Four Play Last Free Nation

Denis Villeneuve's 2015 film Sicario focuses on the drug trade and the law enforcement war on the Mexican-American border, leading the viewer into a morally ambiguous quagmire where the ends always seem to justify the means. An outstanding cast is led by Emily Blunt, Benicio del Toro, and Josh Brolin offering some of the most iconic performances of their careers and lending weight to a relatively simplistic story. As our hosts explain, Sicario works because of the performances, characters, and weighty themes that prop up a predictable narrative filled with tropes.

In Four Play's second Denis Villeneuve film, we go back to the 2013 thriller, Prisoners. Starring Hugh Jackman and Jake Gyllenhaal in what may be career-defining performances, Prisoners foreshadows the first season of True Detective by exploring a terrifying mystery undercut by dense symbolism. Thorin, Richard, and Monte dissect the compelling moral quandaries that serve as the foundations of the film and dive into the deeper themes of Christian behavior and ends justifying the means. Prisoners is a must-watch film and only improves on multiple viewings as the viewer better appreciates the dense foreshadowing and complex plot.

We start our new Four Play arc with our first focus on a director, Denis Villeneuve. Lately celebrated for his Dune films, we dive into his back catalog and begin with 2016's Arrival. Like Dune, Arrival is an adaptation of a science-fiction text, and takes an intellectual approach to the concept of first contact and the ensuring geo-political consequences. Ultimately, Arrival focuses on personal decisions made in the freedom of non-linear time and calls upon viewers to examine their ethics and the nature of life and death.

The Robert Redford-led Sneakers from 1992 serves as an interesting time capsule to the late Cold War era and the dawn of computer hacking. However, the movie mostly fails in delivering a consistent tone and can't figure out whether it would rather be a high-stakes thriller or a comedic caper that relies on the quirkiness and synergy of its characters. Thorin, Richard, and Monte laugh at the hilarious plot holes and ridiculous final heist scene, but also point out the serious themes of remaking the world order and the destruction of capitalism that underpin the plot.

Sidney Lumet's 1975 film Dog Day Afternoon focuses on an intimate cast of characters during a tense hostage negotiation after a robbery gone wrong. Touching on American social issues and adapted from a true story, the film provides a vehicle for a sympathetic powerhouse performance from a young Al Pacino. The movie deals with modern themes, such as the distorting power of the media and the implications of going to prison as the central crime spirals out of control. Monte, Richard, and Thorin discuss the historical context in which the film was made as well as the real robbery that inspired Dog Day Afternoon.

The 1999 remake of The Thomas Crown Affair presents Pierce Brosnan as the slick, titular character indulging in a heist dripping in male fantasy. John McTiernan directs a film, in the downswing of his career, that could have been much more if it focused principally on the cat and mouse game between Brosnan and Renee Russo. The film is beautifully shot and revels in the splendid aesthetics of New York, the art world, and even Brosnan's buttocks. Watching this movie left our hosts questioning what could have been with a better script writer, supporting cast, and a more ambitious director.