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Basic Folk Backstage
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- 音樂
Basic Folk features honest conversations with folk musicians hosted by Cindy Howes, a well-versed public radio DJ, and singer/songwriter Lizzie No. While we’re not gassing up the banjo, fiddle, guitar and mandolin, Basic Folk approaches interviews with warmth, humor and insightful (invasive?) questions. This podcast fosters the folk community and showcases a genre that is often misunderstood. Our definition of “folk” is extremely broad, so you’ll hear interviews from Molly Tuttle, Ben Harper, John Hiatt, Chris Thile of Nickel Creek, Joy Oladokun and many more.
Basic Folk is dedicated to showcasing the best in folk, bluegrass, acoustic and americana including Black, Brown and Queer folx who have been excluded, or felt like they did not belong, in the folk world. Both Cindy and Lizzie bring unique perspectives to our honest conversations and are dedicated to changing the landscape and the gatekeepers of the folk music community.
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The Reckoning of Montreal Banjo-Witch Kaïa Kater, ep. 265
After banjo player Kaïa Kater attended Americana Fest in 2016, the music industry started telling her she was a part of the genre, which encompasses all kinds of roots music, acoustic music, folk music, singer-songwriter and alternative country music. She was singing about heavy themes like historical trauma, her cultural heritage (her father is from the Caribbean country of Grenada) and her music history. She confesses in our interview that she never felt comfortable in Americana, that she was always just on the outside never fully feeling accepted by this mostly white world. Kater has declared that her new album, Strange Medicine, comes from a place that lays beyond the white gaze of Americana. This music is filled with emotional healing with music production that sonically reflects the vulnerability that she is expressing so deeply for the first time in her career. It's also the first time she's avoiding metaphors and really letting her most raw feelings about colonialism, sexism, racism, and misogyny rip. These songs see her using violent language and releasing emotions she’d previously kept frozen like anger and revenge.
While creating Strange Medicine, she listened to a lot of instrumental music allowing her ears to be bigger than they had been on previous records. Which translated to her being more willing to take big swings and take risks. Kater attended school to learn film composition allowing her to be more comfortable with being a little bit more overstated in her songs, which certainly proves true on the new record. Another good piece of news is that the banjo is back! After using it very minimally on her last release, Kaia picked it up again after listening to a lot of Steve Reich, a composer who developed a groundbreaking minimalist style in the 1960s that's marked by repetition. His work helped Kater conceive of the banjo as an instrument that could hypnotically play patterns over and over. We go through this monumental album track by track and unwind songs with topics from Tituba's revenge (the first to be accused during the Salem witch trials) to getting the critic out of the room, to realizing the critic is you. She also recounts her history in her hometown of Montreal and what the Internet was like when she first logged on in the 2000's.
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Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
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Guster is a Place, ep. 264
Frontman Ryan Miller joins us to talk about all things Guster. From their tried and true collaborative writing process to the theatrical delights of their recent "We Also Have Eras" tour, to what it really looks like to make environmental sustainability a priority on tour. Guster is about to release their 9th studio album, Ooh La La. As we talked about the new record, Ryan talked about how these new songs touch on questions that the band has been asking throughout their over 30 year career. For example, "Maybe We're Alright" calls back to the collectivist spirit that we loved in 2003's Keep It Together. "Gaugin, Cezanne (Everlasting Love)" talks about God in a way that brought up new questions for me about 2010's album, Easy, Wonderful, and so on. This is what makes being a Guster fan so rewarding. The longer you listen to these guys and the deeper you dig, the more you feel empowered to ask questions about the world around you and approach the answers with playfulness. Guster is a band, but it is also a place where we all meet to dance away the big questions with whimsy to the beat of tasteful hand drums.
It is no exaggeration to say that lizzie has waited over 20 years to talk to Ryan. They became a fan of the New England indie outfit in 2003 when they opened for John Mayer at the West Point Military Academy, of all places. The vibe in the room was a little stiff, but Guster was anything but. Their exuberant, generous, harmony filled, idiosyncratic performance blew her teenage mind. As lizzie dug deeper into their lore, they discovered that they were a part of a vast network of weirdos: The Guster fandom.
Follow Basic Folk on social media: https://basicfolk.bio.link/
Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
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Finding Freedom in a Flip Phone: John Moreland's Quest for a Simple Life, ep. 263
I hate surprises. However, Oklahoma's pride and joy John Moreland surprised us with his latest album Visitor and I guess I'm okay with it. Moreland's gone back to a sparse acoustic instrumentation, unlike the electronic sound (which I also loved) on his previous release, 2022's Birds in the Ceiling. Recently, he took a page from his wife Pearl Rachinsky and musician (and recent tour buddy) Chris Staples' book, and quit his smartphone, took a social media break and stopped all touring for six months. What ensued was an incredible psychic change discovered through living electronically off the grid. Another thing that came about during experiencing this simplicity in life: an album full of songs. He would take long drives at night, bringing along his guitar and making field recordings of his new writing. All this culminated into his beautiful new record.
Moreland talks about the process of unraveling himself from the smartphone, reconnecting with the acoustic guitar and getting to know himself again during this period of quiet. He talks about how playing live is very vulnerable for him to the point where he started taking (and loving) beta-blockers to stave off anxiety and adrenaline. He is very candid with his current thoughts on body image, he has been known to experience body shaming online after performing live. We also get into something that's been on my mind all year: is climbing the professional songwriter ladder worth it? Pretty sure we figured out the answer. LoL.
Follow Basic Folk on social media: https://basicfolk.bio.link/
Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
Advertising Inquiries: https://redcircle.com/brands -
Claps, Covers, and Come Ons: Inside Barnstar!'s Musical Mischief, ep. 262
Barnstar!, Boston's premiere kinda bluegrass and definitely bombastic band, has released their new album Furious Kindness and we're #blessed to welcome Mark Erelli and Zachariah Hickman to the pod. Originally a fun side hustle and bluegrass vehicle for Zack, the group, which also includes Charlie Rose and Taylor and Jake Armerding, started very casually performing at the legendary local Cantab Lounge. Zack accurately likens the vibe of the place to a basement Star Wars Cantina full of bluegrass bands.
In between their main gigs with performers like Josh Ritter and Lori McKenna and solo careers, Barnstar! has cultivated an explosive live performance filled with energy and emotional expression leaving concert attendees cheering and crying along. Included in their repertoire are some of the finest music covers including many that you'd never expect to see on a kind of bluegrass band album, like The Hold Steady, Patty Griffin, Elliott Smith and Elizabeth & The Catapult. We talk about what it's like to bring a cover song to the band to learn as well as co-writing with friends like Dinty Child and Chuck Prophet. We'd be remiss if we did not address the alien-like quality of Mark Erelli's singing voice and learn that it is because of his bestie Zack and Barnstar! that he can sing like this. Now he finds himself performing vocal warm-ups before hitting the stage with the guys. Not something he ever thought he'd do. All members of Barnstar! contribute and sing to the new album Furious Kindness, an album that just wants to shout in your face about how awesome you really are.
Follow Basic Folk on social media: https://basicfolk.bio.link/
Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
Advertising Inquiries: https://redcircle.com/brands -
Fran & Flora Are Reimagining Traditional Yiddish Folk Music, ep. 261
Two long-time collaborators, cellist Francesa Ter-Berg and violinist Flora Curazon, Fran & Flora, have bonded over their obsession with ancient music, rooted in Eastern European and Jewish culture, for over a dozen years. Together and separately, the English musicians have been studying with teachers of ethnomusicology in places like Transylvania and Romania. There, they took in the music as well as the cultural influences. That's not to speak of their higher musical education, Francesca holds two masters in music (including in contemporary improvisation at the New England Conservatory of Music) while Flora trained at the Royal Academy of Music in London. They break down the benefits of each learning style and how it impacts their creative process. They also get into their love of klezmer music and the importance of portraying cultural heritage while remaining modern.
We also talk about how as female musicians, they are expected to do absolutely everything and excel at it while people still talk about whether or not you smile on stage. They share “There’s a very deep thing in there that has effected our choices as a band in order to keep it safe and healthy within ourselves.” Their latest album Precious Collection features a couple of original tunes, but it's mostly new and unique arrangements of traditional Klezmer and Yiddish songs. Don't sleep on the smokey translation that Flora shares of the song "Little Bird" and stick around to learn who is the better roommate. All in all, great conversation with wonderful people who create bonkers music that's rich in tradition and layers.
Follow Basic Folk on social media: https://basicfolk.bio.link/
Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
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Relevant, Radical & ROTFL: Billy Bragg, Folk Music's Political Poet, ep. 260
Billy Bragg joins lizzie and Cindy on-board Cayamo to talk about songwriting, social justice, punk rock and, of course, The Little Guy (Bragg's nickname for Woody Guthrie). In our interview we talked about using humor as a way to connect to his audience, so that he can bring up his political activism like fighting for transgender rights, the importance of unions and abortion rights. It's interesting to hear how he wants the Americana audience to remain as relevant as he does. Billy talked about his place as a British artist in the genealogy of folk music and how working on Mermaid Avenue with Wilco allowed him to be a part of the folk tradition.
He also shared how he overcame anxiety as a teenage musician. Standing in front of a crowd playing with his friends in a band really boosted his confidence. Meanwhile, the old school "stiff upper lip" of British culture created an emotional barrier between Billy's and his parents' generation. The older generation grew up with the cultural heritage of separating oneself from any emotion. When Billy was a teen, his father was dying. The doctor recommended not telling the patient or talking about it at all. Several decades later, his mother insisted that everyone talk to and about her terminal cancer diagnosis. Bragg also gets into the merits of socialism, why nostalgia rubs him the wrong way and his favorite English treat. Spoiler: It's marmite. Gross.
Follow Basic Folk on social media: https://basicfolk.bio.link/
Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews
Help produce Basic Folk by contributing: https://basicfolk.com/donate/
Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods
Advertising Inquiries: https://redcircle.com/brands
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