Primus Tracks Josh, Frankie, & Soya

Sessanta spoilers abound

Rejoice, for there is new Primus! As part of the Sessanta tour celebrating Maynard James Keenan's 60th birthday, Primus is supporting live and recorded a track with Maynard for the Sessanta E.P.P.P. We couldn't wait to discuss this track, the first new Primus recording in two years. We discuss its greater context in Sessanta, the tour, and the tune itself, which is certainly a departure from anything else in the band's established catalogue. Hop on a hippo and ride along! (Don't do that. Really.)

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In this super-sized episode, we discuss the 1985/86 Primus demo tape informally titled Welcome To This World, and set it against its time period in the development of the band. From there, we welcome Peter Libby to the show. Peter drummed for Primus over 1984-86, and his skilled approach elevated the band in the Bay Area scene. Peter discusses those early days, his friendship with Tim Soya, his own musical path, and his takeaways from working with Primus. 

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We sample Frankie's newly-acquired 1984 Primate demo tape and give context to its origin, as well as comparing the primordial Primus tunes to what they'd become on official studio releases. Who knew that so many tunes were nearly fully formed as early as 84? We had clues from some bootlegs that go as far back as 86 or 87, but this is a whole new realm, including the infamous initial recording of Too Many Puppies! Enjoy chewing on this most delicate morsel of Primus history. 

At this time, we're deferring to the band and management as to whether to publish the audio in full. Thank you for your patience. Requests for full audio will be ignored, and offers to purchase the tape met with maniacal laughter.

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Surprise! We're not quite through with Oysterhead yet. Weexamine the two "bonus" Oysterhead tracks created by Stewart Copeland shortly after the 2001 tour wrapped. 

Soya phones in from yet another hotel room and tells stories from the Oysterhead tour, including hanging with the men of Oysterhead and integrating with the Phish crew that largely staffed the tour, as well as the mysteries of Les's Shadow of a Man helmet, Trey's Matterhorn, and Stewart's snare drum sound. 

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We wrap up our coverage of the sole studio release from Oysterhead in style with Owner of the World, a sunny day feel-good track that closes the record in fine form.

How does the album stack up for you? What lasting takeaways do you draw from the record? We want to know your thoughts! primustrackspod@gmail.com

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We've reached the title track of Oysterhead's lone studio album, and its medieval bent invites comparisons between the futility of feudalism and modern capitalism. Les Claypool uses classic and crass imagery to expose our class system, while maintaining the happy-go-lucky jauntiness of the music. Tamborines to armageddon!

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