1 hr 2 min

The Deep End • The Next Reel The Next Reel Film Podcast

    • Film Reviews

“Make a sound and I’m going to drown you in the lake.”A Sundance Standout That Earned Cinematography Honors
Scott McGehee and David Siegel, the directing duo behind The Deep End, began developing the project in the late 1990s. Inspired by the 1940s novel The Blank Wall by Elisabeth Sanxay Holding and the 1949 film adaptation The Reckless Moment directed by Max Ophüls, they set out to create a modern noir thriller centered around a mother's fierce love and protection for her son. With the help of cinematographer Giles Nuttgens, they crafted a visually stunning and emotionally charged film that caught the attention of the Sundance Film Festival and beyond. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about The Deep End.
A Mother's Love, a Son's Secret, and a Blackmailer's Agenda
In our discussion of The Deep End, we explore the central premise of the film – a mother who discovers a dead body and believes her son is responsible. Tilda Swinton portrays Margaret Hall, a woman who makes a quick decision to cover up the crime. As the plot progresses, a blackmailer enters the picture, complicating matters further. While we both appreciate aspects of the film, we find ourselves divided on the effectiveness of the story and Swinton's performance. The cinematography, however, remains a standout element, earning its Independent Spirit Award nomination.
Other Discussion Points
The supporting performance of Goran Visnjic as the blackmailer Alek Spera and how his character evolves throughout the filmThe film's handling of the son's sexuality and the potential consequences of his father discovering the truthThe use of Lake Tahoe as a setting and its contribution to the overall atmospherePacing issues and plot points that we found problematic or unbelievableThe Deep End is an intriguing and visually captivating thriller that sparked a lively discussion between us. While we may not see eye-to-eye on all aspects of the film, particularly Tilda Swinton's performance and the overall effectiveness of the story, we agree that the cinematography is truly remarkable and worthy of its Independent Spirit Award nomination. The film's exploration of complex themes and moral dilemmas makes it a thought-provoking watch, even if it doesn't quite hit the mark in all areas. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Become a Member Today! $5 monthly or $55 annually
Visit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel’s family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy!

Build your own website (or one for your granny!) with Squarespace. Try it today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with

“Make a sound and I’m going to drown you in the lake.”A Sundance Standout That Earned Cinematography Honors
Scott McGehee and David Siegel, the directing duo behind The Deep End, began developing the project in the late 1990s. Inspired by the 1940s novel The Blank Wall by Elisabeth Sanxay Holding and the 1949 film adaptation The Reckless Moment directed by Max Ophüls, they set out to create a modern noir thriller centered around a mother's fierce love and protection for her son. With the help of cinematographer Giles Nuttgens, they crafted a visually stunning and emotionally charged film that caught the attention of the Sundance Film Festival and beyond. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about The Deep End.
A Mother's Love, a Son's Secret, and a Blackmailer's Agenda
In our discussion of The Deep End, we explore the central premise of the film – a mother who discovers a dead body and believes her son is responsible. Tilda Swinton portrays Margaret Hall, a woman who makes a quick decision to cover up the crime. As the plot progresses, a blackmailer enters the picture, complicating matters further. While we both appreciate aspects of the film, we find ourselves divided on the effectiveness of the story and Swinton's performance. The cinematography, however, remains a standout element, earning its Independent Spirit Award nomination.
Other Discussion Points
The supporting performance of Goran Visnjic as the blackmailer Alek Spera and how his character evolves throughout the filmThe film's handling of the son's sexuality and the potential consequences of his father discovering the truthThe use of Lake Tahoe as a setting and its contribution to the overall atmospherePacing issues and plot points that we found problematic or unbelievableThe Deep End is an intriguing and visually captivating thriller that sparked a lively discussion between us. While we may not see eye-to-eye on all aspects of the film, particularly Tilda Swinton's performance and the overall effectiveness of the story, we agree that the cinematography is truly remarkable and worthy of its Independent Spirit Award nomination. The film's exploration of complex themes and moral dilemmas makes it a thought-provoking watch, even if it doesn't quite hit the mark in all areas. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!
Film Sundries
Watch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerOriginal MaterialLetterboxd
Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!
Become a Member Today! $5 monthly or $55 annually
Visit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel’s family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy!

Build your own website (or one for your granny!) with Squarespace. Try it today!
Here’s where you can find us around the internet:
The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don’t yet: what are you waiting for?
Become a Member here: $5 monthly or $55 annually
What are some other ways you can support us and show your love? Glad you asked!
You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with

1 hr 2 min

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