The Book Club The Spectator

My guest in this week’s Book Club podcast is the author and historian Kathryn Hughes, whose new book Catland tells the story of how we learned to love pusskins. Content warning: contains Kipling, Edward Lear, some stinking carts of offal, and the troubled life and weird art of the extraordinary Louis Wain.

On this week’s Book Club podcast I’m joined by Percival Everett, who has followed up his Booker-shortlisted The Trees with James, a novel that reimagines the story of The Adventures of Huckleberry Finn from the point of view of the fugitive slave Jim. Percival tells me what he learned from Mark Twain, how being funny doesn’t make him a comic novelist, and why Black resistance to racism is a matter of language itself.

In this week’s Book Club podcast my guest is Dorian Lynskey. In his new book Everything Must Go, Dorian looks at the way humans have imagined the end of the world from the Book of Revelations to the present day. He tells me how old fears find new forms, why Dr Strangelove divides critics, and why there’s always a few people who anticipate global annihilation with something that looks like longing.

My guest on this week's Book Club podcast is the investigative reporter Annie Jacobsen, whose hair-raising new book Nuclear War: A Scenario imagines – minute by minute – what would unfold if the nuclear balloon went up. But rather than a work of fantasy, this is based on meticulously sourced reporting about the effects of nuclear weapons and the structures and policies that govern them. We all knew it would be bad but Jacobsen tells us just how bad, and how fast, and quite how little the people who push the button will actually know about what's going on.

In this week's Book Club podcast my guest is the Pulitzer prize winning novelist Viet Thanh Nguyen, whose new book is the memoir A Man of Two Faces. He tells me about the value of trauma to literature, learning about his history through Hollywood, falling asleep in class... and the rotten manners of Oliver Stone.    

My guest in this week's Book Club is Joel Morris, an award-winning comedy writer whose credits run from co-creating Philomena Cunk to writing gags for Viz and punching up the script for Paddington 2. In his new book Be Funny Or Die, he sets out to analyse how and why comedy works. He tells me why there are only three keys on the clown keyboard, what laughter does for us in neurological terms, and why Laurel and Hardy could get away with anything.