The Gramophone Classical Music Podcast Gramophone

With Winterreise, Andrè Schuen and Daniel Heide complete their recordings for DG of Schubert’s three song cycles, and have understandably saved the most challenging to last. James Jolly spoke to Andrè to discover how he approaches this colossal work, the Everest of any singer’s repertoire.
This Gramophone Podcast is produced in association with Wigmore Hall.

To mark the 200th anniversary of the premiere of Beethoven’s Ninth Symphony in Vienna, which took place on May 7, 1824, Gramophone’s podcast this week focuses on the work.
Antonello Manacorda has just completed a cycle of the nine symphonies with Akademie Potsdam for Sony Classical, including a brand-new Ninth. James Jolly went to visit him at the Royal Opera House, Covent Garden , where he was conducting a run of Bizet’s Carmen.
This Gramophone Podcast is produced in association with Wigmore Hall.

The British bass Brindley Sherratt has released his first solo album, ‘Fear No More’, a Delphian recording, with Julius Drake at the piano. One of the UK’s most distinguished singers, and with an international reputation on the great concert and operatic stages, Sherratt talks to James Jolly about this new, and belated, chapter in his musical career.
This Gramophone Podcast is produced in association with Wigmore Hall.

Violinist James Ehnes talks about his new recording for Pentatone of Leonard Bernstein's Serenade and John Williams's Violin Concerto No 1.

Thomas Pitfield, born in Bolton in 1903 and whose life stretched to the very end of the 20th century – he died in 1999 – is one of those polymaths who embraced numerous different outlets: he was a composer, a poet, an illustrator, a calligrapher, a cabinet maker and a teacher. He is probably better known for the people he knew and taught – including John McCabe, John Ogdon and Ronald Stevenson – than in his own right. This new collection of songs is a good start to get to know a fine musical voice. James Jolly spoke, separately, to James Gilchrist and Nathan Williamson about this appealing composer. 
This Gramophone Podcast is produced in association with Wigmore Hall.
 

Kirill Gerstein’s new album, timed for release mid-way between the anniversary of the death of Claude Debussy (March 25) and Armenian Genocide Remembrance Day (April 24), pairs music by Debussy and the Armenian, Komitas. Both composers were profoundly affected by the death and destruction surrounding them during the First World War, and both responded with music of multi-layered intensity. Gerstein links late Debussy piano music with Komitas’s piano works, as well as songs by each composer.
'Music in the Time of War' is released to stream and download by Platoon, and on two CDs with a substantial book of essays next month by Myrios. James Jolly spoke to Kirill Gerstein to learn about the project and why he brought together these two powerful musical voices in the same programme.
This Gramophone Podcast is produced in association with Wigmore Hall.