1 時間1分
The End of Night with Louise Fisher, MFA Art at the End of the World Class
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- ビジュアルアート
THE WORLD IS ENDING! Again. Doomsdayers and apocalyptic prophets have warned of coming calamity for millennia. Still, humanity persists.
This podcast invites entrepreneurs, scholars, community leaders, artists, and many others to envision the end of the world according to their expertise.
Art at the End of the World is a hybrid class and public program series supported by the University of Iowa Stanley Museum of Artand the University of Iowa School of Art and Art History, and taught by Associate Curator of Special Projects, Vero Rose Smith.
Today we welcome Louise Fisher, MFA. Louise Fisher is an Iowa-based artist and holds an MFA in printmaking at Arizona State University. Louise grew up on a farm in her home state of Iowa, where she obtained her BFA degree with honors from the University of Northern Iowa. Since then, she has shown her work nationally and internationally. Fisher’s work is included in private and public collections, including Mid-America Print Council, Zuckerman Museum of Art and the University of North Florida. Her most recent accomplishments include an international residency with the Picker’s Hut in Tasmania and receiving the 2018 SGC International Graduate Fellowship Award. In her work, Louise explores ideas of ephemerality, energetic transformation and life cycles through time-based media as well as the layering and repetitive action of printmaking.
Here are some of Louise's sources:
“Waking Up the Dark” by Carl Strand
“At Day's Close: Night in Times Past” by Roger A. Ekirch
“The End of Night” by Paul Bogard
“In Praise of Shadows” by Junichiro Tanizaki
Other links: https://www.google.com/amp/s/time.com/5429288/china-chengdu-artificial-moon/%3famp=true
https://www.google.com/amp/s/slate.com/technology/2019/04/satellites-ads-space-startrocket-sky-canvas-ale-elysium.amp
https://therevelator.org/cities-ranked-light-pollution/
www.publicspaceone.com
https://resartis.org/listings/the-pickersea-hut-glaziers-bay/
“Estrogen and testosterone production jumped upward when early humans brought firelight inside of their caves, convincing their bodies that the days were actually growing longer and that it was time to mate. Human females (who were then most fertile in late summer, when food was plentiful) gradually became capable of reproducing at any time of the year… Call it the birth of human ambition, if you will, or the birth of human culture, but with fire and increased fertility came the idea that a human being ought to be more. And with these came the idea that a human being was more. Humans were the big picture. Nature was only the backdrop for their story, because humans were the point.” - Carl Strand
Music was written, performed, and produced by Gabi Vanek.
Hosted on Acast. See acast.com/privacy for more information.
THE WORLD IS ENDING! Again. Doomsdayers and apocalyptic prophets have warned of coming calamity for millennia. Still, humanity persists.
This podcast invites entrepreneurs, scholars, community leaders, artists, and many others to envision the end of the world according to their expertise.
Art at the End of the World is a hybrid class and public program series supported by the University of Iowa Stanley Museum of Artand the University of Iowa School of Art and Art History, and taught by Associate Curator of Special Projects, Vero Rose Smith.
Today we welcome Louise Fisher, MFA. Louise Fisher is an Iowa-based artist and holds an MFA in printmaking at Arizona State University. Louise grew up on a farm in her home state of Iowa, where she obtained her BFA degree with honors from the University of Northern Iowa. Since then, she has shown her work nationally and internationally. Fisher’s work is included in private and public collections, including Mid-America Print Council, Zuckerman Museum of Art and the University of North Florida. Her most recent accomplishments include an international residency with the Picker’s Hut in Tasmania and receiving the 2018 SGC International Graduate Fellowship Award. In her work, Louise explores ideas of ephemerality, energetic transformation and life cycles through time-based media as well as the layering and repetitive action of printmaking.
Here are some of Louise's sources:
“Waking Up the Dark” by Carl Strand
“At Day's Close: Night in Times Past” by Roger A. Ekirch
“The End of Night” by Paul Bogard
“In Praise of Shadows” by Junichiro Tanizaki
Other links: https://www.google.com/amp/s/time.com/5429288/china-chengdu-artificial-moon/%3famp=true
https://www.google.com/amp/s/slate.com/technology/2019/04/satellites-ads-space-startrocket-sky-canvas-ale-elysium.amp
https://therevelator.org/cities-ranked-light-pollution/
www.publicspaceone.com
https://resartis.org/listings/the-pickersea-hut-glaziers-bay/
“Estrogen and testosterone production jumped upward when early humans brought firelight inside of their caves, convincing their bodies that the days were actually growing longer and that it was time to mate. Human females (who were then most fertile in late summer, when food was plentiful) gradually became capable of reproducing at any time of the year… Call it the birth of human ambition, if you will, or the birth of human culture, but with fire and increased fertility came the idea that a human being ought to be more. And with these came the idea that a human being was more. Humans were the big picture. Nature was only the backdrop for their story, because humans were the point.” - Carl Strand
Music was written, performed, and produced by Gabi Vanek.
Hosted on Acast. See acast.com/privacy for more information.
1 時間1分