1h 10 min

Gerhard Richter Exhibitionistas

    • Arti visive

In this episode, we dig into Gerhard Richter's lifetime of painting and his incursions in more conceptual works. We visited his first exhibition at David Zwirner, London, where we discovered drawings, paintings, mirror works and much more. 

Our research led us to his beginnings in Dresden and Düsseldorf, in post war GDR and Western Germany.  What is fascinating is how the photographic image is the guiding light in his relation to trauma, to history, to the present but most of all, to painting. Pop Art, Abstract Expressionism, Duchamp, all had an impact on Richter who nevertheless built his own path in the always menaced painting genre throughout the end of the century.  Indeed, how many times was painting declared dead in the 20th century?! Too many to count.

We kept our relation to Richter's work personal and fluid (Emily even got to do some reading), as there are so many sources out there for further information, amongst which: the catalogue raisonné published in 2022 by Hatjze Cantz; the Richter Interviews published in 2019 by Heni Publishing; and much more, which you can find here: https://gerhard-richter.com/en/literature

Info about the exhibition:

https://www.davidzwirner.com/exhibitions/2024/gerhard-richter

You can also explore Richter's website:

https://gerhard-richter.com/en/

Music: Sarturn

In this episode, we dig into Gerhard Richter's lifetime of painting and his incursions in more conceptual works. We visited his first exhibition at David Zwirner, London, where we discovered drawings, paintings, mirror works and much more. 

Our research led us to his beginnings in Dresden and Düsseldorf, in post war GDR and Western Germany.  What is fascinating is how the photographic image is the guiding light in his relation to trauma, to history, to the present but most of all, to painting. Pop Art, Abstract Expressionism, Duchamp, all had an impact on Richter who nevertheless built his own path in the always menaced painting genre throughout the end of the century.  Indeed, how many times was painting declared dead in the 20th century?! Too many to count.

We kept our relation to Richter's work personal and fluid (Emily even got to do some reading), as there are so many sources out there for further information, amongst which: the catalogue raisonné published in 2022 by Hatjze Cantz; the Richter Interviews published in 2019 by Heni Publishing; and much more, which you can find here: https://gerhard-richter.com/en/literature

Info about the exhibition:

https://www.davidzwirner.com/exhibitions/2024/gerhard-richter

You can also explore Richter's website:

https://gerhard-richter.com/en/

Music: Sarturn

1h 10 min