41本のエピソード
Behind the Red Curtain Chelsea Hart-Melcher
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- 教育
Chelsea Hart-Melcher, an opera singer, music teacher, and "mompreneur", gives us a glimpse of the joys and struggles of her multiple hats and finding your why. She is super passionate about helping singers channel their anxiety into their superpower. If you're a musician, performer, parent, or student, then this show is for you!
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Scarcity vs. Abundance: An Important Lesson in the Music and Performing Arts Industry
Scarcity and abundance: this is something I'm very passionate about. I really had to learn this at a young age. This is how I learned to use it to my advantage.
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Dealing with Jealousy and Rejection in the Acting and Music Industry with Regan Goins
This week, we check back with my good friend Regan Goins. This time, we talk about jealousy and rejection in the acting industry!
Do you have more questions you'd like Regan to answer? Join our Facebook support group for Music Majors and Professionals: https://www.facebook.com/groups/musicmajortomusicprofessional -
What would you do if you could go back? Interview with Regan Goins (Part 1)
What would you do if you could go back? Today, I interview one of my dear friends and co-teachers Regan Goins. Regan has had a successful career in acting and has made a huge impact spearheading several productions in the music school.
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Learn a Role at Lightning Speed! Don Pasquale in 11 Days Challenge
Learning a whole two-hour opera role in 11 days... is it possible? I don't know but I'm motivated to try this! I'll be learning Norina from Don Pasquale.
Watch the video version on my channel: https://youtu.be/szKkiKK6E1M -
Going Back to College... What Would I Do Differently?
I recently had a chance to reconnect with the places I was before, and it made me reflect on what I would do differently if I got the chance to go back to college. After going full circle, I want to reflect on my college days, and I hope you learn something along the way!
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Top Tips on Tackling and Approaching Contemporary or Difficult Music
How do you approach difficult music and put it together? I've had the honor to do quite a lot of new music and world-premieres of pieces from modern-day composers and here are some tips and tricks that I've learned along the way.
How do you tackle the challenge of new contemporary music and approach difficult music in general? Do you have tips that I missed or things that worked for you? Let me know in the comments!