It's a Long Story Sydney Opera House

As it nears its 50th birthday, the Sydney Opera House is looking to the future with a 'Up Next' - a new podcast which talks to the artists who'll define the next 50 years of arts and culture in Australia. Join host Courtney Ammenhauser as she chats to a spectacular lineup of artists from a variety of creative disciplines as they make their way to one of the most famous performance venues in the world.
In this bonus episode, Courtney talks with Yve Blake - playwright, screenwriter, songwriter, and beloved creator of the hit musical Fangirls. They chat about her overnight success, the Fangirls of Fangirls, and the sacred Mount Franklin bottle that touched Missy Higgins’ lips.
Episodes of 'Up Next' are released monthly and you'll find them wherever you get your podcasts.

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Denise Ho was always going to be an activist. The canto-pop superstar had built a massively successful music career and could’ve continued on her path of major-label success. But, in 2012, she became the first mainstream female singer in Hong Kong to come out as gay, and was promptly abandoned by much of the industry. She responded by setting up her own label and becoming a high-profile advocate for the LGBTQI community. In 2014, when huge pro-democracy protests broke out in Hong Kong, Denise’s activism went to a whole new level. She’s become one of the most prominent figures in the umbrella movement, spoken at the UN and all around the world, and continues to risk her own life and freedom on behalf of the cause. In this episode, she’s speaking with Benjamin Law at Antidote festival in 2019.
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Not a lot of women get to practice law in Afghanistan, but attorney Kimberly Motley is one of the very few. Raised in a poor, majority black neighbourhood in Milwaukee in America’s midwest, Kimberly has made a career defending particularly difficult cases, and in learning how to navigate the Afghani legal system, she has also developed a unique understanding of inter-cultural approaches to justice. She’s talking to Benjamin Law at Antidote festival in 2019.
 

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When 24 Year old Zadie Smith published her debut novel, White Teeth, in 2000, she became an instant literary superstar. Two decades and several more novels, short story and essay collections later, her voice remains every bit as relevant. Never one to follow a trend, her writing has earned a reputation for originality and intellectual independence. Head of Talks and Ideas Edwina Throsby spoke to Zadie Smith when she was visiting the Sydney Opera House in November 2019.
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Feminists get a bad rap for being angry. But what would it be like if women were allowed to embrace their anger? American writer Soraya Chemaly has been calling for this shift for years. A prolific voice on the role of gender in culture and politics,  she has had a long career in media and technology. And, she has encountered a lot to be angry about. Her latest book, Rage Becomes Her is a celebration of female anger. It tackles the highly gendered way our culture regards anger, and questions why angry men are strong but angry women are crazy.
This episode is part of a six-part ‘It’s A Long Story’ series featuring alumni from our All About Women festival. All About Women returns to Sydney Opera House on 8 March 2020.

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Sohaila Abdulali did not want to write a book about her experience of being raped. It was a long time ago and she’d very much moved on with her life. But, after some articles she’d written about it went viral, she did write a book. 'What We Talk About When We Talk About Rape' is an incredible, genre-defying discussion of the troubling ways that rape and sexual violence are experienced and discussed. With no self-pity but much insight and a joyous character, she brings sensible, open thinking to an entirely taboo topic.
Content Warning: this episode of It's A Long Story contains discussion of sexual violence. Support can be found at Lifeline: 13 11 14 and lifeline.org.au This episode is part of a six-part ‘It’s A Long Story’ series featuring alumni from our All About Women festival. All About Women returns to Sydney Opera House on 8 March 2020.
 
 

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