The Three Film Egos Three Film Egos

We're back! In this episode we're discussing three films that were nominated for the best picture oscar but didn't win, and we think deserved to. Isaac's pick: Gangs Of New York (Martin Scorcese, 2002); Clayton's pick: Fargo (Coen Bros, 1994); Ryan's pick: Apocalyps Now (Francis Ford Coppola, 1979).

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This episode is best served cold. Isaac's pick: Micmacs (Jean-Pierre Jeunet, 2009); Clayton's pick: Revanche (Götz Spielmann, 2008); Ryan's pick: Once Upon A Time In The West (Sergio Leone, 1968).

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The George A. Romero marathon continues! Join us as we discuss Land Of The Dead (2005), Diary Of The Dead (2007), and Survival Of The Dead (2009), and cap it all off with a general discussion of the entire series.

Tangents include: racist villains, forgettable endings, watching shitty movies for money, Breaking Bad and other worthwhile television that can distract us from the awfulness, and zombie fatigue.

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The George A. Romero marathon begins! Join us as we discuss Night Of The Living Dead (1968), Dawn Of The Dead (1978), and Day Of The Dead (1985).

Tangents include: the nature of introductions, accidental social commentary, annoying synthesizers, genre classification, and zombification inconsistencies.

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Fee, fie, foe, fum. Monsters. Ryan's pick: Cloverfield (Matt Reeves, 2008); Clayton's pick: TrollHunter (Andre Øvredal, 2010); Isaac's pick: The Thing (John Carpenter, 1982).

Tangents include: a large diatribe about George Lucas towards the end of the episode. Enjoy.

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Our foray into the Halloween-ish continues with serial killers. Clayton's pick: The Element of Crime (Lars von Trier, 1984); Ryan's pick: Perfume: The Story of a Murderer (Tom Tykwer, 2006); Isaac's pick: Man Bites Dog (Remy Belvaux, Andre Bonzel, Benoit Poelvoorde, 1992).

Tangents include: sushi, borrowing from Tarkovsky, smell-o-vision, Kurosawa's later years, praise and ambivalence for Christopher Guest, the psychological difference between real and fake violence via stupid people on message boards, snuff films by Mel Gibson and criterion comedies.

In reference to the discussion on Man Bites Dog, from IMDB: "According to an essay André wrote, Ben's family didn't know anything about the plot of the film. Ben's mother and grandparents thought they were filming raw footage of Ben, and had no idea that the footage was going to be used in a film in which Ben is a serial killer. Ben's mother was shocked to see her son behind bars, when she comes to visit him in prison."

To get involved in the discussion, like us on facebook.com/threefilmegos. Follow us on twitter @threefilmegos. Email us at threefilmegos@gmail.com. Go to threefilmegos.podomatic.com to subscribe and donate to the show.