Story Screen Presents Story Screen

Mike Burdge and Reeya Banerjee team up once again to chat all things Bond, catching up on the latest rumors of casting the next bow-tied devil, discussing what makes a good Bond actually work in these movies, all while chatting about the lone Lazenby entry from 1969: On Her Majesty's Secret Service. They also cover From Russia with Love, A View to a Kill, Tomorrow Never Dies and Skyfall. They behave themselves.

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Mike Burdge and Bernadette Gorman-White strap into the stretch limousine that is The Pattinson Stuff, this time taking a look at the films the actor made on the side during his Twilight years, including his ultimate attempt to immediately distance himself from that sort of type-casting: Cosmopolis. Other films discussed include Remember Me, Love & Distrust, Water for Elephants, Bel Ami and Dior: 1000 Lives.

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Mike Burdge, Bernadette Gorman-White and Diana DiMuro go over all the categories for the 96th Academy Awards, discussing their predictions and hopes, as well as chatting about some truly great flicks that entered the Oscar race this year. Big movies discussed include Oppenheimer, Barbie, The Zone of Interest, Napoleon, The Eternal Memory, all the Oscar Nominated Shorts and so so so much more.

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On this episode, Bernadette Gorman-White and Reeya Banerjee wrap up their discussion on the Netflix series, The Crown. Along the way, they applaud the show for wrapping up the Diana and Dodi storyline in a respectful and, perhaps, insightful manner, while also maligning the show for spending too much time on Will and Kate, and ultimately compare the final season's strengths and weaknesses to prior seasons.

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Mike Burdge is joined by Scotty Arnold on a glorious day to chat about George A Romero's unsung 1981 batshit bananas film, Knightriders. Topics of discussion include artistic passion vs real world business, bikes vs horsies, Ed Harris being a madman and the reveal of a brand new podcast coming to this very channel.

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Mike Burdge and Robby Anderson continue their journey through the films of John Carpenter, this time stopping by one of his most beloved cult classics, BIG TROUBLE IN LITTLE CHINA, and the immensely under-appreciated PRINCE OF DARKNESS.

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