Lorde: Behind the Melodrama The Spinoff

"Hating the headlines and the weather and feeling like... Bowie's gone, and Prince is gone, and George Michael's gone, and what's left? I don't want to be alone in my house with Twitter and it's all so fucked. Let's just try and convince ourselves there's a perfect place we can go to, even just for an evening"
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"I went into this record thinking I knew what I was doing and thinking I knew exactly who I was at that moment and what I was going to do and the process as been very confronting and intense and awesome and emotional and it turned out that I wasn't who I thought I was after all."
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"I felt the way I used to feel when I made music as a kid and it felt like I could cry because it's such a relief to get out how you're feeling for the first time. I remember being like 'oh my god'. It was such gratitude for the process. I was like, 'my outlet!'"
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"It's not a historical document. It's not a police record. It's not journalism. I didn't go to journalism school, I'm a writer. It's about what I felt and sometimes you can feel an element of guilt or 'oh god, I shouldn't have immortalised that person', but the song is my way of saying 'it's what I've always been. It's what I was when you met me. It's what I will continue to be after you leave. That's exactly what was going to happen when you kissed a writer in the dark.'"
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"I felt more aware of my age than I ever have making a record. I was in these moments of just being gripped by an emotion and I was like 'I'm feeling this because I'm 20 and everything's fucked-up inside my brain. I'm actually like rewiring to become an adult. All this is insane!'"
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"I was basically speed-dating different producers and songwriters in LA and hating it. And then I walked into a room with [Jack Antonoff] and just felt like I was home. I was like, 'oh, yes. I want to be around you as long as I can and as much as possible.' We were just obsessed with each other."
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