Hearts of Space Promo Podcast Stephen Hill

Electronic music has come a long way in the last 50 years. Beginning in the 1960s, the arrival of affordable mass-produced analog and digital synthesizers liberated electronic music from the rigidity of academic laboratories, the iconoclasm of avant-garde theories, and the dogmas of experimental music. Equipped with powerful instruments and their own recording studios, electronic musicians were free to take ideas and influences from all kinds of popular and historical music, leading to a fruitful period of cross-fertilization, invention, and collaboration. Early electronic instruments were notably lacking in musical expression, but they proved to be exceptionally good at creating the impression of flying and floating in vast virtual spaces. On this transmission of Hearts of Space, we fly on electronic winds and float on electronic clouds, on a program called ELECTRON FLOW. Music is by GEORGE WALLACE, CHRONOTOPE PROJECT, COPAL RIVER, ROBERT SCOTT THOMPSON, STEVE ROACH, ANDREW LAHIFF, STEVE BRAND, and ADHAM SHAIKH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

The solo piano: a sound that's been evolving for over 300 years. It's perfectly happy all by itself, but it also plays exceptionally well with others. Flexible by design, the piano has been a mainstay in classical music and jazz, and a key element in traditional and popular music. With the arrival of ambient, minimal and new age music in the 1970s, the piano was expanded and dematerialized through studio magic, and combined with ambient and electronic textures to create spatial sound images. On this transmission of Hearts of Space, the acoustic piano meets ambient atmospheres, on a program called CONFLATION. Music is by JON HOPKINS, TALE OF US, BEN LUKAS BOYSEN, ROBERT RICH & MARKUS REUTER, HAROLD BUDD & CLIVE WRIGHT, CHRIS WALLA, and CHRISTOPHER WILLITS & RYUICHI SAKAMOTO. NOTE: If you're thinking of buying one the new electronic/digital pianos, here's an excellent guide by Rob Beck. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

"In turbulent times, ambient world musicians project calm and harmony." It's an instinctive response to our super-charged environment, a way to transmute chaos and instability into order, reduce anxiety, restore regular breathing, and take down the temperature. Perhaps more remarkable, even in our electronic era, they do it mainly as they have for centuries — with traditional acoustic instruments and consonant harmonies. On this transmission of Hearts of Space, a transcultural acoustic fusion of influences from South America, Jamaica, North Africa, the Middle East, Indonesia, and India — on a program called HARMONIC WORLD. Music is by SUZANNE TENG & GILBERT LEVY, STEPHAN MICUS, AUKAI, SHANTALA, CHANTRESS SEBA, and MIRABAI CEIBA. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PYTHAGORAS was the ancient Greek philosopher who taught that the cosmos is constructed of spheres, and that air (or a transparent mist called "aether") was the "arche" or substratum of everything — thus the word archetype. In 19th century Victorian science, the "luminiferous ether" was a medium for the propagation of light. In the early 20th century, the Theosophists and Rosicrucians theorized an "etheric plane" — a nonmaterial level of reality above the physical plane. When applied to music, ethereal means subtle, airy and light — immaterial and weightless. It's a word often applied to electronic music, where the sounds are not produced by physical instruments and have an abstract, immaterial quality. On this transmission of Hearts of Space, we push off from the bright spaces and watery sounds of spring, journey into rarified realms of light and space, and return to verdant images of spring — on a program called ETHEREA. Music is by ISHQ, KUUTANA, MOTIONFIELD, IASOS, JEFFREY KOEPPER, and AMONGST MYSELVES. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

If you've driven an electric car, you've experienced the feeling of smooth, silent power that conveys you almost effortlessly to your destination. Something similar happened to the venerable Spanish guitar when it got an electronic upgrade in the 20th century. In just a few years, a charming but limited folk instrument became a powerhouse — a vehicle for everything from heroic flights to subtle meditations. On this transmission of Hearts of Space, we ride our favorite six string transporter to ethereal realms, on a program called 'TRANSLUCENT GUITARS 2' Music is by ERIK WØLLO, DAVID HELPLING, HAMMOCK, JOHN GREGORIUS, JEFF PEARCE, CLIVE WRIGHT & HAROLD BUDD, CHUCK JOHNSON, and TOM CAUFIELD. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

It's being called the "astronomical event of the decade." If you live in the middle third or the northeastern quarter of the United States—on a line from Texas to Maine—there's a good chance that a total solar eclipse of the sun will be visible on the afternoon of April 8th, 2024. Depending on the exact location, the darkening and cooling within the moon's shadow or "umbra" only lasts from two to seven and a half minutes, because the umbra moves across the earth's surface at over 1100 miles per hour. Surprisingly, solar eclipses are not that rare. There are at least two, and up to five, somewhere on earth each year. For millennia, solar eclipses were attributed to supernatural causes or regarded as evil omens. Modern astronomers have taken most of the mystery and superstition—but not the strangeness and thrill—out of eclipses. They can now be accurately predicted hundreds of years into the future, but they still have a cosmic appeal that attracts millions of viewers and a worldwide community of "umbraphiles." On this transmission of Hearts of Space, music for a total eclipse of the sun, on a program called TOTALITY. Music is by CHRONOTOPE PROJECT, SUBDREAM, STELLARIUM, LONEWARD, ZENON MARKO, ROBERT RICH, and STEVE ROACH. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]