Tales From A Disappearing City Controlled Weirdness

In Episode 17, I speak again with my old friend and fellow rave war veteran, Phil Klein, also known as Bass Junkie. Phil is a highly respected UK music producer, having crafted tunes since the late 1980s, and is known for his deep love of Electro and Miami Bass. In this second of our two part discussion, we delve into his experiences with underground parties in the 1990s, his ventures to Miami for production collaborations with his Electro heroes Dynamix II, the establishment of his record label Battle Trax, and the release of his music under various aliases. Additionally, we touch upon the London Electro scene of the early 2000s, centred around parties from Haywire and the Foundry bar in Shoreditch, as well as delve into the intricacies of his ongoing music and podcasting endeavours. As ever if you appreciate the podcast then please subscribe to the channel and like the videos. This really helps spread the tales and stories to new audiences and will help us grow and expand.

Links to Phil's music, mixes and new podcast
https://soundcloud.com/pak-jamz
https://www.mixcloud.com/PAKJAMZ/
https://www.facebook.com/groups/116076871761989/
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

In Episode 16, I speak with my old friend and fellow rave war veteran, Phil Klein, also known as Bass Junkie. Phil is a highly respected UK music producer, having crafted tunes since the late 1980s, and is known for his deep love of Electro and Miami Bass. In this first of our two part discussion, we delve into his early music recollections, highlighting the pivotal moment when his cousin introduced him to the Street Sounds Electro series in 1983, an encounter that significantly altered the trajectory of his life. After reflecting on his memories of the iconic hip-hop event, UK Fresh, held at Wembley Arena in 1986, we then explore Phil's journey of delving into imported twelve-inch records from Groove Records in Soho, alongside his relentless pursuit of rare tunes. Subsequently, we explore his foray into mastering scratching techniques and crafting beats. Finishing this episode, we explore Phil's initiation into free parties, alongside members of the local Fear Teacher's sound system. In the next episode, we will delve into his experiences with underground parties in the 1990s, his ventures to Miami for production collaborations with Dynamix II, the establishment of his record label Battle Trax, and the release of music under various aliases. Additionally, we'll touch upon the London Electro scene of the early 2000s, centred around parties from Haywire and the Foundry bar in Shoreditch, as well as delve into the intricacies of his ongoing music and podcasting endeavours. Stay tuned for that and as ever if you appreciate the podcast then please subscribe to the channel and like the videos. This really helps spread the tales and stories to new audiences and will help us grow and expand.

Links to Phil's music, mixes and new podcast
https://soundcloud.com/pak-jamz
https://www.mixcloud.com/PAKJAMZ/
https://www.facebook.com/groups/116076871761989/
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

In Episode 15, I speak with Uncle G, also known as Urban Intelligence. Godfrey has been deeply embedded in South London's music culture since his family relocated to South East London from the tumultuous and politically unstable climate of Chile in the 1970s. Growing up on the Morris Walk estate in Woolwich, he was exposed to music from various angles, starting with all-night Caribbean-influenced blues parties in his local community. These were DIY events where a sound system and a bar were set up in a flat, and reggae, soul, boogie, and funk reverberated until the early hours.

In 1982, Malcolm McLaren's B-boy classic "Buffalo Girls" video aired on Top of the Pops, introducing kids across the UK to scratching, popping, and graffiti. Godfrey delved into breakdancing and, by connecting with several Woolwich crews, became involved in the emerging hip-hop culture. As house music made its way to the UK, a friend secured him a role helping mail out membership cards for his brother's party called Biology. These were legendary early acid house raves, and G started attending these, along with other iconic events like RIP at Clink Street and Rave in the Cave, an all-night acid party in an arch next to Elephant and Castle train station. Memorable nights also took place at the Tunnel Club, a notoriously rough and ready venue right next to the entrance to the BlackWall Tunnel.

Initially, Godfrey started as a DJ at local house parties in the 80s. As the rave scene gained momentum, he began DJing at larger events and playing on pirate radio stations such as Shockin FM and Wax FM. Radio and the quest for new music to share with people have been his passion ever since. Uncle G now hosts a show every Friday from 6-8 pm, streamed live from Planet Wax record shop in New Cross. We conclude our conversation by delving into the significance of record shops like Planet Wax, which not only sell music but also serve as spaces for vibrant and diverse South London communities to come together, forge friendships, and make connections through their shared love of music.
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

In Episode 14, the second part of my conversation with Brandon Spivey, an old friend and cultural provocateur, we delve into his experiences traveling to Europe in the mid-1980s. During this time, he actively participated in several riots in Berlin as a member of the Black Bloc—an anarchist organization committed to confronting governments and the banking system through direct action. Our discussion extends to his discovery of Dada art, particularly his appreciation for the works of George Grosz. Returning to London, we explore Brandon's visits to the 121 Centre in Brixton, along with various squatted venues and spaces. Throughout these encounters, he shares stories of culturally and politically significant individuals who left a lasting impact on him. Wrapping up our conversation, we touch upon his introduction to the harder techno scene in the 1990s. We also delve into the parties and clubs that influenced his early foray into music production, ultimately leading to his releases on underground techno labels.  I asked Brandon to write a short description to describe himself and it is reproduced below

"Brandon Spivey is 56. Has a love of life, music , art and rebellion.
He has lived in a number of countries. Enjoyed many riots.
Hospitalised a number of authoritarian undesirables.
Written 'No Comment, The Defendants Guide to Arrest' .
He gave up drink and drugs in 1989 to focus on being a c#nt. 
He has interest in all aspects of working class art, music and culture.

In summary:
Electronic music producer, Film Maker, Building worker and Trouble maker. 
Interested in Musicology and Dadaist art. 
A proud advocate of free speech and a supporter of  peoples right to attack their oppressors.
He mocks identity politics bullshit and is proudly anarchist and a born anti authoritarian."
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

In episode 13, I am joined by my old mate and cultural hooligan, Brandon Spivey. We delve into his initiation into radical music and subculture, recounting his upbringing in 1970s Macclesfield and subsequent relocation to Manchester in the 80s. As a class-conscious anarchist and anti-authoritarian, he actively opposed the system and confronted fascists on the streets, participating in protests and riots across the UK and wider Europe. Our conversation explores the impact of punk rock, Northern working-class dance culture, and Brandon's close association with Dave Godin, the man credited with coining the term "Northern Soul" and contributing to Motown's success in this country. We also touch upon his friendship with the founders of Eastern Bloc in Manchester, his first encounter with early Detroit techno, and the significance of working-class Northern culture in the realms of art and music. Brandon has been prolific in releasing a diverse array of hard, uncompromising, and weird electronic records since 1993, drawing inspiration from his deep appreciation for acid house and Detroit techno. I asked Brandon to write a short description to describe himself and it is reproduced below.

"Brandon Spivey is 56. Has a love of life, music , art and rebellion.
He has lived in a number of countries. Enjoyed many riots.
Hospitalised a number of authoritarian undesirables.
Written 'No Comment, The Defendants Guide to Arrest' .
He gave up drink and drugs in 1989 to focus on being a c#nt. 
He has interest in all aspects of working class art, music and culture.

In summary:
Electronic music producer, Film Maker, Building worker and Trouble maker. 
Interested in Musicology and Dadaist art. 
A proud advocate of free speech and a supporter of  peoples right to attack their oppressors.
He mocks identity politics bullshit and is proudly anarchist and a born anti authoritarian."
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...

Episode 12 contains the second part of my conversation with Christoph Fringeli. We discuss his move to South London from Basel at the start of the 90's and how he started a new record label called Praxis in order to release some of the harder electronic music he was making and hearing at parties and on the radio airwaves in the city. We also chat about Dead by Dawn, the legendary monthly party, held at the 121 Centre in Railton Road, Brixton during the mid 90's that combined all night techno mayhem with talks and writing from the subcultural and political underground. We finish our talk by recalling some early internet explorations and how Christoph started Datacide magazine to as he describes "release articles and cover experimental electronic music, from the avant-garde to hard dance music, its intersections with radical politics and counterculture, in-depth political and historical analysis and critique as well as experimental fiction, poetry and visual works".
Support the show
https://www.youtube.com/@ControlledWeirdness
https://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOI
https://www.instagram.com/controlledweirdness/
https://controlledweirdness.bandcamp.com/

Theme song is Controlled Weirdness - Drifting in the Streets
https://open.spotify.com/track/7GJfmYy4RjMyLIg9nffukt

Hosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80’s when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90’s. He still DJ's in the UK and throu...