Cows in the field Blobcat Filmindustri

What's a moody anti-Western got to do with mythmaking, outlaws, celebrity, bold robbers, parasocial relationships, betrayal, guilt, capitalism, Roger Deakins, Brad Pitt, and Casey Affleck? A lot, it turns out! Join us and Edward Lewis to explore the contours of Andrew Dominik's retelling of the end of Jesse James' life.



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Nicolas Cage has been on a run of making several movies a year for decades now, and Sympathy for the Devil is one of his latest experiments, a pulpy chamber piece road trip mystery suspense film co-starring Joel Kinnaman. We sit down the film's director Yuval Adler (who also happened to get his PhD in philosophy from Columbia in the 90s!) and welcome back Matt Strohl (Philosophy, U. Montana) to discuss the film's inception, what it is like to work with Cage, how the film holds us in suspense despite withholding so much narrative material, and some of the film's themes surrounding guilt, revenge, and moving on from the past. We can't wait for you to hear about Nic Cage's process and his dedication to his craft, so tune in and be sure to check out Sympathy for the Devil, streaming everywhere now!

Today we explore the dark recesses of the human soul with Agnes Callard (Chicago). We discuss von Trier's minimalist staging, the movie's parable, the duality of human nature, the lies we tell ourselves and others, the film's political angle, and the role of anger in response to true evil.



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John Milius's 1984 film Red Dawn has a reputation as being a jingoistic conservative fever dream, but we talk with Nat Hansen, who argues that its political outlook is more complex and more interesting. Along the way, we also discuss the film's portrayal of masculinity, the toll of war, the film's many references, from The Battle of Algiers to Alexander Nevsky.



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We go BACK to Arrakis, desert planet, homeworld of the spice and the Fremen and keeper of Shai Hulud. We're joined again for the journey by major spice-head John DeVore to discuss Villeneuve's two films in relation to Lynch's 1984 version and Frank Herbert's book. Along the way, we consider the worm Uber, the possibility of bad trips with the Water of Life, the lack of St. Alia of the Knife, the deliberate backgrounding of the more mystical elements of the novel, and the film's magnificent score. Repeat after us: "It is by will alone I set my mind in motion... fear is the mindkiller... long live the fighters... and power over spice is power over all!"



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Join us and critic Sean Burns to give out silly meaningless awards to our favorite films of 2023! Who will take home the top prize? Who will win best lisp? Tune in to find out!