Toronto Biennial of Art Podcast Toronto Biennial of Art

In the third and last episode, artist Derya Akay is joined by curator Tairone Bastien come together to prepare a home-cooked Turkish meal (Sarımsaklı köft, börek and atom) and reflect the weaving together of personal memories and familial histories with larger cultural and geopolitical narratives that form “Queer Dowry”.

In this episode, artist Anne Zanele Mutema invites us to consider alternative belief systems through the idea of an Event defined for her as a phenomenon located at a single point in time in the context of self, culture, and history. Mutema’s work “Systemic Necropolis” reflects on ideas of space, memory, and phenomenology. 

"Ngozi: We Might Listen for the Shimmerings" is organized by Chiedza Pasipanodya as a part of the 2022 Curatorial Fellowship program, made possible by the generous support of TD Bank Group through the TD Ready Commitment, and with support from the Toronto Arts Council and the Ontario Arts Council. Ngozi features the work of Anne Zanele Mutema, Buhlebezwe Siwani, and Timothy Yanick Hunter.

Before the onset of the 2022 edition of the Toronto Biennial of Art, Curator Katie Lawson joined artist and educator Dana Prieto in her studio during the making of “Footnotes for an Arsenal”, her seminal work exhibited at the Small Arms Inspection Building. Together, they discuss the origins of Dana’s work as a ceramic artist through exploration of site, material origins, dirt, mess and porosity.

In this podcast, Jeneen Frei Njootli (Vuntut Gwitchin First Nation) and Ts̱ēmā Igharas (Tahltan First Nation) share how they collaborate with one another through growing friendship and their shared deep connections to the land. In their ongoing collaborative performance "Sinuosity" (2018-2019), the artists engage with ancestral memory, networks of kinship, and communal relations braids within communities and the land. The performance was part of "TELLINGS: A Post-Human Vocal Concert" (2019), co-curated by Maiko Tanaka and Myung-Sun Kim, where artists working experimentally with sound—live electronics, deep listening, sound art—performed compositions that challenge the conceptions of "voice" in terms of its origin and agency. "TELLINGS" was co-presented in partnership with Trinity Square Video and OCAD University Graduate studies.

Short Format Series Produced by Aliya Pabani and Angela Shackel.

Life of a Craphead is the collaboration of Amy Lam and Jon McCurley whose work spans performance art, film, and curation, using humour as a form of empathy. As the 2019 Toronto Biennial Artists in Residency, hosted by Ireland Park Foundation and in partnership with Trinity Square Video, they began work on "Life of Life of a Craphead" (2020), an auto-fictional comedy TV show, which was screened as part of their subsequent residency with the Delfina Foundation and will be shown as part of the Seoul Mediacity Biennale in 2021. Here, Life of a Craphead reflect on the 2019 event "Doo-Red", organized during the time of their residency, and previous projects included in the making of the TV show such as "King Edward VII Statue Floating Down the Don River," 2017.

Short Format Series Produced by Aliya Pabani and Angela Shackel.

Diane Borsato's "ORCHARD" is a living sculpture made up of old and eccentric varietals of apple trees, planted by Borsato at the Small Arms Inspection Building – a contemporary art and cultural space of the City of Mississauga. The work expands ideas of public art and seeks to foster enduring connectedness to land, plants, food, and one another. In this podcast, Borsato describes the tastes, textures, shapes and colours of these apple “artefacts”, reflecting on the ways in which they trace histories of migration and genealogies of flavour. On September 29, 2019, Borsato performed the apple-tasting event "YOU ARE A GOOD APPLE" to launch this public art sculpture.

Short Format Series Produced by Aliya Pabani and Angela Shackel.