SolTalk The Sol Project

For our Season 3 finale, David and Joey chat with playwright Mara Vélez Meléndez about making her Off-Broadway debut as Sol 7, decolonizing gender, and the queerness of the multiverse.

Mara Vélez Meléndez (she/her) is a playwright born and raised in Puerto Rico. Her Off-Broadway debut will take place in 2022 with Notes on Killing Seven Oversight, Management, and Economic Stability Board Members, produced by Soho Rep in partnership with The Sol Project. She also adapted the upcoming Spotify/Gimlet podcast, Case 63. Mara was a 2020-2021 Playwrights Realm Writing Fellow and is currently a member of Ars Nova’s PlayGroup.



Connect with Mara (she/her)

Instagram

Twitter



Connect with David (he/they)

Website

Instagram



Connect with Joey (they/them)

Instagram

Twitter



Follow The Sol Project

Website

Facebook

Instagram

Twitter



This episode was mixed and edited by Iris Zacarías (she/they)

Website

Instagram

In this episode, David and Joey chat with Dominic Colón, the inaugural recipient of Donja R. Love and National Queer Theater’s Write it Out! (WIO!) Prize, about the power artists have to shape and shift culture, the importance of prioritizing self-preservation, and the impact of people living with HIV telling their own stories.



Dominic Colón is an award-winning writer and actor from the Bronx. Recent plays include Prospect Ave. or The Miseducation of Juni Rodriguez (Rattlestick Theater). His play The War I Know has been developed by the Latinx Playwrights Circle, LAByrinth Theater Company (2021 Barn Series), and SOLFEST (2021). His short play Where Are Our Angels? was a recipient of the 2021 Latinx Playwrights Circle & Pregones/PRTT Greater Good Commission. 



Selected directing credits include: The War I Know (LAByrinth), Eduardo Machado’s Marquitas (Rattlestick Theater/Pride Plays), and Episodes 4-6 of The MTA Radio Plays at Rattlestick Theater. Colón’s half-hour television pilot Papi made the inaugural Latinx TV List, a curated list of the 10 most promising pilots created by Latinx writers. He was recently selected to be a part of the inaugural cohort of the Sundance Uprise Grant and is currently a staff writer on the upcoming Netflix series Pink Marine.



Connect with Dominc (he/him)

https://www.instagram.com/dominiccolon/?hl=en

https://twitter.com/DominicColon?s=20&t=LbcDHIkytPdrt8JxNDSGfQ 



Connect with David (he/they)

http://www.davidmendizabal.com/

https://www.instagram.com/its_daveed/



Connect with Joey (they/them)

https://www.instagram.com/mxjoeyreyes/

https://twitter.com/mxjoeyreyes



Follow The Sol Project

http://www.solproject.org/about-us.html 

https://www.facebook.com/solprojectnyc/

https://www.instagram.com/solprojectnyc/

https://twitter.com/solprojectnyc



This episode was mixed and edited by Iris Zacarías (she/they)

https://www.iriszdesigns.com/ 

https://www.instagram.com/irismarcelina/ 

On this episode, David and Joey chat with the newly appointed Co-Artistic Directors of Teatro Vista in Chicago, Lorena Diaz and Wendy Mateo, about shared leadership, how joy can be your currency, and their incredible 20+ year relationship.

Lorena Diaz, a "Made in Chicago" hybrid of Peruvian Indigenous descent and American Latino swagger, has bounced between Chicago's theater and comedy scenes for 15 years. She is familiar to Teatro Vista audiences for portraying Carolina in the company's acclaimed 2018 world premiere The Madres by Stephanie Alison Walker. She subsequently co-directed Teatro Vista's 2019 premiere of Walker's sequel, The Abuelas. Her many other collaborations include work with Jo Cattell and Steppenwolf 1700 (Tumbao, a live radio play), iO Chicago (People in the City), Mike Oquendo Productions, Goodman, Playground Theatre and The Second City. She is most commonly known for her work over six seasons as the snarky Nurse Doris on Dick Wolf's Chicago Med, Fire and PD franchise.

Wendy Mateo is a Chicago-based comedian, actor, writer, director and filmmaker. Mateo has been seen throughout the city's stages including Lookingglass Theatre, where she is an artistic associate, Steppenwolf 1700, and Playground Theater. Her directing credits include the 2018 play Not for Sale 2.0 by Guadalis Del Carmen at UrbanTheater Company. On TV she performs in shows like NBC's Chicago PD, as guest star Chicago Med, and as "Ronnie" in Station Eleven on HBO. Aside from her focus on expanding representation in media, Mateo is also an equity, diversity, and inclusion consultant and facilitator with the Nova Collective and her own consulting company, Ina Consulting.



Connect with Lorena (she/her)

https://www.instagram.com/itslorenadiaz/?hl=en 



Connect with Wendy (she/her)

https://www.wendymateo.com/

https://www.instagram.com/itswendymateo/?hl=en 



Follow Teatro Vista

https://www.teatrovista.org/

https://www.facebook.com/TeatroVista/

https://twitter.com/TeatroVista

https://www.instagram.com/teatrovista/

https://www.youtube.com/user/TeatroVistaChicago 



Connect with David (he/they)

http://www.davidmendizabal.com/

https://www.instagram.com/its_daveed/



Connect with Joey (they/them)

https://www.instagram.com/mxjoeyreyes/

https://twitter.com/mxjoeyreyes



Follow The Sol Project

http://www.solproject.org/about-us.html 

https://www.facebook.com/solprojectnyc/

https://www.instagram.com/solprojectnyc/

https://twitter.com/solprojectnyc



This episode was mixed and edited by Iris Zacarías (she/they)

https://www.iriszdesigns.com/

https://www.instagram.com/irismarcelina/

Joey flies solo this week as they chat with the incomparable Daphne Rubin-Vega about unlocking creativity during the pandemic, finding one’s community, and her upcoming film, ALLSWELL, co-written and co-produced with Elizabeth Rodriguez and Liza Colón-Zayas.


Daphne recently wrapped the film ALLSWELL and can be seen in the Netflix release, TICK TICK BOOM, directed by Lin Manuel Miranda, as well as the Warner Bros feature IN THE HEIGHTS, directed by Jon Chu, playing ‘Daniela.’  She shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film, during the early months of the COVID-19 pandemic. A staple of the New York theater community, Daphne earned a Tony nomination for her portrayal of ‘Mimi’ in the original cast of RENT, and another for ANNA IN THE TROPICS. Daphne was ‘Luisa Lopez’ on KATY KEENE, the CW spinoff of RIVERDALE and on the Netflix series, TALES OF THE CITY.


She starred in the musical, MISS YOU LIKE HELL at The Public Theater, and in the one-woman show EMPANADA LOCA, which was written for her.  She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which is currently in production for Amazon/Blumhouse TV. 


 


Connect with Daphne (she/her)


https://www.instagram.com/daphnerubinvega/?hl=en


https://twitter.com/daphnerubinvega?s=20 


 


Connect with David (he/they)


http://www.davidmendizabal.com/


https://www.instagram.com/its_daveed/


 


Connect with Joey (they/them)


https://www.instagram.com/mxjoeyreyes/


https://twitter.com/mxjoeyreyes


 


Follow The Sol Project


http://www.solproject.org/about-us.html


https://www.facebook.com/solprojectnyc/


https://www.instagram.com/solprojectnyc/


https://twitter.com/solprojectnyc


 


This episode was mixed and edited by Iris Zacarías (she/they)


https://www.iriszdesigns.com/


https://www.instagram.com/irismarcelina/ 

David and Joey chat with creative entrepreneur Ricardo Sebastián about the origin and launch of Arraygency, the beauty in taking ownership of one’s journey, and how meaningful partnerships are a key ingredient to success.   


 


Ricardo Sebastián is a first-generation Mexican-American, a longtime entrepreneur, and community organizer who recently came out as nonbinary. They have dedicated their career to supporting creatives and nonprofit organizations across the US, Canada, Mexico, South America, Paris, London and Australia. 


 


Past clients include Gage John Lazare, Mamma Cuisine, Julius LaCour, Diego Montoya and Habitat for Humanity New York City. Ricardo began managing Jason Rodriguez in 2019 and is taking this next step to spotlight the importance of BIPOC, Queer and Trans representation in all spaces. 


 


Connect with Ricardo (they/them)


https://www.ricardoxsebastian.com/ 


https://www.instagram.com/ricardoxsebastian/ 


 


Connect with Arraygency


https://www.arraygency.com/ 


https://www.instagram.com/arraygency/


https://twitter.com/Arraygency_  


 


Connect with David (he/they)


http://www.davidmendizabal.com/


https://www.instagram.com/its_daveed/


 


Connect with Joey (they/them)


https://www.instagram.com/mxjoeyreyes/


https://twitter.com/mxjoeyreyes


 


Follow The Sol Project


http://www.solproject.org/about-us.html 


https://www.facebook.com/solprojectnyc/


https://www.instagram.com/solprojectnyc/


https://twitter.com/solprojectnyc


 


This episode was mixed and edited by Iris Zacarías (she/they)


https://www.iriszdesigns.com/


https://www.instagram.com/irismarcelina/

This week, David and Joey chat with the wonderful Karen Olivo about the origins of AFECT, the importance of self discovery, and setting up future generations for success in an industry that continues to demand accountability and transparency.


 


Karen Olivo (she/they) is a multi-hyphenate living/working on the ancestral lands of the Ho-Chunk Nation in Madison, WI. She is most widely known for their acting work that spans the last 25 years on Broadway and TV. In the Spring of 2020, Olivo  co-founded the non-for-profit organization, Artists for Economic Transparency (AFECT), in the efforts to educate the industry and promote discussion regarding entertainment industry structures and how they can be altered to better support underserved communities. www.Afectchange.org 


 


Olivo’s most recent theatrical work is for playing “Satine” in Moulin Rouge, The Musical for which they received their 2nd Tony Award nomination. Olivo is also recognized for their Tony Award winning performance as “Anita” in the acclaimed 2009 Broadway revival of West Side Story, a role for which she also earned Drama Desk, Drama League, Outer Critics Circle, and Astaire Award nominations. 


 


Some of their Broadway theater credits include originating the role of “Vanessa” in the Tony Award-winning musical, In the Heights (2008 Astaire Award), starring as “Faith” in the Broadway production of Brooklyn the Musical, and in Jonathan Larson’s Pulitzer- and Tony Award-winning musical, Rent. Additional world premiere theatre credits include Murder Ballad at the Manhattan Theater Club, By the Way, Meet Vera Stark by Lynn Nottage at 2nd Stage, and The Miracle Brothers directed by Tina Landau at the Vineyard Theatre.


 


Olivo is also recognized for her many television appearances including a series regular, recurring & guest-starring roles on “Harry’s Law”, “The Good Wife,” “Criminal Minds: Suspect Behavior,” “Chase,” “Law & Order: Special Victims Unit,” “Conviction,” and “Law & Order.”


 


As an educator Olivo has worked at Northwestern University, NYU-Tisch, Cincinnati Conservatory of Music, University of Wisconsin-Madison, as well as working as a visual artist, writer, and vocalist. Their 1st solo album LEAVE was released in 2018.


 


Connect with Karen (she/they)
https://www.instagram.com/karenolivo76/  
https://twitter.com/karenolivo?lang=en  


 


Connect with David (he/they)
http://www.davidmendizabal.com/ 
https://www.instagram.com/its_daveed/ 


 


Connect with Joey (they/them)
https://www.instagram.com/mxjoeyreyes/ 
https://twitter.com/mxjoeyreyes 


 


Follow The Sol Project
http://www.solproject.org/about-us.html  
https://www.facebook.com/solprojectnyc/ 
https://www.instagram.com/solprojectnyc/ 
https://twitter.com/solprojectnyc 


 


This episode was mixed and edited by Iris Zacarías (she/they)
https://www.iriszdesigns.com/ 
https://www.instagram.com/irismarcelina/