Back to the Balcony Jim Ordowich

Better late than never (explanation for why we're a weak late will be in the next expisode). Chris Wuergler revisits her Hitchcock obsession with 1954's Rear Window, a fascinating movie that seems so unlikely to work but somehow does. Jimmy tries to poke holes but it's hard because this movie forces you to suspend your disbelief. Funny, as always but with some fascinating sidebars about eavesdropping. Are we alll guilty of it? Listen and decide for yourself.

We spend just about as much time talking about the political and social ramifications of this movie and events as we do about the movie itself. Like always it's funny but Jimmy and guest Mario Bernardi meander in a lot of directions with this one.

It's hard to review funny movies but Groundhog Day may be the most hilarious and the most well thought out comedy movie of all time. Guest Scott Faulconbridge makes a compelling argument for why it's so good and what we respond to in the movie.

What happens two distant generations meet a movie hit from the 40's? Will it stand up or was this a huge mistake? Mario Bernardi guests with Chris Jarvie (who is literally, half his age) to talk about the best of the Bob Hope and Bing Crosby road pictures, The Road to Morocco. Is here a renaissance coming, will a new generation embrace it? Will the old generation ev en remember it? Turns out to be a pretty fascinating discussion with an unexpected obstacle to universal acceptance.

Bret Measor joins Jimmy along with guest engineer Kristian Reimer (who forgot to turn his microphone on) to talk about the legacy of Rodney Dangerfield and his 1986 movie, Back to School. Bret loves it, Jimmy likes it but wishes it could have revealed more of Rodney and less shenanigans. Is he right or Bret? Give it a listen to find out. 

Ryan Sim and Mitch McBeaudry join Jimmy to figure out if Leslie Neilen is a great comedian or someone who just got lucky a couple times and coasted on that career ever afterwards. Ryan Sinm says he was a natural comedian and 1988's The Naked Gun proves it. Mitch says no, just look at 1995's Dracula: Dead and Loving It. Somewhere's along the way Mel Brooks gets bashed.