12 episodes

Season 2 of Genealogies of Modernity is a limited series from the Genealogies of Modernity Project and Ministry of Ideas. Each episode takes up a well-worn story about what it means to be modern and how we got here, and then challenges that narrative with recent humanities scholarship. Genealogies of Modernity illuminates lesser-known pathways to the present and unearths overlooked resources from the past for flourishing in the future.

Genealogies of Modernity is a project of Beatrice Institute and Collegium Institute for Catholic Thought and Culture, with major support from the National Endowment for the Humanities. For responses to the series, teaching aids, as well as artwork and videos, visit genealogiesofmodernity.org.

Ryan McDermott, Producer and Genealogies of Modernity Project Director .
Maria Devlin McNair, Senior Producer and Script Editor
Jack Pombriant, Sound Designer
Zachary Davis, Executive Producer (Ministry of Ideas)

Special thanks: Dan Cheely, James DeMasi, Peter Fristedt, Max Glider, Jake Grefenstette, Darrah McDermott, Jess Sweeney, University of Pittsburgh Department of English and Humanities Center, Institute for Advanced Studies in Culture

Season 1 was written and produced by Ena Gojak and Owen Joyce-Coughlan with the support of Collegium Institute for Catholic Thought and Culture.

Genealogies of Modernity Ryan McDermott

    • Society & Culture

Season 2 of Genealogies of Modernity is a limited series from the Genealogies of Modernity Project and Ministry of Ideas. Each episode takes up a well-worn story about what it means to be modern and how we got here, and then challenges that narrative with recent humanities scholarship. Genealogies of Modernity illuminates lesser-known pathways to the present and unearths overlooked resources from the past for flourishing in the future.

Genealogies of Modernity is a project of Beatrice Institute and Collegium Institute for Catholic Thought and Culture, with major support from the National Endowment for the Humanities. For responses to the series, teaching aids, as well as artwork and videos, visit genealogiesofmodernity.org.

Ryan McDermott, Producer and Genealogies of Modernity Project Director .
Maria Devlin McNair, Senior Producer and Script Editor
Jack Pombriant, Sound Designer
Zachary Davis, Executive Producer (Ministry of Ideas)

Special thanks: Dan Cheely, James DeMasi, Peter Fristedt, Max Glider, Jake Grefenstette, Darrah McDermott, Jess Sweeney, University of Pittsburgh Department of English and Humanities Center, Institute for Advanced Studies in Culture

Season 1 was written and produced by Ena Gojak and Owen Joyce-Coughlan with the support of Collegium Institute for Catholic Thought and Culture.

    The Enemy of Morality Is Not Modernity, It’s Me

    The Enemy of Morality Is Not Modernity, It’s Me

    The great English essayist and linguist Samuel Johnson was writing during the Enlightenment – the period some historians identify as the beginning of the modern age. American author and philosopher David Foster Wallace worked more than two centuries later, in the “post-modern” style. But these two writers shared a common problem: once modernity fractured society’s sense of shared moral norms, how could you write persuasively about morality? This episode looks at how Johnson and Wallace attempted to solve this problem; what struggles plagued their solutions; and why our modern, pluralistic landscape makes their work more valuable than ever.
    Researcher, writer, and episode producer: Kirsten Hall Herlin
    Featured Scholars:
    Walter Jackson Bate (1918-1999), Professor of English, Harvard University
    Matt Bucher, Managing Editor, The Journal of David Foster Wallace Studies
    Jack Lynch, Professor of English, Rutgers University
    D. T. Max, Staff Writer, The New Yorker
    Special thanks: Dutton Kearney
     

    • 44 min
    A Genealogy of Gun Violence

    A Genealogy of Gun Violence

    The problem of gun violence is as old as guns themselves. According to historian Priya Satia, America’s present epidemic of gun violence has its roots in the industrial revolution. Satia tells the story of British gun-maker Samuel Galton, Jr., who was called to task by his Quaker community for manufacturing rifles. As a professed pacifist, Galton had to wrestle with the large-scale uses to which his weapons were put. So where do we look for answers about how to regulate guns? Some claim the answer has to lie in the past, in the nation’s founding documents. Others argue that novel technologies demand novel solutions. Solving the problem of gun violence may be a case where we need to make a strong modernity claim. 
    Researcher, writer, and episode producer: Christopher Nygren, Associate Professor, History of Art and Architecture, University of Pittsburgh
    Featured Scholars: 
    Catherine Fletcher, Professor of History, Manchester Metropolitan University
    Priya Satia, Professor of History, Stanford University
    Special thanks: James DeMasi, Chloé Hogg, Jonathan Lyonhart, Pernille Røge, Jennifer Waldron, Catherine Yanko
     

    • 51 min
    A Medieval Anti-Racist

    A Medieval Anti-Racist

    What if racism shared an origin with opposition to racism? What if the condemnation of injustice gave rise both to an early form of anti-racism and to the racial hierarchies that haunt the modern era? Rolena Adorno, David Orique, María Cristina Ríos Espinosa tell the story of how Bartolomé de las Casas, a Dominican missionary to New Spain, came to racial consciousness in the presence of slavery. His intellectual rebellion spurred slavery’s apologists to more strident and sinister modes of defense – but also laid a lasting Christian groundwork for the fight against racial injustice.
    Researcher, writer, and episode producer: Terence Sweeney, Assistant Teaching Professor, Honors College, Villanova University
    Featured Scholars: 
    Rolena Adorno, Sterling Professor Emerita of Spanish, Yale University
    María Cristina Ríos Espinosa, Professor of Arts, Humanities, and Culture, University of Sor Juana’s Cloister, Mexico City
    David Orique, Professor of History, Providence College
    Special thanks: Chiyuma Elliott, Michael Sawyer
     

    • 52 min
    Picturing Race in Colonial Mexico

    Picturing Race in Colonial Mexico

    Race is sometimes treated as a biological fact. It is actually a modern invention. But for this concept to gain power, its logic had to be spread – and made visible. Art historian Ilona Katzew tells the story of how Spanish colonists of modern-day Mexico developed theories of blood purity and used the casta paintings – featuring family groups with differing skin pigmentations set in domestic scenes – to represent these theories as reality. She also shares the strange challenges of curating these paintings in the present, when the paintings’ insidious ideologies have been debunked, but when mixed-race viewers also appreciate images that testify to their presence in the past. 
    Researcher, writer, and episode producer: Christopher Nygren, Associate Professor, History of Art and Architecture, University of Pittsburgh
    Featured Scholar: Ilona Katzew, Curator and Head of Latin American Art, Los Angeles County Museum of Art 
    Special thanks: Elise Lonich Ryan, Nayeli Riano, Jennifer Josten
     

    • 1 hr
    Jamestown and the Myth of the Sovereign Family

    Jamestown and the Myth of the Sovereign Family

    What is the “traditional American family?” Popular images from the colonial and pioneer past suggest an isolated and self-sufficient nuclear family as the center of American identity and the source of American strength. But the idea of early American self-sufficiency is a myth. Caro Pirri tells the story of the precarious Jamestown settlement and how its residents depended on each other and on Indigenous Americans for survival. Early American history can help us imagine new kinds of interdependent and multi-generational family structures as an antidote to the modern crisis of loneliness and alienation. 
    Researcher, writer, and episode producer: Caro Pirri, Assistant Professor of English, University of Pittsburgh
    Featured Scholars: 
    Jean Feerick, Professor of English, John Carroll University
    Steven Mentz, Professor of English, St. John’s University
    Special thanks: Molly Warsh
    For bibliography, teaching aids, and other supporting media, please visit: https://genealogiesofmodernity.org/podcast-season-ii-ep-iv

    • 45 min
    What Is Genealogy?

    What Is Genealogy?

    Genealogy, in Charles Darwin’s terms, is the study of “descent with modification.” Taken as an analogy for the study of history, genealogy can guard against the potential dangers of claiming modernity. Against the effort to erase the past, genealogy asserts that our ancestry will always be with us. Against the effort to master the past, genealogy reminds us that our descendants have the freedom to create new futures. Sociologist Alondra Nelson tells the story of how African Americans have used DNA-informed genealogy to recover African identity despite slavery’s erasure of family history. Genealogical thinking can help us shape a disposition to the past that recognizes the legacy of injustice while also fostering human flourishing in the future.
    Researcher, writer, and episode producer: Ryan McDermott, Associate Professor of English, University of Pittsburgh; Senior Research Fellow, Beatrice Institute
    Featured Scholars: 
    Alondra Nelson, Harold F. Linder Professor of Social Science, Institute for Advanced Study
    Caro Pirri, Assistant Professor of English, University of Pittsburgh
    Michael Puett, Professor of Chinese History and Anthropology, Harvard University
    Special thanks to: Eduard Fiedler, Christopher Firestone, Thomas A. Lewis, Thomalind Martin Polite, Sara Trevisan
     

    • 45 min

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