20 min
Fighting, Commerce, and Ten-Cent Beer: Welcome to America and How to Frame Stories Dogs Are Smarter Than People: Writing Life, Marriage and Motivation
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- Books
On last week’s podcast and the one a few before that, and in a post, Shaun and I talked a bit about plot structures and narrative structures and how here in the U.S. we think of these usually (not always!) as pretty linear, and pretty much in a three-act framework (think beginning, middle, end) with rising stakes and drama as you go along.
This is not the only way to write.
I am very much a product of the U.S. culture. And I’m going to talk a tiny bit in the next couple weeks about different forms/shapes of storytelling, but again . . . I am a student of this culture’s structures. I am not an expert at other structures. I adore them though. I’m going to be providing links.
And hopefully by quickly talking about some of them, you might go off and explore and adore, too. Maybe even get an epiphany for your own story?
So, another kind of storytelling is Middle Eastern and it's Frame Story in our language.
And it's so cool. Basically, as the Novelsmithy explains "many types of stories, characters, and symbols are woven together into a larger tale.
"One Thousand And One Nights is the most famous example of this. In this story, Shahrazad tells story after story to the Sultan in order to keep him from killing her. Her stories include a variety of complex narratives, different characters, conflicts, genres, and morals. There are even frame stories within the larger frame story!
"Characteristics of Middle Eastern Storytelling:
Outer 'frame story' tying multiple stories together
Multiple characters and narratives
Variety of genres, fantasy, and high action."
It's very influenced by The Qur’an.
Gulf News writes,
"One of the most revered traditions of oral storytelling is the hakawati. As intricate and complex as a weaving pattern, this motif-rich narrative style darts in and out of stories, offering unending drama where the storyteller begins one tale, deftly leaves it mid-way to pick up another and then has a third story emerging from a subplot of the first and so on. All this is done using the tools of allegory, folklore, satire, music and a visual spectacle of grand sweeping gestures and facial expressions to finally create an enthralling experience for his listeners."
There's a great piece about frame stories here.
DOG TIP FOR LIFE
Pogie's like "hey dude, I live my style and life in the frame story style of way. It always comes back to me. I'll always be doing something. I'll see a cat and I'll change my storyline." And that keeps happening. It's all about multiple stories in a brain.
WRITING EXERCISE
Do the Forrest Gump. Find a setting like a park bench and tell the stories that make a life. OR at least outline it.
PLACE TO SUBMIT
Voyage simply aims to publish good work and provide a space for new and established voices. To get an idea of what we publish, please read our archives. General submissions are open year-round with no fee to submit.
We only accept submissions via our online submission managing system, Submittable. We DO NOT accept submissions via email. Submissions sent via email will be automatically discarded without a response. We accept simultaneous submissions, but please withdraw your work via Submittable if it is accepted elsewhere.
Though we consider reprints, please be advised that Voyage doesn't offer payment for work that has been published before. If you are submitting a piece that has been published, please notify us in your submission.
Voyage pays $200 per accepted, previously unpublished piece of short prose.
Fiction: We are looking for short stories that surprise, inspire, entertain, or enlighten.
Creative Nonfiction: We’re on the hunt for personal essays and other creative nonfiction that specifically relates to the teen experience. Submit your creative nonfiction via our submission manager here.
Manuscript Preparation: Please make s
On last week’s podcast and the one a few before that, and in a post, Shaun and I talked a bit about plot structures and narrative structures and how here in the U.S. we think of these usually (not always!) as pretty linear, and pretty much in a three-act framework (think beginning, middle, end) with rising stakes and drama as you go along.
This is not the only way to write.
I am very much a product of the U.S. culture. And I’m going to talk a tiny bit in the next couple weeks about different forms/shapes of storytelling, but again . . . I am a student of this culture’s structures. I am not an expert at other structures. I adore them though. I’m going to be providing links.
And hopefully by quickly talking about some of them, you might go off and explore and adore, too. Maybe even get an epiphany for your own story?
So, another kind of storytelling is Middle Eastern and it's Frame Story in our language.
And it's so cool. Basically, as the Novelsmithy explains "many types of stories, characters, and symbols are woven together into a larger tale.
"One Thousand And One Nights is the most famous example of this. In this story, Shahrazad tells story after story to the Sultan in order to keep him from killing her. Her stories include a variety of complex narratives, different characters, conflicts, genres, and morals. There are even frame stories within the larger frame story!
"Characteristics of Middle Eastern Storytelling:
Outer 'frame story' tying multiple stories together
Multiple characters and narratives
Variety of genres, fantasy, and high action."
It's very influenced by The Qur’an.
Gulf News writes,
"One of the most revered traditions of oral storytelling is the hakawati. As intricate and complex as a weaving pattern, this motif-rich narrative style darts in and out of stories, offering unending drama where the storyteller begins one tale, deftly leaves it mid-way to pick up another and then has a third story emerging from a subplot of the first and so on. All this is done using the tools of allegory, folklore, satire, music and a visual spectacle of grand sweeping gestures and facial expressions to finally create an enthralling experience for his listeners."
There's a great piece about frame stories here.
DOG TIP FOR LIFE
Pogie's like "hey dude, I live my style and life in the frame story style of way. It always comes back to me. I'll always be doing something. I'll see a cat and I'll change my storyline." And that keeps happening. It's all about multiple stories in a brain.
WRITING EXERCISE
Do the Forrest Gump. Find a setting like a park bench and tell the stories that make a life. OR at least outline it.
PLACE TO SUBMIT
Voyage simply aims to publish good work and provide a space for new and established voices. To get an idea of what we publish, please read our archives. General submissions are open year-round with no fee to submit.
We only accept submissions via our online submission managing system, Submittable. We DO NOT accept submissions via email. Submissions sent via email will be automatically discarded without a response. We accept simultaneous submissions, but please withdraw your work via Submittable if it is accepted elsewhere.
Though we consider reprints, please be advised that Voyage doesn't offer payment for work that has been published before. If you are submitting a piece that has been published, please notify us in your submission.
Voyage pays $200 per accepted, previously unpublished piece of short prose.
Fiction: We are looking for short stories that surprise, inspire, entertain, or enlighten.
Creative Nonfiction: We’re on the hunt for personal essays and other creative nonfiction that specifically relates to the teen experience. Submit your creative nonfiction via our submission manager here.
Manuscript Preparation: Please make s
20 min