1 hr 9 min
Art of the Cut, Ep. 156: "Death on the Nile" and "Belfast" Editor, Úna ní Dhonghaíle Art of the Cut
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- TV & Film
In this interview, we discuss two recent films edited by Irish film editor, Úna ní Dhongaíle, ACE, BFE. Belfast is a Best Picture Oscar nominee, and Úna was nominated for an ACE Eddie and a BAFTA for Best Editing for the film.
She also edited the beautiful and evocative Agatha Christie mystery, Death on the Nile. Úna’s other credits include editing the film Stan and Ollie, and the TV shows Wallander, The Crown and Les Misérables.
Our discussion of the craft will touch on how to create a sense of pace within a single shot, the value for a director to see cuts as he’s shooting, and the value of using your own life experiences to empathize with the story on screen. Let’s dive in!
Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
In this interview, we discuss two recent films edited by Irish film editor, Úna ní Dhongaíle, ACE, BFE. Belfast is a Best Picture Oscar nominee, and Úna was nominated for an ACE Eddie and a BAFTA for Best Editing for the film.
She also edited the beautiful and evocative Agatha Christie mystery, Death on the Nile. Úna’s other credits include editing the film Stan and Ollie, and the TV shows Wallander, The Crown and Les Misérables.
Our discussion of the craft will touch on how to create a sense of pace within a single shot, the value for a director to see cuts as he’s shooting, and the value of using your own life experiences to empathize with the story on screen. Let’s dive in!
Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Click here to read this interview along with extra content at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.
1 hr 9 min