Staging Sound. Reflecting theatre music and sound design David Roesner
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This podcast accompanies the research project "The Sound of Theatre", supported by the Centre for Advances Studies at the University of Munich. We will explore questions around the current research in this field of study, we will have conversations with artists and discussions about performances, and we will record presentations and papers that come out of our various cooperations.
The format, length and frequency of this podcast will vary, but we hope that all episodes will be interesting, engaging and relevant for all those interested in the wide range of interplays between theatre, music, sound, voice, acoustic and technolgy: whether you are a student, a scholar, an artist or an audience member: Please subscribe and tune in!
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Conference documentation: Theatre Sound as Collaboration. Part 3.5: Discussion with ZU-UK and Gareth Fry
In this episode, Adrian, Duška and David talk to performance collaborators Persis Jadé Maravala and Jorge Lopes Ramos from ZU-UK (London) and sound-designer Gareth Fry (London) about the notion of collaboration and the specific process of design and creative development they engage with.
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Conference documentation: Theatre Sound as Collaboration. Part 3.4: Discussion of the Audio Papers
In this episode we discuss the audio papers that were presented over the last few episodes on the role of collaboration in sound design and music composition for theatre by our esteems contributors: Alyson Campbell (Melbourne) and Meta Cohen (Melbourne), Paul Clark (London), Victoria Deiorio (Chicago), Jimmy Eadie (Dublin), Maciej Guzy (Krakow), Melanie Wilson (London), Demetris Zavros (Liverpool).
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Conference documentation: Theatre Sound as Collaboration. Part 3.3 Audio papers
In this episode, David introduces the final two audio papers, which were submitted to the conference and subsequently discussed at a panel on collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
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Conference documentation: Theatre Sound as Collaboration. Part 3.2 Audio papers
In this episode, David introduces three more of the seven audio papers that were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
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Conference documentation: Theatre Sound as Collaboration. Part 3.1 Audio papers
In this episode, David introduces two of the seven audio papers, which were submitted to the conference and subsequently discussed at a panel on Collaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner (which will be published in a future episode).
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Theatre Sound as Collaboration (Conference Documentation). Part 2.1: Francesco Bentivegna, Alex Nowitz and Cathy van Eck
The recent wave of interdisciplinary scholarship on/through voice has moved decisively away from perceptions of voice as singular, solipsistic or as tied to selfhood in one-directional or indexical ways. Voice (or rather: voicing or vocality) is now understood and practised as multiple, plural, and emergent. This curated panel seeks to embrace this approach and, in light of the symposium’s thematic remit, addresses vocal practice as a material or component of theatrical collaboration. Also, and crucially, it proposes a rethinking of theatre voice as collaboration. This part of the session consists of invited talks and demonstrations by artists that work with/through voice: Francesco Bentivegna, Alex Nowitz and Cathy van Eck.