The Open Ears Project WQXR & WNYC Studios
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- 音楽
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Part mixtape, part sonic love-letter, The Open Ears Project is a podcast in which people share the classical track that means the most to them and why. Created by journalist and former WQXR Creative Director Clemency Burton-Hill, each episode offers a brief and soulful glimpse into human lives, helping us to hear this music — and each other — differently. Guests from the worlds of film, books, dance, comedy and fashion as well as firefighters, taxi drivers, and teachers share cherished musical memories and remind us that extraordinary things happen when we simply stop and listen.
Transcripts are posted to individual episode pages as they become available.
The Open Ears Project is produced by WQXR and WNYC Studios.
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Hanna Arie-Gaifman on Bach and Survival
Hanna Arie-Gaifman shares a story about why this Bach sarabande reminds her of her cousin, Zuzana Ruzickova, who survived the Holocaust and went on to become an acclaimed harpsichordist.
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Caroline Shaw on Mendelssohn and Possibility
Composer, violinist, and vocalist Caroline Shaw shares memories of playing Mendelssohn’s “Octet for Strings” as a music student and how it helped spark a lifelong love for chamber music.
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Nick Ferrone on Why Barber’s “Adagio” Gets a Bad Rap
Nick Ferrone is a real-estate agent by day and harmonica player by night. In this episode, he talks about his abiding appreciation for Samuel Barber’s “Adagio for Strings.”
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Lucy Boynton on Chopin and Getting Into Character
Actress Lucy Boynton remembers her childhood as one surrounded by music. Here, she shares a favorite piano piece by Chopin and reflects on the power of music to establish tone in filmmaking.
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Martha Lane Fox on Perseverance and Beethoven
Entrepreneur Martha Lane Fox recounts how Beethoven’s music allowed her to gain confidence and find her voice again.
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Steve Reich on Why Medieval Music Sounds So Fresh
Steve Reich talks about the influence of 13th-century French composer Pérotin on his own compositions and why medieval music feels fresh to contemporary ears.