Paradise and Utopia Fr. John Strickland and Ancient Faith Radio

Returning to a literary career after a decade of exile, Fyodor Dostoevsky confronted one of the great delusions of secular humanism: that man is ultimately a rational being whose happiness depends on the exercise of self-interest. Characters in his novels The Idiot and Demons were designed to demonstrate that nihilistic self-destruction is the only outcome of such convictions. Father John concludes the episode by showing how nihilism played itself out in the fictional moral collapse of Dostoevsky's protagonist Raskolnikov and the real-life moral collapse of Friedrich Nietzsche.

In this summary of the second chapter of his book, The Age of Nihilism, Fr. John discusses the early life and faith and incarceration of Russia's great novelist Fyodor Dostoevsky. Unlike his contemporaries--particularly Nietzsche--the novelist found in traditional Christianity the only hope for a Christendom living under the terrible specter of nihilism.

In this final presentation on the nihilistic philosophy of Nietzsche, Fr. John considers the philosopher's final work, an autobiography entitled Ecce Homo. The book's strange title is discussed in light of Nietzsche's claim to be the West's alternative to Christ. The episode ends with a spiritual and psychological reflection on why, having completed the work, Nietzsche went totally insane.

In his continued account of Friedrich Nietzsche, Fr. John discusses the megalomaniac philosopher's effort to replace the Gospel with an atheistic "transvaluation of all values."

Friedrich Nietzsche is in many ways the father of modern nihilism. In this episode, Fr. John describes the philosopher's relationship to the atheism of contemporary utopian Christendom, and how the music of Richard Wagner played a role in leading him toward nihilism. As with previous episodes, this one introduces the listener to some music that is both beautiful and historically important.

In this episode, Fr. John begins an account of Friedrich Nietzsche by discussing Richard Wagner, a direct influence on the philosopher whose infidelity with women and famous operatic work, The Ring of the Nibelung, helped inspire the coming age of nihilism.