You Gotta Act You Gotta Act

We're back! Film critic and friend Charles Bramesco joins Manuela to talk about the inspiring and mind-boggling talent of Nicolas Cage, who since the 80s has been bringing his maximalist acting style to shake up Hollywood. They discuss in particular Martin Scorsese's BRINGING OUT THE DEAD, John Woo's FACE/OFF and Panos Cosmatos's MANDY, and how each of these films reveals a different register for Cage to inhabit and reinvent.

Follow Charles on twitter @intothecrevasse! And find his book on vampire movies here: https://www.amazon.com/Vampire-Movies-Close-Ups-Book-2/dp/0008329273/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=

Filmmaker Charles Newland talks with Manuela about Harvey Keitel, the unsung hero of '70s American cinema but also a still curious and fascinating actor today. From his start in Martin Scorsese's feature debut WHO'S THAT KNOCKING AT MY DOOR in 1967, Keitel has brought his sensitivity and his name to the first films of many directors that have since become legendary. Charles and Manuela discuss such debuts as Ridley Scott's fascinatingly strange film THE DUELLISTS, Paul Schrader's BLUE COLLAR, James Toback's disturbing FINGERS, as well as Quentin Tarantino's RESERVOIR DOGS, which Keitel also helped produce. With his ability to make his tormented characters somewhat likeable, Keitel established himself as a uniquely sensitive actor, working with boundary-pushing directors such as Jane Campion (THE PIANO) or Abel Ferrara (BAD LIEUTENANT). 



PS: This conversation was recorded a couple of days before the passing of Yaphet Kotto, who appeared in BLUE COLLAR as Smokey as well as many other films. This episode is dedicated to his memory. 



Follow Charles on Instagram @charlesnewland

Find Charles' film work on his website https://notownfilms.com/ 

Acquisitions manager at Picturehouse Entertainment here in the UK, Paul Ridd is also Manuela's friend of many years and an avid DVD and Blu-Ray collector. In this episode, he chose to talk about the one and only Tom Cruise – one of the last true movie stars, and a unique one. From playing ambitious and illustrious young men in films like Scorsese's THE COLOR OF MONEY, Cruise went on to strategically undermine that image with more vulnerable roles as in BORN ON THE 4TH OF JULY, only to better build his image as an invincible, transcendent movie icon in action films like the MISSION: IMPOSSIBLE franchise. Paul describes what he enjoys so much in Cruise's intense acting style and in his career choices, and sings the praises of Cameron Crowe's eye-opening film VANILLA SKY.

In this special episode, Julian Palmer, the man behind the great video essay channel The Discarded Image, joins Manuela to celebrate their shared birthdays on January 29th and their shared passion for Brian De Palma by talking about his 1984 film about acting, BODY DOUBLE! They discuss De Palma's artificiality, his reverence to Hitchcock and Godard, his ingenious casting of Craig Wasson in the lead role, his use of women in his films, and why BODY DOUBLE is Manuela's favourite movie.



Follow The Discarded Image at https://www.youtube.com/c/TheDiscardedImageChannel

Film critic Elena Lazic returns on the show to talk about Robert Pattinson. From his noticeable turn in HARRY POTTER AND THE GOBLET OF FIRE and, obviously, TWILIGHT, R Patz has continued to surprise audiences by playing with and against both his anxiety and his natural charm. Elena argues that his strength is in his desire to always plays weirdos and to work with visionary directors, such as Claire Denis in HIGH LIFE, or the Safdie brothers in GOOD TIME.

French film critic (at Libération and elsewhere) and festival programmer (including at the Semaine de la Critique, part of the Cannes Film Festival) Léo Soesanto talks to Manuela about Hong Kong actress Maggie Cheung – a true transnational star who left her mark on arthouse cinema as well as on more mainstream movies. They discuss how she's often been willing to reveal her real self in her films, playing herself as well as her characters in both CENTER STAGE and IRMA VEP, and how iconic her performance (and her dresses) in Wong Kar-wai's IN THE MOOD FOR LOVE has become. Léo also shares his insight about cinephilia in France and how the Cannes Film Festival functions, and together they struggle to recall English expressions and occasionally break into French for your auditory pleasure.