The Theatre Podcast with Alan Seales Broadway Podcast Network

Currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby”, Jeremy shares insights into his career, both on stage and screen as we join him for a special press event discussing the upcoming pro-shot release of “Bonnie and Clyde”. After initially performing B&C on Broadway in 2011. He shares the differences between the Broadway and West End productions, especially the challenges of maintaining continuity in his costumes during the filming process, admitting that the lack of tech rehearsals with costumes led to some fun on-the-fly decisions. He also shares his favorite moment in the production, specifically "Bonnie," a solo he performs on the ukulele that makes him feel like a musician.
Jeremy Jordan is an incredibly versatile and dynamic Tony Award-nominated performer, and is currently captivating audiences as Jay Gatsby in the Broadway production of “The Great Gatsby''. He has established himself as a prominent figure in both theater and television, with credits such as “Waitress”, “Newsies”, “American Son”, “The Last Five Years”, “The Flash”, and “Supergirl” among others. Fans are eagerly anticipating the upcoming pro-shot release of “Bonnie and Clyde” on June 24, 2024, where he will once again bring his extraordinary talent to the screen in the beloved musical.
Connect with Jeremy:

Website: www.jeremy-jordan.com

Instagram: @jeremymjordan

Pre-order Bonnie and Clyde tickets: bonnieclydelive.com


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Welcome to a crossover episode of "Was it Chance" where Alan Seales and Heather Vickery peel back the layers of serendipity to uncover the hard work and opportunities behind what looks like mere chance. In today's episode, we bring you a conversation with the extremely handsome and talented Andy Mientus, a true maverick of the stage and screen. From accidentally becoming one of Broadway's first social media managers to his heartwarming experience with Dolly Parton on the set of Heartstrings, and one amazing Broadway production credit after another, Andy's journey is one you don’t want to miss. Andy shares with us his belief in staying proximate to your aspirations, even if the connection seems tangential, and how this philosophy led him to astounding opportunities—like touring with Spring Awakening and soaking in the Wicked Tour which felt like a "warm bath.” We're also have some juicy revelations—such as Alan Seales' surprising stance on Sondheim, the unexpected significance of The Met Gala for the theatre community, and the personal tales of failure that Andy calls his "close friends," teaching him resilience and the art of bouncing back. Moreover, Andy gives us a glimpse into his life beyond the stage lights. As a best-selling author of YA books and an actor who's not shied away from portraying significant LGBTQ+ roles, like the openly Gay character Hartley Rathaway in The Flash, Andy is a testament to the diverse avenues of artistic expression.
Connect with Andy on Instagram. Get his books The Backstagers series: Backstagers and The Ghost, Backstagers and The Theater of the Ancients, Backstagers and the Final Blackout as well as his latest book, Fraternity.

Make sure to follow this podcast everywhere you find podcasts, leave a rating and a review, and slip into our Instagram DMs at @wasitchance.

More about Heather via @heather_vickeryandco on Instagram, @Braveheather on TikTok, and listen to The Brave Files



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Eden Espinosa’s performance as Tamara in “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical…and she’s not guilty about it. She highlights both the triumphs and tribulations of her career – from being a part of Colby's Clubhouse and working at Disneyland when she was young to dealing with rejections and criticisms. Maybe best known for her role in “Wicked”, she shares how she got involved with the show (thanks to fellow Disney performer Stephanie J. Block) and why chose to be a standby over understudy. She delves into her recent role in the musical "Lempicka", how she auditioned for the part, and why ever since then, she made sure it was in her contract that if she had to be replaced, they’d have to pay her. She opens up about the challenges faced by the production, including dealing with its unexpected closing. She reflects on the importance of authentic representation, particularly in portraying queer characters, and the responsibility she feels to honor such roles. Eden shares a memorable interaction with an audience member during the show’s final performance, where she broke character to address a disruptive phone use incident. Despite the show’s sudden closing, Eden’s motivation to connect with others in any way, shape, or form is definitely not going anywhere.
Eden Espinosa made her Broadway debut in 2003 in the original cast of “Wicked” as the Elphaba standby and Nessarose understudy. She also garnered critical acclaim playing Elphaba full-time in the sit-down productions in Los Angeles and San Francisco. She originated the lead role in the show “Brooklyn” in 2004, before going on to the closing company of “Rent” as Maureen in 2008. She graced the screen with roles in shows like “Rapunzel's Tangled Adventure”, and “Alice's Wonderland Bakery” for which she earned an Emmy nomination for her portrayal of Queen of Hearts in 2022. She has two complete solo albums to her name, “Look Around” and “Revelation”, and most recently, her performance in the world premiere of “Lempicka” garnered her a Tony Award nomination for Best Actress in a Musical.

Connect with Eden:

Website: www.edenespinosa.com

Instagram: @edenespinosa


Connect with The Theatre Podcast:

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TheTheatrePodcast.com

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Dorian Harewood's career journey is anything but ordinary, and he's got three wonderful women (and luck) to thank for it. And after over 45 years, he’s back on the Broadway stage as Older Noah in “The Notebook”. He shares what made him want to come back, owing it to his manager who pushed him to audition for the role. With almost 200 credits under his name, he looks back on what got him to performing – from starting as a singer and auditioning for a four-year scholarship as advised by his teacher to moving to New York at 22 and doing a musical with the legendary Bette Davis, who also became his acting mentor. He looks back on his first acting role, “Don’t Call Back”, and why even though the show opened and closed the same night, it led him to even better opportunities. Being in an industry inherent to rejection and hardship, he discusses the necessity of having hobbies outside of one's profession and pursuing one's passion to help navigate life's challenges. Aside from theater, he actually has more passions: bowling, pool, and blackjack and shares the importance of respecting passions other than theater, whatever they may be, in order to stay happy and healthy. Currently starring as Older Noah in Broadway’s “The Notebook”, he talks about the challenge of keeping performances fresh for the audience and the communal experience live theater offers. With so many accomplishments and lasting legacy to leave behind, Dorian isn’t done learning new things. He shares his philosophy of viewing every day as a "birthday" and a new beginning, expressing gratitude for life itself.
Dorian Harwood made his Broadway acting debut in the 1971 production of “The Two Gentlemen of Verona”. His additional Broadway credits include “The Mighty Gents”, “Streamers”, and “Don't Call Back”. He pivoted to TV and film for almost the next 50 years, racking up a total of 187 credits on IMDb. His film credits include “Gothika”, “Levity”, “Pacific Heights”, and “Full Metal Jacket”. His TV credits include “7th Heaven”, “Criminal Minds”, “Twelve Angry Men”, and “The Roots: The Next Generations”. He's a voiceover artist for cartoons and video games and is now a Tony-nominated actor for his role as Older Noah in “The Notebook” on Broadway, which also happens to be his first time back on the Broadway stage since 1978.

Connect with Dorian:

Website: www.dorianharewood.com

Instagram: @officialdorianharewood

YouTube: officialdorianharewood


Connect with The Theatre Podcast:

Support the podcast on Patreon: Patreon.com/TheTheatrePodcast


YouTube: YouTube.com/TheTheatrePodcast


Threads, Twitter & Instagram: @theatre_podcast


TikTok: @thetheatrepodcast


Facebook.com/OfficialTheatrePodcast

TheTheatrePodcast.com

My personal Instagram: @alanseales



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If there’s one lesson to take away from Rick Elice’s life story, it’s to never say no to a free lunch. He shares anecdotes from his past, including childhood memories of seeing theatre productions that got him to pursue acting and getting fired for his first Broadway show as an actor. While he’s always loved theatre, Rick also looks back on the beginning of his advertising career, which happened at a musical’s opening night at the Public Theatre where he found himself standing next to Matthew Serino. With so many successful stints and an amazing career trajectory, he likens himself to a pinball, getting flipped from one project to the next. Having written the book for Broadway’s “The Addams Family”, he recalls the show’s timeline and why the national tour became a much more successful version of the story then they had originally written. He talks about his latest work, “Water for Elephants”, and the show’s universal themes of belonging and loss. He reflects on his personal experiences, including grief over the loss of his partner that deeply influenced his approach to writing the musical – emphasizing the importance of storytelling as a way to connect with the audience and to provide comfort to those who feel marginalized or unheard. Ultimately, he talks about his motivations and inspirations in life, citing the beauty of the world and his sense of his own unimportance as the main ones.
Rick Elice is a four time Tony Award nominated author, a playwright, an actor, a teacher, and an entrepreneur who has been involved in the Broadway scene in one form or another since 1979. In 1982, he became the creative director of Serino Coyne, Inc., one of the top theatrical marketing agencies in New York, and then became a creative consultant for the Walt Disney Studio from 1999 to 2008. His first Broadway credit as a book writer aka playwright was “Jersey Boys”, which opened in 2005, and led him to write the stories, the books for the Broadway shows of “The Addams Family”, “Peter and the Starcatcher”, “The Cher Show”, and now, “Water for Elephants”, which just nabbed him his fourth Tony nomination. Rick is also writing the books for “The Princess Bride” musical, and “Smash” musical, among others.

Connect with The Theatre Podcast:

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YouTube: YouTube.com/TheTheatrePodcast


Threads, Twitter & Instagram: @theatre_podcast


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Facebook.com/OfficialTheatrePodcast

TheTheatrePodcast.com

My personal Instagram: @alanseales



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Liza lovers, this episode is for you! We had the incredible Bruce David Klein, director of the brand new documentary, "LIZA: A Truly Terrific Absolutely True Story," in the virtual studio dishing all about the film and the legendary Liza Minnelli herself. The first and only documentary Liza has personally approved and allowed herself to appear in, Klein pulls back the curtain on Liza's life and career, from her childhood under the spotlight with Judy Garland to her own meteoric rise and the challenges she's faced along the way. This is an exclusive look you won't want to miss! Tune in for behind-the-scenes secrets, never-before-heard stories, and all the reasons why we adore Liza Minnelli.
See the world premiere of the documentary at the 2024 Tribeca film festival: https://tribecafilm.com/films/liza-a-truly-terrific-absolutely-true-story-2024
Emmy-nominated filmmaker Bruce David Klein is a force behind some of your favorite documentaries and television shows. Founder of Atlas Media Corp., Klein has directed, written, and produced across various platforms. Whether it's exploring the eccentric world of rock legend Meat Loaf or diving into the high-stakes world of finance with "Icahn: The Restless Billionaire," Klein consistently brings captivating stories to life.

Connect with Bruce

Get tix to see the film

IG: @atlasmediacorp



Connect with The Theatre Podcast:

Support the podcast on Patreon: Patreon.com/TheTheatrePodcast


YouTube: YouTube.com/TheTheatrePodcast


Threads, Twitter & Instagram: @theatre_podcast


TikTok: @thetheatrepodcast


Facebook.com/OfficialTheatrePodcast

TheTheatrePodcast.com

My personal Instagram: @alanseales



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