New Books in Literature Marshall Poe

Today’s book is: We Take Our Cities With Us (Ohio State UP, 2022), by Sorayya Khan. After her mother’s death, Sorayya Khan confronts her grief by revisiting their relationship, her parents’ lives, and her own Pakistani-Dutch heritage in a multicultural memoir that unfolds over seven cities and three continents. We Take Our Cities with Us ushers us from Khan’s childhood independence forged at her grandparents’ home in Lahore; to her adolescence in Pakistan’s new capital, Islamabad; to Syracuse and Ithaca, New York, where she finds her footing as the mother of young, brown sons in post-9/11 America; to her birthplace, Vienna, where her parents die; and finally to Amsterdam and Maastricht, the cities of her mother’s conflicted youth. In Khan’s gripping telling of her immigrant experience, she shows us what it is to raise children and lose parents in worlds other than your own. Drawing on family history, geopolitics, and art in this stunning story of loss, identity, and rediscovery, Khan illuminates the complexities of our evolving global world and its most important constant: love.
Our guest is: Sorayya Khan, who is the author of the novels City of Spies, Five Queen’s Road, and Noor. The daughter of a Pakistani father and a Dutch mother, she was born in Europe, grew up in Pakistan, and now lives in Ithaca, New York, with her family. She is a Visiting Fellow at Cornell University. Find her at sorayyakhan.com.
Our host is: Dr. Christina Gessler, who is the producer and host of the Academic Life podcast. She holds a PhD in history which she uses to explore which stories we tell (and why), and what happens to those we never tell.
Listeners may also enjoy discussions of these memoirs:

The Translator's Daughter

The Things We Didn't Know

Secret Harvests

Whiskey Tender


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. You can help support our show by sharing episodes of the Academic Life.
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Molly Giles remembers when her father came back after WWII in 1945. Her memoir, Life Span (WTAW Press, 2024) opens when she is three years old, sitting in the front seat of a moving van as her father drives from San Francisco to their new home in Sausalito. Well-known editor and author of four story-collections and two novels, Giles referenced the journals she began writing at age nine to create a memoir filled with moments and thoughts from her eight decades so far. The Bay area is the backdrop for much of her life, although she spent fourteen years teaching in Arkansas. She delves into family relationships, husbands and lovers, siblings and children, teaching and editing, and the struggles of a being a single mother before women were accepted into the work force. In brutally honest prose, Molly dissects her life with a critical eye, never sugar-coating her failures or glorifying her successes, of which there were many.
Molly Giles’s first collection of short stories, ROUGH TRANSLATIONS won the Flannery O’Connor Prize for Short Fiction. Four subsequent story collections—CREEK WALK, BOTHERED, ALL THE WRONG PLACES and WIFE WITH KNIFE, have also won awards, including the San Francisco Commonwealth Silver Medal for Fiction, the Spokane Short Fiction Award, and the Leapfrog Press Global Fiction Prize. She published her first novel, IRON SHOES, in 2000, and, twenty-three years later, published its sequel, THE HOME FOR UNWED HUSBANDS. Her work has been included in numerous anthologies including the O.Henry and Pushcart Prize (three times), and she has received grants from the National Endowment for the Arts, the Marin Arts Council, and the Arkansas Arts Council. Molly Giles has taught fiction writing at San Francisco State University, University of Hawaii in Manoa, San Jose State University, the National University of Ireland at Galway, the University of Arkansas in Fayetteville, and at numerous writing conferences, including The Community of Writers and Naropa. She has won the National Book Critics Circle Award for Book Reviewing, been awarded residences at MacDowell, Yadoo, and The House of Literature in Paros, Greece, and has edited many published writers, including Amy Tan.
Molly enjoys cooking, but she doesn’t love it, what she loves is reading cookbooks in bed, licking salt off her fingers after a light supper of Fritos. She also enjoys gardening (the watering part not the weeding) and watching the resident fawns graze what’s left of her lawn. Molly is a passionate reader and though she often forgets both keys and wallet, she never travels without a book in her purse. She lives in Woodacre, CA.
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For years, fans have been clamoring for novels about the Horus Heresy - the bloody civil war that set Space Marine against Space Marine and nearly spelled the end of mankind at the hands of the traitor Horus. False Gods takes the epic story onwards as Horus struggles to keep his armies in line and the seeds of his downfall are sown.
Join us as we speak with Graham McNeill about one of his several contributions to the Horus Heresy series, False Gods!
Graham McNeill, currently a freelance writer, has written for Games Workshop and for Riot Games in Los Angeles. His Horus Heresy novel, A Thousand Sons, was a New York Times bestseller, and Empire, the second novel in the Sigmar trilogy, won the 2010 David Gemmell Legend Award for best fantasy novel. You can visit Graham’s website here: https://graham-mcneill.com/
Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus, and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus, and Exodus Old and New: A Biblical Theology of Redemption, and Numbers 1-19, Numbers 20-36. He can be reached at mmorales@gpts.edu
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Dana Elmendorf’s novel In The Hour of Crows (Mira Books, 2024) takes place in small town Appalachia and follows Weatherly Opal Wilder, a young woman with the ability to talk death out of the dying. Our story begins shortly after the death of her cousin, Adaire, as Weatherly struggles to find justice for her cousin and to navigate small town politics in a place where her family is treated with increasing distrust.
In this interview, Elmendorf describes the evolution of her novel from a romance to a murder mystery and the role that death and grief play in the story. She discusses Appalachian folk magic, abusive family structures, and shapeshifting crows. We also talk about poverty and rural healthcare systems, and the intermingling of the interpersonal and supernatural in contemporary fantasy.
In the Hour of Crows is an empathetic, dream-like book and it was so much fun discussing it with the author.
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Today I talked to Emma Copley Eisenberg's novel Housemates (Hogarth, 2024).
After Bernie’s former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs.
What ensues is a journey into the heart of the nation, bringing the housemates into conversation with people from all walks of life—“the absurd dreamers and failures of this wide, wide country”—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to chase their own ideas and dreams, and to embrace what they are capable of both romantically and artistically.
Warm and insightful, Housemates is a story of youth and freedom—a glorious celebration of queer life, and how art and love might save us all.
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What’s the truth and what’s a lie? What’s a memoir, what’s a novel, and what if both are just a series of “prose blocks”? This conversation between Sarah Manguso and Tess McNulty takes up questions of writing and veracity, trauma and memory. Sarah Manguso is the author of nine books, including three memoirs. Her first novel, Very Cold People, was named a finalist for the PEN/Jean Stein Book Award, and her second novel, Liars, is forthcoming. Tess and Sarah discuss how the threshold between truth and fiction is often used to minimize writing by women and how characters can achieve escape velocity against the pull of violence and abuse. We learn that Sarah doesn’t imagine an audience when she writes—instead, writing articulates something felt in the body, something that remains “uncomfortable until it is so articulated.” From the Yankee thrift of book design and the writing of front matter, acknowledgements, and Sarah’s brilliant titles, we move to 70s-era typography and wordplay with the answer to Season 7’s signature question.
Mentions:

By Sarah Manguso: Very Cold People, 300 Arguments, Ongoingness: The End of a Diary, The Two Kinds of Decay and Hard to Admit and Harder to Escape in One Hundred and Forty Five Stories in A Small Box by Deb Olin Unferth, Sarah Manguso, and Dave Eggers

Hilary Mantel

Lord Byron, “If I don’t write to empty my mind, I go mad,” from an 1821 letter published in Volume 8 of Byron’s Letters and Journals, edited by Leslie A. Marchand.

Ellen Raskin, The Westing Game



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