Deconstructing Comics Tim

When Jack Kirby returned to Marvel in 1975, the first series he worked on starred the character that was one of Kirby’s earliest claims to fame: Captain America, created in 1940 by Kirby and writer Joe Simon. Before Kirby returned, Cap’s book became Captain America and the Falcon. As Kirby begins his run, he deftly uses the African-American Falcon to show that Cap’s optimistic view of America (“This country’s grown up!”) isn’t always accurate (“Jive! It’s still trying, friend!”). This time, Tim and Emmet discuss Captain America and the Falcon #193-194.

Waxing and Waning: Essays on Moon Knight, containing an essay by Emmet

Brought to you by:







* TV Tangents

* Our supporters on Patreon

FLASHBACK! Planning a murder that you think will prevent future murders? That’s the premise — or, at least, one of the premises — of Monster, Naoki Urasawa’s 18-volume series. Set in Germany, the series focuses on the unintended consequences of Dr. Kenzo Tenma’s good deed; he saved the life of a boy who turned out to be a remorseless killer. Tim and guest reviewer Natalie Nourigat discuss. (This episode was originally published August 22, 2011.)

Brought to you by:







* To the Batpoles! podcast

* Our supporters on Patreon

FLASHBACK! We begin a two-review series on comics that ask hard questions about whether murder can ever be justified. This week, Mike Baron and Steve Rude’s Nexus. Beginning in the early ’80s, Baron’s philosophical writing and Rude’s increasingly polished art presented the story of a far future in which a man kills mass-murderers — not out of revenge, but because he feels forced to “in self-defense.” Tim and Paul review. (This episode was originally published August 15, 2011.)

Brought to you by:







* Checkered Past podcast

* Our supporters on Patreon

In 1993, the Image revolution was underway, itself a result of the 1986 earthquake brought about by Alan Moore’s Watchmen and Frank Miller’s The Dark Knight Returns. Moore was on a mission to counteract the wave of “grim and gritty” comics he had inadvertently helped to start. This led to Moore’s 1963 series, a combination parody of and homage to the Marvel comics of the Silver Age, with art by the likes of Stephen Bissette, Rick Vietch, Dave Gibbons, Don Simpson, and Jim Valentino. Tim and Kumar review the series, discussing why it was never completed and why it’s not currently in print.

Brought to you by:







* The Law of Equivalent Exchange: A Fullmetal Alchemist manga podcast

* Our supporters on Patreon

FLASHBACK! Originating out of the same ’80s black-and-white/anthropomorphic boom that brought us the Ninja Turtles, Usagi Yojimbo is one of the few comics of that batch that are still going today. Stan Sakai’s work combines historical drama, understated violence, light comedy, and even some explanations of 17th century Japanese culture — and he can pack a surprising amount of story into a few pages. Tom Spurgeon joins Tim and Kumar to talk about the long-eared samurai. (This episode was originally published August 24, 2015.)

Brought to you by:







* To the Batpoles! podcast

* Our supporters on Patreon

The run of Jack Kirby’s OMAC: One Man Army Corps was bright but short, lasting only through eight bi-monthly issues. This time Tim and Emmet discuss issues 5 through eight, covering a shocking, brilliant two-parter, another two-parter that brings the series to a crashing halt, and more evidence that Kirby was great at wild ideas, but naming the characters might have been better left to someone else!

Brought to you by:







* To the Batpoles! podcast

* Our supporters on Patreon