The Color Timer Podcast Mixing Light Podcasts

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-louper-ceo-alex-williams/ = = =On this session of the Color Timer Podcast I chat with Louper CEO Alex Williams. What is Louper? As Alex describes it, “It’s Zoom for video professionals.” While this snapshot is easy to picture, creating yet another review application in a crowded marketplace is no easy task, yet Louper has found its footing rather quickly. The platform allows live streaming without proprietary hardware boxes and is built around collaboration rather than pasting offline review links.
While it’s fun to geek out with the creators of our favorite bits of gear, we’re careful not to make this a cozy infomercial. Is remote grading really here to stay? Or is the human touch needed to drive a session forward? Join in on my wonderful conversation with Alex to find out.
- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/flanders-scientific-ceo-bram-desmet-the-color-timer-podcast-201/======The Color Timer Season 2 begins right now!
Bram Desmet joins The Color Timer to discuss monitors, philosophy, symbolic logic, LUT boxes, and his family's fallback plan.
Bram is the founder, CEO, and general manager of Flanders Scientific. His nonlinear path to launching a monitor company started with aspirations to become a philosophy professor and then a pilot while working as a bicycle repair technician. However, as he explains, these topics are all interconnected.
Headquartered in Atlanta, Georgia, Flanders Scientific has taken the post production industry by storm, creating an excellent sweet spot of price, features, accuracy, customer service, and value. If you’ve been on a film set lately, chances are you’ve seen the FSI Zunzheng stamp of approval at the DIT cart or the video village.
He’s been interviewed many times, but I feel confident this is the first time he’s done it with a 15-minute sand timer running. I also feel confident that it’s one of the first times he’s focused more on discussing philosophy and Christmas decorations than monitors.
Don’t worry; we chat about monitors as well!- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/======Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.
Paul Harrison’s professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).
From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi’s, and BMW; Paul shares his insights and his inspiration.
One of the world’s top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.
Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/steve-shaw-color-timer-podcast/------------Steve Shaw is the CEO of a company called Light Illusion. The journey that Steve has taken to get to where he is now is a fascinating one, and the products that his company is offering are a testament to that journey.
As a colorist, you may wonder, why do I need monitor or projection calibration?
In simple terms, the answer is fairly logical – so you can trust your display (and your eyes). In speaking with Steve Shaw, you quickly find that the topic goes much deeper, and he is the perfect person to explain it!
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Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/michael_murdoch_associate_professor__color_science/---
It is my absolute pleasure to speak with the Associate Professor in Color Science from the Rochester Institute of Technology, Mr. Michael Murdoch. Our conversation covered the gamut of all things color:
- Perception- Quantifying color- Image science- Film stocks- Display technology- Careers in the field of color research- Augmented reality- His position as the Director of the Munsell Color Science Laboratory- The one color the universe doesn’t need
I may have broken my sand timer rule repeatedly to keep this conversation going. But this is undoubtedly a perfect conversation for the Color Timer Podcast – I hope you enjoy it!- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.com
Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/kali-bateman-emily-reid-color-timer-podcast/---
I worked with Kali Bateman many years ago in Australia, and I jumped at the opportunity to speak with both her and Emily about the relationship between the Colorist and Color Assistant and their new venture, 'The Colour Suite'. (Yes, that’s how Color is spelled in other parts of the world!)
Kali Bateman is a Senior Colorist for film and television and has been involved with many amazing projects, including Venom: Let There Be Carnage, Jungle Cruise, Ghostbusters: Afterlife, Wonder Woman: 1984, and Baz Luhrman’s masterpiece Elvis.
Emily Reid began her career as a camera assistant and freelance cinematographer. She crossed over into post-production as an assistant colorist. Under Kali’s supervision, Emily has grown into the role of Colorist and led numerous grading projects.
- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com