22 episodes
Master the 40: The Stories of F. Scott Fitzgerald Kirk Curnutt and Robert Trogdon
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- Arts
In 1929 F. Scott Fitzgerald wrote Ernest Hemingway that because his short stories now earned $4000 a pop he was "an old whore" who had "mastered the 40 positions" when "in her youth one was enough." But were the upwards of 180 stories he cranked out when not writing The Great Gatsby really the work of a literary prostitute selling out his talent for a fast buck? Kirk Curnutt and Robert Trogdon don't think so. Each episode they draw a random title from a hat and explore its place in Fitzgerald's career, in the magazines such as the Saturday Evening Post or Esquire where it may have appeared, and in the overall development of the American short story. Along the way, they talk literary politics, history, and gossip from the 1920s and 1930s, rediscovering the lively personalities and rivalries that tried to define the porous boundaries between commercial and artistic fiction, between the popular and the avant-garde, between the forgotten and the canonized.
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"The Love Boat"
Imagine F. Scott Fitzgerald in the afterlife, some thirty-six years after his premature passing, discovering to his dismay that the cheesiest TV producer ever has copped the title to a little-known short story of his and turned it into a landmark of cultural kitsch. That's the premise of this episode, in which we dissect the creepiest story Fitzgerald ever wrote, called, unfortunately "The Love Boat." Yes, we'll soon be making another run of endless Isaac and Gopher jokes as we explore this t...
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"What a Handsome Pair!"
Published in the August 27, 1932, issue of the Saturday Evening Post, "What a Handsome Pair!" clearly reflects F. Scott Fitzgerald's dour view of marital relationships amid the relapse that took Zelda to the Phipps Clinic in Baltimore. The story of two couples, Stuart and Helen Oldhorne and Teddy and Betty Van Beck, "Pair!" insists that for men to enjoy domestic contentment they must pick wives who will not compete with them in their chosen métier. In other words, not exactly a feminist story...
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"The Sensible Thing"
Published on July 5, 1924 as F. Scott Fitzgerald was writing The Great Gatsby, this Liberty short story has always been seen as a key rehearsal for his magnum opus. In the story of George Rollins (or George O'Kelly in the version that appeared in 1926 in All the Sad Young Men) as he pursues the Tennessee belle Jonquil Cary we have yet another variation on Fitzgerald's quintessential "golden girl" theme. The story's reputation has been somewhat inflated by its compositional proximity...
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The Ants at Princeton
Appearing in the June 1936 issue of Esquire, "The Ants at Princeton" is by any measure a singularly kooky entry in F. Scott Fitzgerald's short-story corpus. A fantasy about a human-sized ant who steps onto the field to save the game between heated rivals Princeton and Harvard (you can probably guess who FSF roots for), the text has always baffled scholars: is it a short story or is it, as Fitzgerald wrote in his ledger, a mere "satire"? And does that even matter? Behind the peculiar and ...
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Her Last Case
Published in fall 1934 in the Saturday Evening Post, "Her Last Case" is one of F. Scott Fitzgerald's most important stories about the South. Indeed, it challenges consensus opinions about the writer's regard for the region that the Tarleton stories of the 1920s set. Far from a pastoral evocation of antebellum gentility, the story insists the South must exorcise its lingering obsession with the Lost Cause---and it does so through a variety of Gothic strum und drang featuring the literal book t...
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Diamond Dick and the First Law of Woman
A contender for one of the strangest Fitzgerald titles ever, "Diamond Dick and the First Law of Woman," published in April 1924, tells the story of a maverick young debutante, Diana Dickey, who returns from the Western front where she served as a canteen girl to spend the next five years wondering what to do with her life. Only when wounded aviator Charlie Abbott returns from a long convalescence in Paris does Diana seem to reenact her decidedly masculine persona of "Diamond Dick," the ...