49 min
The Life and Afterlife of an Ancient Maya Carving Getty Art + Ideas
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- Arts
“Lamb’s objective was essentially to do Kon-Tiki in the Chiapan Rainforest. And he needed a lost city as a selling point.”
In 1950, American adventurers Dana and Ginger Lamb traveled to the jungles of northern Guatemala looking for Maya ruins and a story they could turn into a movie. There they encountered a rich cache of decorated structures made in the first millennium CE, including a particularly elaborate limestone lintel (a horizontal support above a doorway) carved by an artisan named Mayuy. Such objects had and continue to hold great historical, aesthetic, and spiritual significance for Maya people and descendants. Unfortunately, like many Maya ruins, the site has since been looted, and retracing the original locations of the displaced works is challenging.
In this episode, Stephen Houston, editor of A Maya Universe in Stone, explores the production and complex afterlives of these Maya objects. Houston contextualizes carved lintels within ancient Maya history and visual and spiritual practices, and discusses the fraught nature of their re-emergence in the twentieth century.
For images, transcripts, and more, visit
https://blogs.getty.edu/iris/podcast-the-life-and-afterlife-of-an-ancient-maya-carving
More to explore:
Buy the book A Maya Universe in Stone here:
https://shop.getty.edu/products/a-maya-universe-in-stone-978-1606067444
“Lamb’s objective was essentially to do Kon-Tiki in the Chiapan Rainforest. And he needed a lost city as a selling point.”
In 1950, American adventurers Dana and Ginger Lamb traveled to the jungles of northern Guatemala looking for Maya ruins and a story they could turn into a movie. There they encountered a rich cache of decorated structures made in the first millennium CE, including a particularly elaborate limestone lintel (a horizontal support above a doorway) carved by an artisan named Mayuy. Such objects had and continue to hold great historical, aesthetic, and spiritual significance for Maya people and descendants. Unfortunately, like many Maya ruins, the site has since been looted, and retracing the original locations of the displaced works is challenging.
In this episode, Stephen Houston, editor of A Maya Universe in Stone, explores the production and complex afterlives of these Maya objects. Houston contextualizes carved lintels within ancient Maya history and visual and spiritual practices, and discusses the fraught nature of their re-emergence in the twentieth century.
For images, transcripts, and more, visit
https://blogs.getty.edu/iris/podcast-the-life-and-afterlife-of-an-ancient-maya-carving
More to explore:
Buy the book A Maya Universe in Stone here:
https://shop.getty.edu/products/a-maya-universe-in-stone-978-1606067444
49 min