8 episodes

A series of lectures and conversations on the work of reading, writing, and thinking about literature. Delivered in support of English courses at Temple College.

Off Book with Dr. Echols Dr. Echols

    • Education

A series of lectures and conversations on the work of reading, writing, and thinking about literature. Delivered in support of English courses at Temple College.

    "Parting is such sweet sorrow" - Reflecting on What We've Learned

    "Parting is such sweet sorrow" - Reflecting on What We've Learned

    In this conversation, a few of your classmates and I reflect on what we've learned in the class, skills we might carry forward, and texts that were meaningful to us. I also offer an overview and study strategies for the final exam. Thanks for joining us! 

    • 40 min
    "Once More Into The Breach" - Drafting, Reviewing, and Revising

    "Once More Into The Breach" - Drafting, Reviewing, and Revising

    Now that many of you have finished your Annotated Bibliographies, you will be spending this week drafting your papers. Here are some practical tips for completing your first draft, while making sure you are grounded in the text: 

    1. Figure out your thesis. Remember, it needs to be an interpretive, literary claim. If you're not talking about what a specific text and/or author is doing or showing in your argument, you are off-track. It also needs to make an argument, not just an observation. See the (Hypo)thesis lecture to refresh your memory on what I mean here. 

    2. Assemble your best quotes from the text(s) you're writing about. Think of at least 4 or 5 moments in the text that help demonstrate your thesis.  

    3. Now, assemble your quotes from your secondary sources. These could be claims that support your own; that highlight a concept or example you find important; that demonstrate a connection between your argument and an existing conversation or topic; or they could be pieces of biographical or historical information that help the reader understand something necessary about your text. Paste them separately. 

    4. Now, using your method of choice, create an outline for your argument. You can physically print and cut out both pages and move them around, or you can cut/paste in your word processor. The point is, you want to begin by thinking about how the text itself can help prove your argument, and how you want to present that argument. Then, it's just a matter of filling in the missing pieces: the topic sentences, the transitions connecting your ideas, etc. 

    • 29 min
    "My library was dukedom large enough" - Finding, Selecting, & Presenting Evidence

    "My library was dukedom large enough" - Finding, Selecting, & Presenting Evidence

    This week, I discuss using databases and quality sources to begin developing your thesis into a longer project, and offer some tips and advice for completing the upcoming Annotated Bibliography assignment.

    • 32 min
    “Though this be madness, yet there is a method in’t” - Building a (Hypo)Thesis

    “Though this be madness, yet there is a method in’t” - Building a (Hypo)Thesis

    In this lecture, we talk about taking an observation about a literary text and turning it into a claim: moving from the "what" of a text (plot, context, etc.) to the "so what?" (meaning, significance, interventions) of a text.

    • 25 min
    “Is not the truth the truth?” - Reading Texts Critically

    “Is not the truth the truth?” - Reading Texts Critically

    This week, we’re going to practice reading a story alongside what literary scholars have to say about it—we’ll be reading texts with the experts, and working to become experts ourselves.

    • 39 min
    "Everyone can master a grief but he that has it.” - Reading Texts With their Authors

    "Everyone can master a grief but he that has it.” - Reading Texts With their Authors

    This week, we're starting to think about reading texts not only based on what's inside them (close reading) or what's outside them (context), but also on what other people have to say about them. We're going to start by looking at what the texts' author may have to say, and we'll move on to what other folks—critics and scholars, or other expert—have to say next week.

    • 35 min

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