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5 episodes
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With Opened Mouths: The Podcast – CFRC Podcast Network Unknown
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- Arts
News and Views from Queen's University and Kingston, Ontario!
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Outrageous Worldmaking from a Bright Yellow Kitchen
Emelie Chhangur, Director Curator of Agnes Etherington Art Centre talks with Qanita Lilla about her radical curatorial practice. Growing up in Paris, Ontario in an assimilationist paradigm, she talks of harnessing experimentation and rejecting the confines of the status quo. Emelie’s lived experience of cultural mixing and of negotiating multiple worlds allows her to open […]
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Travelling in a Multiverse of Hybridity
In artist Rajni Parera’s marbled landscapes, mutant travellers traverse interstellar terrains as regal environmental combatants. Hers is a multiverse of jewel-coloured intensity, of hairy spoons and delicate seed pods all of whom co-exist as equals in a realm where only the gentle survive. Which life events birthed these ideas and which everyday materialities were harnessed […]
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Drawing Power From Poetry
For poet Juliane Okot Bitek storytelling was always in the air. In this episode, she shares with Qanita Lilla that stories have the power to transform who we are and how we situate ourselves in the world. Juliane describes the precarity of belonging, the unexpected joys of ‘unsettlement’, intergenerational memory (contained in the beauty of […]
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Imagining African Digital Futures
In this episode, Chao Tayiana Maina shares her pathways into the digital humanities and metadata with Qanita Lilla. Framing new structures for African knowledges, she has combined a lifelong love of history with innovative technologies. For Chao, translating history into the digital sphere requires an understanding that information in the archives has a living relevance […]
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Manifesting Black Feminist Subjectivity
Visual artist Kosisochukwu (Kosi) Nnebe talks with Qanita Lilla about the rich sources of her artistic practice. Inspired by social theory as well as her lived experience, Kosi creates art that resists the easy consumption of blackness and allows instead for quiet, sometimes disturbing realizations to emerge. Referencing her video installation in the Brown Butter […]