Classic Detective Stories John Anthony Walker

Dive into the murky depths of Los Angeles in Raymond Chandler's classic noir tale, "Goldfish." Originally penned for *Black Mask* magazine in 1936, this gripping short story introduces a detective as cunning and charismatic as Chandler's legendary Philip Marlowe. Tasked by the enigmatic Kathy Horne—a woman as alluring as she is mysterious—the detective is plunged into a shadowy chase for the legendary Leander pearls, jewels whose allure is matched only by the danger they bring. When a key informant is found dead, the search becomes a perilous maze of deceit and greed. With Chandler's masterful prose and sharp wit, "Goldfish" ensnares you in a world where everyone has a secret and no one can be trusted. Will our detective untangle the web of lies before the truth slips through his fingers like smoke? Step into the seedy underbelly of classic noir and discover why Raymond Chandler remains a titan of the genre.
Guest narrator is Brendan Sullivan. Brendan is an illustrator, artist, and graphic designer from Florida who dabbles in audio storytelling. He’s worked across several industries, from themed attractions to product lines to architecture, and he has a love for using creative color palettes, interesting compositions, and whimsical shapes. He’s admittedly rather fond of oddities and monsters, and will gladly take a detour to study history’s more strange and intriguing paths.
He has a a website where people can see work and get in touch, which is sullivanartco.com.
He is on Instagram as @sullivanartco.
Music is The Black Cat by Aaron Kenny
Learn more about your ad choices. Visit megaphone.fm/adchoices

Step into the intriguing world of Dorothy L. Sayers' "The Footsteps That Ran." Set within the confines of 24 Great James Street, London, this gripping tale follows the discerning detective Lord Peter Wimsey as he grapples with a puzzling mystery. The echoing footsteps from the room above become a perplexing clue in this riveting narrative, guiding Wimsey along a path fraught with suspense and intrigue. With Sayers' masterful storytelling and keen eye for detail, listeners are in for a captivating journey filled with twists and turns. Experience the thrill of discovery as you join Lord Peter Wimsey on his quest to unravel the secrets hidden within "The Footsteps That Ran."
The story ends and the commentary begins at 38:24
Learn more about your ad choices. Visit megaphone.fm/adchoices

Agatha Christie, born in 1890 in Torquay, Devon, England, was a pioneering and prolific writer who revolutionized the crime fiction genre. Best known for her 66 detective novels and 14 short story collections featuring iconic characters like Hercule Poirot and Miss Marple, Christie became one of the most influential authors of the Golden Age of Detective Fiction. Her personal life was marked by a mysterious 11-day disappearance in 1926 and two marriages, including a long and happy union with archaeologist Max Mallowan. Appointed Dame Commander of the Order of the British Empire (DBE) in 1971, Christie remains the best-selling fiction writer of all time, with over two billion copies of her books sold worldwide.
Christie's innovative writing style, characterized by clever plots, intricate mysteries, and surprising twists, set her apart from other authors in the genre. She masterfully employed techniques such as the unreliable narrator and sudden plot twists, which challenged readers' assumptions and kept them engaged until the very end. By constantly pushing the boundaries of the genre, Christie established herself as the undisputed Queen of Crime.
John Truby, in his book "The Anatomy of Genres," distinguishes the Detective Genre from the closely related Crime and Gangster Genres. He argues that detective novels focus more on the investigation itself, delving into the criminal's identity and motivations, rather than solely on the punishment of wrongdoing and the maintenance of social order. This emphasis on understanding the "why" behind the crime adds psychological depth to detective stories, as exemplified in Christie's "The Witness for the Prosecution."
Truby also notes that in the Gangster Genre, the criminal is often portrayed as the hero, a departure from traditional roles in detective and crime fiction. While "The Witness for the Prosecution" does not strictly fall into this category, it presents a morally ambiguous situation where readers' sympathies may be divided, highlighting Christie's skill in crafting multifaceted characters and thought-provoking narratives.
"The Witness for the Prosecution" showcases the vulnerabilities of the legal system and explores the ethical quandaries faced by solicitors as they balance their professional obligations with their own moral principles. Christie's manipulation of societal expectations surrounding gender roles in 1920s Britain adds an extra layer of complexity to the story, subverting traditional portrayals of women as passive and submissive in the face of male authority.
Christie's gender role reversal serves as a powerful narrative device, compelling readers to reassess their assumptions about characters and their motivations. Her skillful use of societal expectations adds depth to the story's twists, making them all the more impactful and thought-provoking without relying on conventional tropes.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellery Queen is a pseudonym created in 1928 by the American detective fiction writers Frederic Dannay and Manfred Bennington Lee. It is also the name of their main fictional detective, a mystery writer in New York City who helps his police inspector father solve baffling murder cases. From 1929 to 1971, Dannay and Lee wrote around forty novels and short story collections featuring Ellery Queen as a character.
"The Adventure of the Emperor's Dice" was originally written as a script for the Ellery Queen radio drama series and aired on March 31, 1940. It was then adapted into short story form by Frederic Dannay and Manfred B. Lee, the two cousins who wrote under the pseudonym Ellery Queen. The short story version was first published in the April 1951 issue of Ellery Queen's Mystery Magazine. It was included later that year as one of the stories in the anthology collection Calendar of Crime, published by Little, Brown and Company, as part of their year-long series of monthly murder mysteries. In both its radio play and short story iterations, "The Adventure of the Emperor's Dice" featured the character Ellery Queen, his father Inspector Richard Queen, and secretary Nikki Porter investigating a baffling murder case involving an inherited set of ancient dice.
In the late 1920s when Dannay and Lee first created the Ellery Queen character and stories, the detective fiction genre was still heavily influenced by the "Golden Age" embodied by writers like Agatha Christie and the clue-puzzle mysteries popularized in the 1920s. The Ellery Queen mysteries represented an American take on this tradition, with intricate plots and a focus on following clues and deductive reasoning.
However, by the 1940s when "The Emperor's Dice" first aired as a radio play, the genre was starting to evolve with the rise of hardboiled detective fiction spearheaded by writers like Dashiell Hammett and Raymond Chandler. Their pioneering work injected more gritty realism into crime stories.
"The Emperor's Dice" straddled these two eras. While adhering to the classic clue-puzzle format the Queen stories were known for, it also incorporated more modern elements like an atmospheric opening scene, hints of psychologically damaged characters, and flashes of noir-esque descriptions.
When it was published in print form in 1951's Calendar of Crime anthology, detective fiction was further evolving with writers like John D. MacDonald blending elements of the traditional and hardboiled styles. "The Emperor's Dice" can be seen as an important transitional work that helped evolve the American detective novel from its golden age into a more modern psychological suspense style.
With its deft blending of puzzle-solving and mood, clever plotting and character insights, "The Emperor's Dice" exemplified how Dannay and Lee masterfully kept the Ellery Queen stories vital and distinctive even as the genre changed around them. It remains an influential and important work in the development of American mystery writing.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Agatha Christie (1890-1976) was an English crime novelist, short story writer, and playwright. She is best known for her 66 detective novels and 14 short story collections, particularly those featuring her famous characters Hercule Poirot and Miss Marple. Christie is the best-selling novelist of all time, with her works having sold over two billion copies worldwide. Her innovative plots, clever misdirection, and surprising twists have earned her the title of the Queen of Crime.
"Sing a Song of Sixpence" is a short story by Agatha Christie, first published in the December 1929 issue of the Illustrated Sporting and Dramatic News in the U.K. The story was later collected in the anthology "The Listerdale Mystery" (1934) and published in the U.S. in Ellery Queen's Mystery Magazine in February 1947 and the collection "The Witness for the Prosecution and Other Stories" (1948).
Within Christie's extensive body of work, "Sing a Song of Sixpence" stands as an early example of her mastery of the short story format. Published in 1929, the story falls within the Golden Age of Detective Fiction in Britain, a period characterized by puzzle-like mysteries, amateur sleuths, and complex plots. While the story deviates from some of Christie's more famous works by featuring a one-off protagonist instead of her iconic detectives, it still showcases her ability to craft intricate and engaging mysteries.


If you enjoyed this story, please consider Buying Me A Coffee!
https://www.buymeacoffee.com/10mn8sk
Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest Narrator: Michael Rutland, Austin, Tx.
James M. Cain (1892-1977) was an American novelist, journalist, and screenwriter best known for his hardboiled crime fiction. Born in Annapolis, Maryland, Cain began his career as a journalist, working for The Baltimore Sun and The New Yorker. His experiences as a reporter heavily influenced his writing style, which was characterized by its directness, realism, and unflinching exploration of human nature's darker aspects. Cain's life was marked by personal struggles and failed marriages, which often found their way into his fiction, adding depth and authenticity to his characters and their predicaments.
Cain is considered one of the founding fathers of both the noir and hardboiled crime fiction genres. His novels, such as "The Postman Always Rings Twice" (1934) and "Double Indemnity" (1943), helped define these genres with their gritty, realistic portrayals of crime, passion, and betrayal. Cain's writing style, which favored sharp, concise prose and dialogue, set the standard for future generations of crime writers. His work also found success in Hollywood, with several of his novels being adapted into classic films noir, including "Double Indemnity" (1944) and "The Postman Always Rings Twice" (1946), further cementing his legacy in the genre.
While often used interchangeably, noir and hardboiled fiction have distinct characteristics. Hardboiled fiction typically features a tough, cynical protagonist, often a private detective or a criminal, navigating a corrupt and violent world. The emphasis is on action, dialogue, and the protagonist's struggle against external forces. In contrast, noir fiction delves deeper into the psychological depths of its characters, exploring themes of moral ambiguity, existentialism, and the inescapable consequences of one's actions. Cain's work often blurred the lines between these two genres, combining the gritty realism of hardboiled fiction with the psychological complexity and fatalism of noir.
Dead Man
In the powerful short story "Dead Man," James M. Cain showcases his mastery of the noir genre. The story follows a desperate man who accidentally kills a railroad detective and is subsequently consumed by guilt and paranoia. As the protagonist attempts to establish an alibi and evade capture, he finds himself engaged in a psychological battle with his own conscience, which proves to be just as relentless as the authorities pursuing him. Cain's signature style is on full display in "Dead Man," with its taut, economical prose, vivid characterization, and uncompromising exploration of guilt and desperation. The story serves as a testament to Cain's ability to craft complex, emotionally charged narratives within the confines of the short story format.
The figure of the rail-riding hobo has long been a staple of American fiction, representing a sense of freedom, adventure, and escape from the constraints of society. In the late 19th and early 20th centuries, as the United States underwent rapid industrialization and urbanization, many writers turned to the hobo as a symbol of resistance against the dehumanizing effects of modern life. Authors such as Jack London, John Dos Passos, and Jack Kerouac celebrated the hobo's unconventional lifestyle and spirit of rebellion. In "Dead Man," James M. Cain offers a darker take on this iconic figure, depicting the protagonist's life as a rail-riding hobo as a desperate, precarious existence. By placing his character in this context, Cain not only taps into a rich literary tradition but also subverts it, exposing the harsh realities and psychological toll of life on the margins of society.
James M. Cain's paternal grandfather, P. W. Cain, worked as a superintendent for the Hartford Railroad. This connection to the railway industry likely influenced James M. Cain's writing, giving him at least an interest in the railroads and those who lived on and around them.
 

 
Learn more about your ad choices. Visit megaphone