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46 episodes
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The Directors’ Take Podcast TheDirectorsTakePodcast
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- TV & Film
Hosted by Directing rising stars Marcus Anthony Thomas and Oz Arshad, The Directors’ Take is a podcast which explores how you go from directing something with your mates, to being the most senior decision maker on a film set.
Whether it is the two of them breaking down the craft and trials of directing, or one of their industry guests dropping knowledge-nuggets for you to consume, they will offer you a unique look behind the curtain to demystify the process of becoming a successful director in Film and Television.
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E204 - Costume Designing on Rye Lane with Cynthia Lawrence-John
This is Episode 4 of our brand new season of The Directors Take Podcast.
This weeks episode is with the exceptional Costume Designer, Cynthia Lawrence-John. She has worked with some of the biggest brands in the world such as Adidas, Samsung, Amex and with a slew of directors such as Melina Matsoukas (Queen & Slim), Kibwe Tavares (The Kitchen) and Nicholas Winding Refn (Drive). She also recently earned herself a BIFA nomination for her work on the beautiful RomCom RYE LANE and helped to elevate the film’s colourful aesthetic. In our chat we cover:
-What is Costume Design?
-Her journey into the film industry.
-What is it about her work that keeps bringing people to her door?
-Transitioning from commercials into film.
-Storytelling through costume.
-What do her conversations with directors look like?
-How do you work with other Heads of department to create a unified aesthetic?
Our wonderful sponsor for this episode is The National Film and Television School.
Nuggets of the week
Cynthia: Tony Allen: An Autobiography of the Master Drummer of Afrobeat.
Oz: BaByliss Pro Cordless Super Motor Skeleton Trimmer
Marcus: The Cinema Cartography - YouTube Channel
Credits
Music by Oliver Wegmüller
Socials
Cynthia: Instagram
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com. -
E203 - How Directors Shape Stories
This is Episode 3 of our brand new season of The Directors Take Podcast.
This weeks episode is a chat with just Marcus and Oz, where they break down exactly how YOU as a director need to be thinking, planning and prepping in order to shape the story that you’re working on. This is a deep dive on directing craft and this conversation covers:
-How do you find your way into a story?
-How do you think about the story as a director?
-Crafting characters with actors.
-Working with actors on set.
-How blocking to tells a story.
-Principles for visual storytelling.
Our wonderful sponsor for this episode is The National Film and Television School.
About us
Marcus and Oz are both described as ‘rising stars’ in the film industry and both met whilst shadowing the directors and showrunners on Season 1 of HBO’s House of the Dragon which they did for 16 months. Having both seen up close exactly what is required of a director when working at the highest level and understanding the gap between what is taught about filmmaking up to that stage… They created The Directors’ Take Podcast to help fill in the gap, so that early-career directors right through to mid-level career professionals can get the most out of themselves and their collaborators.
Nuggets of the week
Oz: How Scorsese Moves the Camera With Purpose in ‘Killers of the Flower Moon’ | Anatomy of a Scene
Marcus: Denis Villeneuve on Dune: Part Two - Film at Lincoln Center
Credits
Music by Oliver Wegmüller
Socials
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com. -
E202 - How I Directed Love Lies Bleeding with Rose Glass
Hello again... This is Episode 2 of our brand new season of The Directors Take Podcast.
This weeks episode is our live podcast recording with Writer/Director Rose Glass, which was recorded at our very first live event and was performed immediately after the screening of her latest film LOVE LIES BLEEDING, which stars Kristen Stewart, Katy O'Brian and Ed Harris. This is a SPOILER FILLED conversation on craft and it includes:
-How she dealt with the level of expectation after her first film SAINT MAUD was so well received.
-What aspect of the shooting process scared her the most.
-How she practically creates tone.
-How the characters changed from script to screen.
-The challenges of working at a higher budget level.
-How she crafted a story that follows multiple perspectives.
-Emotional resilience.
Our wonderful sponsor for this episode is The National Film and Television School.
Bio
Filming anything and everything from Harry Potter spoofs to fake nature mockumentaries about aliens, Rose was destined to be a director from a young age. Upon leaving home she studied film and video at London College of Communication, UAL - where she directed her first 'proper' shorts - and also gained experience as a runner on professional sets. Eventually she made her way to the NFTS, where she made acclaimed short Room 55 and began working on the idea for SAINT MAUD.
In the years following she waitressed and worked as a cinema usher whilst working on the treatment and teamed up with fellow Breakthrough Brit Oliver Kassman. Initially Rose was intimidated by the idea of directing a feature, especially after finding the writing process quite isolating, but once she started, the collaborative nature of the experience made everything a complete joy. Having had such a great time with her team on SAINT MAUD.
She has now made her second feature LOVE LIES BLEEDING starring Kristen Stewart, Katy O’Brian and Ed Harris. Teaming up again with producers Oliver Kassman and Andrea Cornwall, and also co-writing the script with fellow NFTS graduate and BABY REINDEER lead director Weronika Tofilska.
Nuggets of the week
Rose Glass on Directors Now
Credits
Music by Oliver Wegmüller
Socials
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.
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E201 - How I Directed Baby Reindeer with Weronika Tofilska
WE'RE BACK! This is the very first exciting episode of our brand new season of The Directors Take Podcast,
In this episode we'll be speaking to Weronika Tofilska who is the lead director (Eps1-4) of the Netflix global phenomenon BABY REINDEER. As ever we break down directing craft to gain a greater understanding of how this smash hit show was created. This conversation includes:
-Weronika's journey into filmmaking.
-Her experience of film school in Poland and in the UK.
-How she navigated the filmmaking wilderness.
-How she got her first break as a TV Director.
-Her process for interviewing.
-How she evolved her process for working in television.
-Creating a bespoke visual language for Baby Reindeer.
-Working with the show's creator Richard Gadd.
-Her directing process.
-How she wrote Love Lies Bleeding with Rose Glass.
Our wonderful sponsor for this episode is The National Film and Television School.
Bio
Weronika Tofilska is a London based Writer and Director, a graduate of Krzysztof Kieslowski’s Film School in Poland and National Film and Television School in the UK.
They’ve made several successful short films including LAST TRAIN, which won multiple awards at Polish and Internation film festivals, they’ve made Dark Comedies such as THE PATIENT, SUICIDE IS EASY and horror/comedy PINK and BLUE which won FrightFest Short Film Competition as well as the Channel 4 Horror Short DOORKEEPER. You can watch a lot of these on her website.
With the success of her short works, she has begun making her name in TV directing on the Netflix Show IRREGULARS, with Amazon on the show HANNAH, on HBOs His Dark Materials and most recently has directed the first four episodes of the smash hit Netflix Show, BABY REINDEER which is written and created by, as well as starring Richard Gadd.
She is in development on her feature project POLYPHONY with Film4 and also co-wrote LOVE LIES BLEEDING
Nuggets of the week
Weronika: Jerry Seinfeld wisdom.
Oz: Go to the lake district.
Marcus: Take the time to celebrate your wins as they happen.
Credits
Music by Oliver Wegmüller
Socials
Weronika: Twitter (X) & Instagram
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.
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E141 - How We Made a BAFTA Nominated Short
In this Bafta Special episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by BAFTA nominees Yasmin Afifi and Elham Ehsas. Yasmin is an award-winning writer/director based in London and her her grad film Jellyfish and Lobster has gone on to receive widespread industry acclaim, screening in festivals all over the world, including the BAFTA/BIFA Qualifying Underwire, Encounters, LFF among others.
Elham is a BAFTA nominated and Oscar shortlisted writer/director and Actor working in Film and Television. His latest short film Yellow was BAFTA nominated in 2024 and longlisted for the Academy Awards in the same year.
This episode is a goldmine for insights how to create a successful short film, the dreaded festival circuit, overcoming production challenges, the importance of authenticity in storytelling, and practical advice on film conception and success.
This conversation includes:
Diverse career paths into filmmaking.
Choices around film education.
Creating personal and authentic stories. Visual storytelling and creative processes.
Challenges in low-budget filmmaking.
Conceptualisation of films.
Navigating film festivals and marketing.
Reactions to receiving BAFTA nominations
Yasmin, celebrated for her use of comedy and magical realism, and Elham, known for his human-centric narratives, share their unique journeys in the film industry, from educational choices to the crafting of personal and impactful stories. This is an educational episode.
Nuggets of the week
Yasmin: Spike Lee Quote - Write the ideas that you’re embarrassed about.
Elham:
Oz: Godfather DVD Commentary with Francis Ford Coppola
Marcus: Watch the BAFTA nominated films, they’re up on the BAFTA YouTube channel for a short time, so you can watch both of these incredible films. https://www.youtube.com/@bafta/videos
Additional links
- Gangs of Wasseypur Part 1
- Gangs of Wasseypur Part 2
- Dilwale Dulhania Le Jayenge
- Dil Se
Credits
Music by Oliver Wegmüller
Socials
Elham: Instagram
Yasmin: Instagram
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.
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E140 - This Is The End
In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by absolutely nobody, as they do a recap on all of The Directors' Take Podcast episodes so far... This is the end...
In this episode we talk about the following:-
-Why we started the podcast
-The initial response to it.
-What we gained from it.
-Why we think it has resonated.
-A recap of the episodes and our thoughts and feelings on each.
-What we've learnt.
-The growth of the podcast.
-What does the future look like?
Nugget of the week
Marcus: Robert Downey Jr. & Mark Ruffalo | Actors on Actorshttps://youtu.be/0OLBhkKLmUY?si=ehxgaliPA6EaDtFy
Oz: The Diary Of A CEO | Busta Rhymes
https://youtu.be/cRjzQuzX-tg?si=4z7uWkQOjFHlLh5H
Credits
Music by Oliver Wegmüller
Socials
The Directors' Take: Twitter (X) & Instagram
Marcus: Twitter (X) & Instagram
Oz: Twitter (X) & Instagram
If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.