55 min
Writing Fiction from History and Adapting a Legend Say the World
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- Books
You can read this episode's transcript at https://iwp.uiowa.edu/page/say-the-world-podcast-transcript-episode-5-wong-yi-eva.
Today’s guest is the author Wong Yi, who also goes by Eva. We discussed how she uses research to enrich her fiction, the experience of living and writing in the age of social media, what it's like to have one's work adapted, and how it felt to write the libretto for a chamber opera based on the works of Xi Xi.
Bio: Wong Yi Eva (fiction writer, essayist, librettist, editor; Hong Kong) is the author of short stories collections WAYS TO LOVE INA CROWDED CITY, THE FOUR SEASONS OF LAM YIP, PATCHED UP, and NEWS STORIES, as well as the libretti for Cantonese-language chamber opera WOMEN LIKE US, and multimedia concert THE HAPPY FAMILY. She won the 2018 Hong Kong Arts Development Award for Young Artist (Literary Arts) and was in 2020 among the “20 most anticipated young Sinophone novelists” in the Taiwanese magazine Unitas. She is working on stories exploring Hong Kong’s historical monuments, and on texts for performance with music and other art forms. Her participation was made possible by the Robert H. N. Ho Family Foundation Global.
Read Wong Yi's English writing sample: https://iwp.uiowa.edu/sites/iwp/files/Wong-Yi-writing-sample_ENG.pdf
Read Wong Yi's writing sample in the original language: https://iwp.uiowa.edu/sites/iwp/files/Wong%20Yi%20Writing%20sample%20for%20IWP%20website_%20Chinese%20%281%29.pdf
Say the World: An International Writing Podcast is made by the International Writing Program. The hosts are IWP Director Christopher Merrill, most recently the author of ON THE ROAD TO LVIV (Arrowsmith Press, 2023) and IWP Communications Coordinator Mike Meginnis, most recently the author of DROWNING PRACTICE (Ecco, 2022). Additional research, transcription, and other support provided by Research Assistant Derick Edgren Otero.
IWP programming is primarily funded by the University of Iowa and the Bureau of Educational and Cultural Affairs (ECA) at the U.S. Department of State, with additional funding provided by organizations like the Doris Duke Foundation, as well as donors like you. If you’d like to donate to IWP, go to bit.ly/iwp-support.
Learn more about IWP at iwp.uiowa.edu.
You can read this episode's transcript at https://iwp.uiowa.edu/page/say-the-world-podcast-transcript-episode-5-wong-yi-eva.
Today’s guest is the author Wong Yi, who also goes by Eva. We discussed how she uses research to enrich her fiction, the experience of living and writing in the age of social media, what it's like to have one's work adapted, and how it felt to write the libretto for a chamber opera based on the works of Xi Xi.
Bio: Wong Yi Eva (fiction writer, essayist, librettist, editor; Hong Kong) is the author of short stories collections WAYS TO LOVE INA CROWDED CITY, THE FOUR SEASONS OF LAM YIP, PATCHED UP, and NEWS STORIES, as well as the libretti for Cantonese-language chamber opera WOMEN LIKE US, and multimedia concert THE HAPPY FAMILY. She won the 2018 Hong Kong Arts Development Award for Young Artist (Literary Arts) and was in 2020 among the “20 most anticipated young Sinophone novelists” in the Taiwanese magazine Unitas. She is working on stories exploring Hong Kong’s historical monuments, and on texts for performance with music and other art forms. Her participation was made possible by the Robert H. N. Ho Family Foundation Global.
Read Wong Yi's English writing sample: https://iwp.uiowa.edu/sites/iwp/files/Wong-Yi-writing-sample_ENG.pdf
Read Wong Yi's writing sample in the original language: https://iwp.uiowa.edu/sites/iwp/files/Wong%20Yi%20Writing%20sample%20for%20IWP%20website_%20Chinese%20%281%29.pdf
Say the World: An International Writing Podcast is made by the International Writing Program. The hosts are IWP Director Christopher Merrill, most recently the author of ON THE ROAD TO LVIV (Arrowsmith Press, 2023) and IWP Communications Coordinator Mike Meginnis, most recently the author of DROWNING PRACTICE (Ecco, 2022). Additional research, transcription, and other support provided by Research Assistant Derick Edgren Otero.
IWP programming is primarily funded by the University of Iowa and the Bureau of Educational and Cultural Affairs (ECA) at the U.S. Department of State, with additional funding provided by organizations like the Doris Duke Foundation, as well as donors like you. If you’d like to donate to IWP, go to bit.ly/iwp-support.
Learn more about IWP at iwp.uiowa.edu.
55 min