The Daily The New York Times

This episode contains descriptions of violence

In a patch of woods southwest of Atlanta, protesters have been clashing with the police over a huge police training facility that the city wants to build there. This month, that fight came to a head when hundreds of activists breached the site, burning police and construction vehicles.

Sean Keenan, an Atlanta-based reporter, explains how what opponents call “Cop City,” and the woods surrounding it, have become an unlikely battleground in the nation’s debate over policing.

Guest: Sean Keenan, a freelance reporter for The New York Times.

A few days ago, Utah became the first state to pass a law prohibiting social media services from allowing users under 18 to have accounts without the explicit consent of a parent or guardian. The move, by Republican officials, is intended to address what they describe as a mental health crisis among American teenagers as well as to protect younger users from bullying and child sexual exploitation.The technology reporter Natasha Singer explains the measure, and why it could be a sign of where the country is headed.

Guest: Natasha Singer, who writes about technology, business and society for The New York Times.

Like a lot of people who get into professional wrestling, Donovan Danhausen had a vision of a different version of himself. Ten years ago, at age 21, he was living in Detroit, working as a nursing assistant at a hospital, watching a lot of “Adult Swim” and accumulating a collection of horror- and comedy-themed tattoos.

At the suggestion of a friend, he took a 12-week training course at the House of Truth wrestling school in Center Line, Mich., and then entered the indie circuit as a hand: an unknown, unpaid wrestler who shows up at events and does what’s asked of him, typically setting up the ring or pretending to be a lawyer or another type of extra. When he ran out of momentum five years later, he developed the character of Danhausen. Originally supposed to be an evil demon, Danhausen found that the more elements of humor he incorporated into his performance, the more audiences responded.

“I was just a bearded guy with the tattoos, trying to be a tough guy, and I’m not a tough guy naturally,” he said. “But I can be weird and charismatic, goofy. That’s easy. That’s also a role that most people don’t want to fill.”

Over the next couple of years, the Danhausen gimmick became more funny than evil, eventually settling on the character he plays today — one that is bizarre even by the standards of 21st-century wrestling.

A few days ago, the Biden administration released a report warning that a warming planet posed severe economic challenges for the United States, which would require the federal government to reassess its spending priorities and how it influenced behavior.

White House reporter Jim Tankersley explains why getting the government to encourage the right decisions will be so difficult.

Guest: Jim Tankersley, a White House correspondent for The New York Times.

A.O. Scott started as a film critic at The New York Times in January of 2000. Next month he will move to the Book Review as a critic at large.

After 23 years as a film critic, Mr. Scott discusses why he is done with the movies, and what his decision reveals about the new realities of American cinema.

Guest: A.O. Scott, a longtime film critic for The New York Times.

Barney Frank was one of the people most responsible for overhauling financial regulation after the 2008 economic crisis. After retiring from Congress, he supported a change to his own law that would benefit midsize banks, and joined the board of such a bank.

Last week, that bank failed. David Enrich called Mr. Frank and asked him to explain.

Guest: David Enrich, the business investigations editor at The New York Times.