New Books in Middle Eastern Studies Marshall Poe

Capitalism is not only an economic system but also a system of production and allocation of hope. In Egypt, a generation of young men desire fulfilling employment, meaningful relationships, and secure family life, yet find few paths to achieve this. 
In The Labor of Hope:: Meritocracy and Precarity in Egypt (Stanford UP, 2023), Harry Pettit follows these educated but underemployed men as they struggle to establish careers and build satisfying lives. In so doing, this book reveals the lived contradiction at the heart of capitalist systems - the expansive dreams they encourage and the precarious lives they produce. Pettit considers the various ways individuals cultivate distraction and hope for future mobility: education, migration, consumption, and prayer. These hope-filled practices are a form of emotional labor for young men, placing responsibility on the individual rather than structural issues in Egypt’s economy. Illuminating this emotional labor, Pettit shows how the capitalist economy continues to capture the attention of the very people harmed by it.
Harry Pettit is Assistant Professor in Economic Geography at Radboud University Nijmegen. His research is on emotional politics and late capitalism. He has published articles on the emotional politics of precarious labour in Cairo in the International Journal of Urban and Regional Research, Environment & Planning D: Society & Space, and Emotion, Space, and Society.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors: Graffiti and Street Art in Postwar Beirut (University of Texas Press, 2024), Dr. Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region.
Analysing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolised by militias during the war, Dr. Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalised, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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The Indian state of Kerala is one of the largest blocs of migrants in the oil economies of the Arab Gulf. 
Looking closely at the cultural archives produced by and on the Gulf migrants in Malayalam -- the predominant language of Kerala -- The Gulf Migrant Archives in Kerala: Reading Borders and Belonging (Oxford UP, 2024) takes stock of circular migration beyond its economics. It combines formal and thematic analyses of photographs, films, and literature with anthropological and historical details to offer a nuanced understanding of the construction of the Gulf and its translation to the cultural imaginary of Kerala. It explores the dissonance between the private and public discourses on the Gulf among migrants and non-migrants, and demonstrates the role of this disjuncture in the continued fascination for Gulf migrant lives. An enquiry into the various dimensions of the Gulf in Kerala, as an acknowledged means of living, as a rumour, an object of gossip, a public secret, or even a private thrill, this book debunks the idea of language as a common entity and studies the tentative borders built within. Finally, it explores the resources, possibilities, and perils of affiliative communities constructed along and across those borders.
Dr. Mohamed Shafeeq Karinkurayil is Associate Professor at Manipal Centre for Humanities, a constituent unit of Manipal Academy of Higher Education. His PhD was in Cultural Studies from the English and Foreign Languages University, Hyderabad, India. He has numerous publications in academic and popular publications.
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This week, RBI Director John Torpey speaks with Amos Goldberg, Professor of Holocaust History at the Department of Jewish History and Contemporary Jewry at the Hebrew University of Jerusalem, about the ongoing war between Israel and Hamas. Among other rhetorical aspects of the conflict, Goldberg reflects on the meaning of such slogans as “From the river to the sea, Palestine will be free.” They also discuss the question whether Israel is committing genocide and what that means. Finally, the conversation addresses how the conflict might end, an especially appropriate question as the parties seem to be returning to the bargaining table in a serious way.
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In Literary Optics: Staging the Collective in the Nahda (Syracuse UP, 2024), Maha AbdelMegeed offers a compelling and far-reaching alternative to the traditional mode of analyzing Arabic literature through an encounter between Arabic narrative forms and European ones. Drawing upon close engagements with the works of canonical authors from the period, including Hassan Husni al-Tuwayrani, Muhammad al-Muwaylihi, Ali Mubarak, Francis Marrash, and ‘Abdallah al-Nadim, AbdelMegeed addresses not where these works emanate from but rather how and why they were drawn together to form a canon. In doing so, she rejects the expectation that these texts, through the trope of encounter, hold the explanatory key to modern Arabic literature.
In this reformulation of Arabic literary history, AbdelMegeed argues that the canon is forged through an urgency to define a new form of political sovereignty and to make history visible. In doing so, she explores three pivotal concepts: the spectral (khayal), the trace (athar) and the collective (alnās). By examining the texts through these concepts, Literary Optics provides a remarkable intellectual history that delves into the aesthetic, philosophical, and political stakes of nineteenth-century Arabic literature.
Maha AbdelMegeed is assistant professor of modern Arabic literature at the American University of Beirut.
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In this evocative, insightful memoir, a leading voice in Middle Eastern Studies revisits his childhood in war-torn Lebanon and his family’s fascinating history, coming to terms with trauma and desire. Water on Fire: A Memoir of War (Other Press, 2024) tells a story of immigration that starts in a Beirut devastated by the Lebanese Civil War (1975–90), continues with experiences of displacement in Europe and Africa, moves to northeastern American towns battered by lake-effect snow and economic woes, and ends in New York City on 9/11. A story of loss, but also of evolution, it models a kind of resilience inflected with humor, daring, and irreverence. Alternating between his perspective as a child and as an adult, Tarek El-Ariss explores how we live with trauma, poignantly illustrating the profound impact of war on our perception of the world, our fears and longings. His memoir is at once historical and universal, intellectual and introspective, the outcome of a long and painful process of excavation that reveals internal turmoil and the predicament of conflict and separation. A contemporary “interpretation of dreams” dealing with monsters, invisible creatures, skin outbreaks, and the sea, it is a book about objects and elements, like water and fire, and about how encountering these elements triggers associations, connecting present and past, time and space.
Tarek El-Ariss is the James Wright Professor and Chair of Middle Eastern Studies at Dartmouth College and was a Guggenheim Fellow (2021–22). Trained in philosophy, comparative literature, and visual and cultural studies at the American University of Beirut, the University of Rochester, and Cornell University, he is the author of Trials of Arab Modernity: Literary Affects and the New Political and Leaks, Hacks, and Scandals: Arab Culture in the Digital Age, and editor of the MLA anthology The Arab Renaissance: A Bilingual Anthology of the Nahda.
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