facebook.com/aboutkit @Aboutkit   No Ska Today – Skabrot (Hünfeld, Germany) “No Ska Today” continues with the philosphy of Skabrot’s previous release “Neotanzmusik” from 2012: music is diverse, colorful and true to life. The inspiration for this work comes from the expectations of society towards young people: Exciting, but back-breaking. Therefore the journey crosses Ska, Indie-Rock, Punk, Reggae, bliss and doubts. Free album download from Jamendo. … and here’s their “about” video http://www.skabrot.de https://www.facebook.com/Skabrot http://www.jamendo.com/en/artist/426658/skabrot

    43 min

  8. 13/08/2014

    SnC 422 – A meeting place

    A show of considerable contrast this week with more music than is probably good for you.  Like Benyoro (pic) it’s a bit of a meeting place. An Sera – Benyoro (NYC, USA) The band is, quite literally, a meeting place. Its name, taken from Mali’s Bamana language, means precisely that. That the six-piece group would come together in NYC seems almost inevitable. The city is the polyglot home to a thousand different languages and dialects, where African music devotees can find their kindred spirits in recent émigrés from the continent. Where South African jit can nuzzle up next to merengue and the blues can sit next to Kenyan benga. And as the band shows on its debut album, Benyoro (July 8, 2014), it’s a place where the Mandé music of West Africa can thrive. “What we really do is play praise music,” explains guitarist and ngoni lute player Sam Dickey. “We’ve just sped it up a little; it brings the music into a more dance-oriented context. Toumani Diabaté and his Symmetric Orchestra have been major innovators in this regard.” The album is heavily weighted toward traditional Mandé songs, like the classic “Kulanjan,” but they sit with perfect ease next to three original compositions, and everything is given the Benyoro treatment. “Listen to the first track, ‘An Sera,’” suggest Benyoro’s kora player, Yacouba Sissoko. “We make the connection with Congolese soukous there. That’s natural – soukous is hugely popular all over the continent, it’s informed every type of African music. But Africa is such a big continent, with so many different cultures, and we try to make music for all Africa, to put the different sounds together and create a new color.” “We started out just playing traditional music, then we worked up some of our own material. A few of the arrangements pay tribute to Toumani in their style. www.benyoro.com/ www.facebook.com/Benyoro @benyoromusic Moment Of Fame (ft. Charlie Clark) – Sugar Plum Fairies (LA, CA, USA) Sugarplum Fairies was originally founded by Ben Bohm (guitars, bg vocals) and Silvia Ryder (vocals). After the duo parted ways in 2013, Ryder assembled a rotating line-up of co-writers and guest musicians, culminating in the creation of ‘Godspeed & Silver Linings’, which was released June 10 on Starfish Records. Somewhere between Hapsburg and Honkytonk, swaying palm trees and swirling dark espresso, airy minimalism and waltzing Americana, the Fairies play melancholic songs on sparkling instruments. Think of an evening gown captured in Kodachrome. Gustav Klimt on Route 66. This is music for when you’ve been up all night but are still in control. Reminiscent of Nico and Leonard Cohen singing duets on accordion and ’58 Les Paul out by the pool at the Beverly Hills Hotel. On the album, ‘Godspeed & Silver Linings‘, SPF has crafted another expansive collection of austere Angeleno pop. The album was produced by Marlon Rabenreither (Gold Star, Lael Neale), mixed by Todd Burke (Belle & Sebastian, Ben Harper), mastered by Pete Lyman (St. Vincent, Black Rebel Motorcycle Club, The Dandy Warhols) and featuring guest performances by Charlie Clark (The Reindeer Section, Arab Strap, Snow Patrol) and RT Valine (RT n’ the 44s). www.sugarplumfairies.com www.facebook.com/Sugarplum.Fairies Ladder – Wry Lion (UK) As a dyspraxic asthmatic with Aspergers syndrome, it’s easy to see why Wry Lion has never tried to fit within the mould of a traditional emcee. Combining the technique and theatricality of Tech N9ne with the lyrical depth of Mos Def & Eminem, throw in a uniquely British quirkiness and a singing voice that is equal parts Mike Skinner, David Bowie & Ian Dury. Musically, he is one of the most dynamic artists working today, mixing his unmistakable vocal style with beats that mix rock, blues, funk, soul & jazz with a molten core of hip hop, combining these influences with a knack for pop songwriting that puts him light years ahead of most of his contemporaries on the UK Hip Hop scene. Wry has just released his debut album Theatricks, an intimate look into the mind of an eccentric. Through a cast of colourful characters and esoteric storytelling mixed with a progressive political stance and emotionally charged perspective Wry Lion has created a work that deconstructs the tropes of Hip Hop while never losing sight of the need for a catchy beat. wrylion.com/ www.facebook.com/wrylionmusic @thewrylion Days Like These – Dee C’rell (London) From the new double A-side “Chromatisch” on Holm Records Holm records present a new double A-side from Dee C’rell entitled, Chromatisch. A kaleidoscope of sound manipulation and vocals entwined with the trademark elements that define Dee C’rell’s understated music making, Chromatisch takes jazz and down-tempo lounge into new territory, gently implementing the audacious music making of contemporary electro-acoustic jazz. Days Like These is a chill-out and down-tempo mixture of jazz, electronics and sound design, embracing the idiosyncratic characteristics of Dee C’rell’s sound. There is contemporary electro-acoustic jazz integrated throughout the compositions, with reshaped sound design and audio manipulation. With the interweaved sultry vocals of Alda Olafsdottir adding an air of suspense over a complex but sparse rhythm, Days Like These is a delightful track for those lazy summer days and beyond. The recording is available on iTunes and other worldwide digital stores. www.deecrell.com Cassettes – Beef Terminal (Toronto, Canada) Named after a meat processing facility in the west end of Toronto, Canada, MD Matheson has been releasing albums under the Beef Terminal name since 2000. The latest, “Canadian Patent” is the first since 2011’s “Humidex” release. “I wasn’t sure if I was going to bother to make another Beef Terminal album. After some bad experiences involving “Humidex” with labels, I contemplated just packing it in and making sounds on my own with no real intention to release it out in the world. I felt like I was just throwing more music on a massive pile of music that everyone else was making and just getting ignored, so why bother? But the point of this project has never been recognition or money, it has been about true fans of the music, who seem to somehow find it and get in touch, telling me how much it has meant to them. Alex Chilton said: “Somewhere a long the line I figured out that if you only press up a hundred copies of a record, then eventually it will find it’s way to the hundred people in the world who want it most.” This has been my experience, and that’s the reason why I’m going to keep going and keep releasing music, no matter who is there to hear it. I’ve had times when what I was doing was popular and got some radio play, and times when I was completely ignored. But none of that matters. I recorded the album starting in April of 2013 in Toronto and finished it up in Florida in early 2014. The name “Canadian Patent” comes from an old scaffolding company in Toronto, the name was painted on the side of a building (probably torn down now for condos) and I thought it might be a cool name for an album. It sounds kind of mysterious and weird to me, and as a proud Canadian I thought it might be cool to reference my country in the album name as well.” –MD Matheson facebook.com/beefterminal moodgadget.com beefterminal.bandcamp.com/ Thank You England – Bongo Mike and Extremely Frank Jeremy (London, UK) direct Bongo Mike and Extremely Frank Jeremy are two, well-know (and loved) London buskers who spent years arguing with the authorities – in and out of court – about the right to perform on moving trains, have now recorded an album called, unexpectedly, “Away From The Tube Trains”. I met them on a London Underground train, travelling from Earl’s Court to Kew Gardens six years ago. I bought their album and gave Jeremy my Suffolk’n’Cool card. Last month he got around to calling me with an apology for the delay! The result, two more deliciously quirky albums of songs with huge integrity and honesty. This track evoke one aspect of English manners which may have been retreating for some years but remain as part of the nations expectations as ever, and it’s wonderful to hear this simple gratitude for a country and its culture, not for a politician, expressed like this. The bulk of the material was recorded in far-away, sunny Macedonia, although the title track itself was created in more nearby and rainy, Surrey Docks. Mainly ballads, with a folk/rock/country sort of feel, they feature Mike’s talents as street poet and vocalist and Jeremy’s finger-style work on banjo and guitar. bongomikeandextremelyfrankjeremy.co.uk Bongo Mike and Extremely Frank Jeremy on iTunes Something’s Wrong – Neal Fox (Florida, USA) An artist for whom I have huge respect. I played his track Swank-ay way back on Suffolk ‘n’ Cool 046 in December 2006 and a few others at improbable intervals since then. At age 20 Neal had his first record deal. Three contracts, one music production company and 40 years later he is still producing great music. Only now, he’s doing it on his own terms and his own label. His sixth release Now it’s Personal came out in 2008. Much of his work now is multi-media which creates even broader canvasses for his burgeoning creativity. Take a look at the video below. Do pay a visit to his site if you have a few minutes, there’s loads to see and hear. www.wireduck.com Gypsy Song – Freak Fandango Orchestra (Barcelona, Spain) The Freak Fandango Orchestra is a multi-ethnic balkan-gypsy-punk band from Barcelona (Spain). The band exists since 2006 and is performing live since 2007. You can see them a lot around Barcelona but they also play at international venues, like for example at the New York Gypsy Festival 2011. They are: Noe, Armin, Vitto, Jürgen, David, Xavi, Jo

    48 min
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An international indie music podcast produced by Peter Clitheroe in Suffolk, England

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