The New Abnormal The Daily Beast

This week on The New Abnormal, hosts Danielle Moodie and Andy Levy react to the guilty verdict of Donald Trump in his election interference case. Plus! Princeton University law professor Kevin Kruse talks about the latest tactic being voted on by the Texas Republican Party. Then, historian and author Kellie Carter Jackson joins the show to talk about her latest book, “We Refuse: A Forceful History of Black Resistance.”
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Lisa Graves, the host of a new Supreme Court-focused podcast called Grave Injustice, joins The New Abnormal to discuss an alternate vision for the high court. Plus! A conversation with music critic Steven Hyden about his new book, “There Was Nothing You Could Do: Bruce Springsteen's ‘Born In The U.S.A.’ and the End of the Heartland.”
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The former president’s supporters are already laying the groundwork—if he’s convicted in his hush money trial—to allege the whole thing was rigged. Plus! Danielle Moodie speaks with Professor Jenn M. Jackson from Syracuse University about her new book Black Women Taught Us: An Intimate History of Black Feminism.
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This week on The New Abnormal, hosts Danielle Moodie and Andy Levy discuss the fallout of Supreme Court Justice Samuel Alito’s controversial flag choices. Plus! We’re at the tail end of Trump’s hush-money trial, and author Jennifer Taub is here to give her thoughts. Then, The Daily Beast media reporter Justin Baragona talks about the right’s newest fever dream.
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Author Adam Serwer joins The New Abnormal this week to discuss the latest in a string of recent Supreme Court scandals. Plus! Mini Timmaraju, the President and CEO of Reproductive Freedom For All joins the program to discuss the downward spiral of reproductive healthcare in the United States.
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The Heritage Foundation’s extreme Presidential Transition Project proposes sweeping changes to government and packing the next GOP administration with extreme loyalists to Trump. Plus! Tech journalist and author of Blood in the Machine, Brian Merchant, talks to Andy Levy about the tech industry’s obsession with trying to create the dystopian futures portrayed in media.
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