243 episodes

Hear the interview of the week from the Music Show, where composer Andrew Ford entertains and informs a wide audience each week, providing two hours of essential listening from the world of music.

The Music Show ABC listen

    • Music

Hear the interview of the week from the Music Show, where composer Andrew Ford entertains and informs a wide audience each week, providing two hours of essential listening from the world of music.

    Omar Musa, turning poetry into music & the music of Jane Austen

    Omar Musa, turning poetry into music & the music of Jane Austen

    Omar Musa is an author, artist, poet, and woodcutter making music and art from Borneo to Brooklyn. He is back in Australia to talk about his latest album The Fullness. His third album touches on the environment, culture, religious identity, and mortality. He creates poetry from a spoken-word background, melding hip-hop, jazz, and electronic sounds with earnest lyricism. 

    Gillian Dooley joins us on The Music Show to talk about her latest book She Played and Sang, which explores the music of Jane Austen. From Haydn piano sonatas to Scottish folk songs, Gillian gives us a sense of what not only Elizabeth Bennett and the Dashwoods were playing in their parlour, but also Jane Austen herself. 

    Also new music from Leila and Sean Shibe

    Performance Dates -- Omar Musa

    4 May – 2 June All My Memories Are Mistranslations, Humble House Gallery Canberra, 
    2 August ACO Up Close: Omar Musa and Mariel Roberts, ACO Pier 2-3 - The Nielson, 7pm

    Gillian Dooley -- She Played and Sang: Jane Austen and Music, Manchester University Press

    • 54 min
    Stuart Skelton sings the Song of the Earth, and Reuben Lewis and Huda the Goddess meet in the middle of jazz and spoken word

    Stuart Skelton sings the Song of the Earth, and Reuben Lewis and Huda the Goddess meet in the middle of jazz and spoken word

    Australian tenor Stuart Skelton returns to The Music Show as he prepares to sing Mahler’s Song of the Earth (Das Lied von der Erde) with the Australian Chamber Orchestra. Looking over his increasingly heroic career from oddball roles like the titular Peter Grimes to the pantheon of Wagner’s men, Stuart reflects on growing into his voice, and what he learned from the conducting and musical leadership of the late Andrew Davis.

    Story of Another Soul is a “decolonial dreaming of new futures that seeks truth in the roots of improvisation”, from Meanjin/Brisbane based spoken word poet Huda Fadlelmawla and jazz trumpeter, composer and producer Reuben Lewis. They join Andy to talk about the process of improvisation in which words and music come together.

    Stuart Skelton performs Mahler’s Song of the Earth with the Australian Chamber Orchestra until 26 May.

    Story of Another Soul is out now via Life Before Man.

    Title: These Stories
    Composer: Reuben Lewis, Huda Fadlelmawla
    Artist: Huda The Goddess & Reuben Lewis
    Album: Story of Another Soul
    Label: Life Before Man

    Title: Das Lied von der Erde; i. Das Trinklied von Jammer der Erde
    Composer: Gustav Mahler
    Artist: Stuart Skelton, Bavarian Radio Symphony Orchestra, Sir Simon Rattle
    Album: Das Lied von der Erde
    Label: BR Klassik 900172

    Title: “Now the Great Bear and Pleiades” from Peter Grimes
    Composer: Benjamin Britten
    Artist: Stuart Skelton, Bergen Philharmonic Orchestra, Edward Gardner
    Album: Peter Grimes
    Label: Chandos CHSA5250

    Title: “Take me away, and in the lowest deep there let me be” from The Dream of Gerontius
    Composer: Edward Elgar
    Artist: Stuart Skelton, BBC Symphony Orchestra, Sir Andrew Davis
    Album: The Dream of Gerontius
    Label: Chandos CHSA5140

    Title: When People Ask You, Break
    Composer: Reuben Lewis, Huda Fadlelmawla
    Artist: Huda The Goddess & Reuben Lewis
    Album: Story of Another Soul
    Label: Life Before Man

    Title: Love So Deep
    Composer: Omar Musa
    Artist: Omar Musa
    Album: The Fullness
    Label: Monkeycat Music

    The Music Show is produced on Gadigal and Gundungurra Country

    Technical production by Ann-Marie Debettencor

    • 54 min
    Lotte Betts-Dean’s voice, Bram de Looze’s piano, and Roland Peelman’s final year at Canberra International Music Festival

    Lotte Betts-Dean’s voice, Bram de Looze’s piano, and Roland Peelman’s final year at Canberra International Music Festival

    Andrew is at the Canberra International Music Festival, where we get to catch up with an Australian who lives in the UK, a Belgian who tours the world, and another Belgian who lives in Australia.

    Lotte Betts-Dean, Aussie mezzo-soprano now based in London, makes a trip home to perform a series of form-expanding vocal works from composers like Michael Finnissy, one of the masters of so-called "new complexity". 

    Belgian jazz pianist Bram de Looze invites The Music Show into the Belgian Embassy where he's staying with the two resident llamas to talk about where improvisation and composition meet for him, and what he's taken from jazz idols like Hank Jones, Keith Jarrett and Thelonious Monk. 

    And CIMF Artistic Director Roland Peelman looks back on his ten years leading the festival, the joys and tribulations of wearing multiple hats, and the particular way the city of Canberra has shaped the festival. 

    Look out for Bram De Looze on ABC Jazz’s Jazztrack Live in June.

    Music heard in the show:

    Title: Spotting Gateways
    Artist: Bram de Looze
    Live in Canberra – courtesy of ABC Jazz

    Title: Blessed Be I
    Artist: Lotte Betts-Dean, Marsyas Trio
    Composer: Michael Finnissy
    Album: Alternative Readings
    Label: Divine Art MEX77102

    Title: Botany Bay
    Artist: Lotte Betts-Dean, Marsyas Trio
    Composer: Michael Finnissy
    Album: Alternative Readings
    Label: Divine Art MEX77102

    Title: parallaxis forma
    Artist: Lotte Betts Dean, Explore Ensemble
    Composer: Catherine Lamb
    Album: 3 Compositions for Voices and Ensemble
    Label: Another Timbre at-215CD

    Title: Bow
    Artist: Bram De Looze
    Composer: Bram De Looze
    Album: Spotting Gateways
    Label: Independent release

    Title: Monk’s Mood
    Artist: Bram De Looze, Joey Baron, Robin Verheyen
    Composer: Thelonious Monk
    Album: MiXMONK
    Label: UCJ

    Technical production by Simon Branthwaite
    Recorded on Ngunnawal and Ngambri Country, produced on Gadigal and Gundungurra Country.

    • 54 min
    Rainbow Chan explores language through lament, and when George Gershwin met Arnold Schoenberg

    Rainbow Chan explores language through lament, and when George Gershwin met Arnold Schoenberg

    Rainbow Chan returns to The Music Show to discuss her latest audio-visual project, The Bridal Lament. In an attempt to preserve her mother's mother tongue, Rainbow has spent the last five years researching and learning the Weitou language, an endangered Cantonese dialect, through learning traditional bridal laments. Rainbow talks to Andy about the defiant tradition of performing these laments in the face of arranged marriages, and her process of learning the language through song from the 'grannies' preserving it. 

    You might think Broadway composer George Gershwin and pioneer of 12-tone music Arnold Schoenberg would have had little in common, but when Gershwin arrived in Beverly Hills in August 1936, he found Schoenberg (who had fled Nazi Germany in 1933), was his neighbour. Gershwin was in the last year of his life, but during that time the two composers played tennis together every week. They also admired each other’s music - and Schoenberg admired Gershwin’s business acumen. When Gershwin asked Schoenberg for lessons, the older man enquired how much Gershwin earned, suggesting he should the one taking lessons from Gershwin. When George Met Arnold is the title of a film/concert from pianist Simon Tedeschi and conductor/violist Roger Benedict with the Sydney Symphony Orchestra, and they’ll be in the music studio to talk about it.

    Plus an exclusive live performance from Yirinda via our comrades at Awaye.

    This week’s show was recorded on Ngunnawal and Ngambri Country and produced on Gadigal Land.

    Technical production by Simon Branthwaite.

    • 54 min
    Folk trio Apolline, and Blossom Dearie at 100

    Folk trio Apolline, and Blossom Dearie at 100

    Bringing huge amounts of energy, musicianship and a sense of humour to the Australian folk scene is Apolline. They chat to Ce Benedict about their trio's unusual line up (fiddle, cello, bass), their approach to arranging and layering tunes, and having varied musical influences—from jazz to Scandi folk and Eurovision. They'll also perform two sets of tunes live in The Music Show studio.

    American jazz pianist and singer Blossom Dearie would have turned 100 this week. We revisit a delightful interview from 1995 (one of the first Andrew Ford ever recorded), where he gets a strong telling off for suggesting that she played chords like Thelonious Monk. 

    And we hear new music from Tessa Bird, Cedric Burnside, and Allysha Joy.

    • 54 min
    Maanyung on saltwater, sand, and sound & Norwegian trumpeter Tine Thing Helseth

    Maanyung on saltwater, sand, and sound & Norwegian trumpeter Tine Thing Helseth

    Norwegian trumpet player Tine Thing Helseth returns to The Music Show as she prepares to play with the Melbourne Symphony Orchestra. She talks to Andy about the peculiarities of trumpet concertos, about composers writing for her versus writing for her instrument, and about expanding her musical life to include playing and writing.

    Maanyung is a proud Aboriginal man with strong connections to Gumbaynggir and Yaegl nations. His songwriting comes from Language and Country – he’s a surfer, a youth worker and a songwriter and he’s released a string of singles in the last few years. He’s on The Music Show to talk about saltwater, sand, and sound.

    Plus new music from Charlie Grey and Joseph Peach.

    The Music Show is produced on Gadigal and Gundungurra Land

    Technical production by Roi Huberman and Tim Symonds

    • 54 min

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