The Saad Haddad Show Saad Haddad

Carrie Frey is a New York City-based violist, teacher, improviser, and composer focused on inquisitive collaborations and encouraging creativity in her students. An enthusiastic proponent of new music, she has premiered over 250 pieces. Frey is the violist of the Rhythm Method (“a group of individuals with distinct compositional voices and a collective vision for the future of the string quartet” - I Care If You Listen) and a founding member of string trio Chartreuse and string quartet Desdemona. She has performed with many of New York City’s notable contemporary ensembles, including Wet Ink Large Ensemble, AMOC*, Talea Ensemble, Wavefield, Cantata Profana, and the International Contemporary Ensemble. Frey improvises as a member of Simone Baron’s genre-bending Arco Belo ensemble and with electroacoustic trio Hierophant (with Alex van Gils and Alec Goldfarb). Her compositions, described as “a moldering compost heap” (I Care if You Listen), have been performed by the Rhythm Method, Arco Belo, Adrianne Munden-Dixon, and Kal Sugatski. Her debut sonata album, The Grey Light of Day, with pianist Robert Fleitz, was released in 2016, and her first solo album will be released on Gold Bolus in December 2023. Carrie is a graduate of Oberlin Conservatory and the Manhattan School of Music Contemporary Performance Program, and is currently pursuing a doctorate at the Graduate Center of the City University of New York.

🌐 https://freyaviol.tumblr.com/

💿 a chorus like distant screaming: https://youtu.be/paNHWcMPlvQ?si=dKhr80sRBL-XYrq2

💿 Seaglass/Pebble: https://www.youtube.com/watch?v=oeVIT8mKhTM

💿 Gone / Back: https://www.youtube.com/watch?v=1661SnhWKvk

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

🕒 Timestamps 

02:18 “a chorus like distant screaming,” for string quartet

14:35 “Gone / Back,” for string quartet

25:16 “Seaglass/Pebble,” for string quartet

Christian Quiñones is a Puerto Rican composer who explores personal and vulnerable stories through the lens of cultural identity. From sampling to auto-tune, and to interactive multimedia, Christian is interested in interacting with existing music to create intertextual narratives.

Recently Christian was selected as a composer in residence at the Copland House, and as a fellow for the St. Louis Symphony Orchestra Workshop, Cabrillo Festival, and the Bang on a Can Summer Festival. In 2020 he was selected for the Earshot Underwood Orchestra Readings where he worked with the American Composers Orchestra. 

He has received commissions from the New York Youth Symphony, Dogs of Desire (Albany Symphony), Transient Canvas, the icarus Quartet, the Bergamot String Quartet, Chromic Duo and the Victory Players where Christian was the 2018-2019 composer in residence. 

His music has been performed by leading ensembles and performers such as Alarm Will Sound, Dal Niente, Hub New Music, Loadbang, Charlotte Mundy, Dither Quartet, Bergamot Quartet, Yarn/Wire, Onix Ensemble, Chromic Duo, Unheard-of Ensemble, Trio Sanromá, Victory Players, Chromic Duo, the American Composers Orchestra, and René Izquierdo.

He obtained his BM in Music Composition at the Conservatorio de Música de Puerto Rico, studying composition and orchestration with Alfonso Fuentes, and in 2019 Christian was a recipient of the Graduate College Master’s Fellowship at the University of Illinois at Urbana-Champaign, where studied with Carlos Carrillo and Reynold Tharp. Currently, Christian is a Ph.D. President’s fellow at Princeton University where he studies with Steve Mackey, Donnacha Dennehy, Nathalie Joachim, Juri Seo, and Tyondai Braxton.

🌐 https://christianquinonesmusic.com/

💿 “Hasta que no pueda,” for amplified sinfonietta and sampler: https://on.soundcloud.com/mDPSC

💿 “My voice is a broken chorus,” for amplified soprano and electronics https://youtu.be/RJwd4_F42NI?si=35zzgDTRZeqgfPLj

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

Touch Designer: https://derivative.ca/

🕒 Timestamps 

01:45 “Hasta que no pueda,” for amplified sinfonietta and sampler

21:55 “Artifacts,” for laptop, keyboard, live electronics, and visuals

40:30 “My voice is a broken chorus,” for amplified soprano and electronics [II. waning crescent]

Since his solo debut with the legendary Philadelphia Orchestra at age nine, violinist Timothy Schwarz has had a brilliant career as a soloist, chamber musician, and pedagogue. His many accomplishments include solo and chamber music CD’s under the Naxos, Albany, Centaur and IBM labels. Schwarz served as an Artistic Ambassador for the United States from 1996 – 2001, bringing American music throughout the Middle East, North Africa, and Southeast Asia. These tours started a decades-long dedication to performing American compositions, with an emphasis on female and minority composers. An avid educator, Schwarz is currently Associate Professor and Head of Strings at Rowan University, President of the New Jersey chapter of the America String Teachers Association, Artistic Director and Founder of Techne Music, and Visiting Professor of Performance at the London College of Music. He owns several fine violins and bows, including a J. B. Vuillaume, a Carlo Antonio Testore, and a Dominique Peccatte.



🌐 https://cpa.rowan.edu/_bios/schwarz-timothy.html

💿 “Fantasia on Lama badaa yatasana,” by Steven Sametz: https://youtu.be/c_K8YBX2JUY?si=O-QJatdCprv1fMCr

💿 “Rhapsody No. 2,” by Jessie Montgomery: https://www.youtube.com/watch?v=8IArdVEniFQ

💿 “Sonata No. 2 for Violin and Piano,” by Avner Dorman: https://youtu.be/T0_Td4yi554?si=EuX5Ul6dbqdW2pTY

💿 “Darshan,” by Reena Esmail: https://www.youtube.com/watch?v=HrAs8W5eV1E

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

🕒 Timestamps 

08:54 “Fantasia on Lama badaa yatasana,” by Steven Sametz

18:00 “Rhapsody No. 2,” by Jessie Montgomery

29:50 “Sonata No. 2 for Violin and Piano,” by Avner Dorman

49:40 “Darshan,” by Reena Esmail

The music of award-winning composer Polina Nazaykinskaya is performed regularly in the United States, Russia, and Europe. Her first symphonic poem, "Winter Bells," is in high demand every season by orchestras such as the Minnesota Orchestra and the Russian National Orchestra, among others.
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In the 2023-2024 concert season, Polina's orchestral music will be performed by the Utah Symphony, Portland Youth Philharmonic, Grays Harbor Symphony Orchestra, and Maryland Classic Youth Orchestra. In April 2024, Ms. Nazaykinskaya's new ballet for MorDance will be premiered at the Chelsea Factory in New York. In May 2024, Ms. Nazaykinskaya's chamber opera, "Her New Home" will performed at the Garth Newel Center. The 2022-2023 season highlights included the premiere of two new ballets, "The Rising" and "Emily," performed by the San Francisco Ballet and MorDance in New York City.
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Polina's collaborators include internationally renowned choreographers Pascal Rioult, Yuri Possokhov, Jonah Bokaer, Morgan McEwen, and Ulyana Bochernikova. Polina works closely with the world's leading conductors, such as Osmo Vänskä, Teodor Currentzis, Fabio Mastrangelo, Sarah Hicks, Toshiyuki Shimada, Lawrence Loh, Hannu Lintu and David Hattner. Polina's compositions are actively performed by internationally acclaimed soloists such as trombonist R. Douglas Wright, violinist Elena Korzhenevich, and pianist Anton Nel.

Polina's musical language embodies the diversity of multi-cultural education. She graduated from the Tchaikovsky Conservatory College in Moscow as a composition/violin double major, studying with Konstantin Batashov and Vladimir Ivanov. Polina earned her Masters' and Artist Diploma in composition at the Yale School of Music with Christopher Theofanidis and Ezra Laderman. Currently, Polina is a Doctorate Candidate at The Graduate Center CUNY under the mentorship of Tania León.

Polina is an Adjunct Lecturer of Composition at Brooklyn College Conservatory and a Teaching Artist at the Educational Center for the Arts in New Haven.

🌐 https://polinacomposer.com/

💿 “Invocation on Lel,” for chorus and chamber ensemble: https://on.soundcloud.com/nkKok

💿 “Songs for Tasya,” for piano trio: https://youtu.be/blEazGtHNqY?si=9axeCuRLtsfjXGJu

💿 “Fenix,” for orchestra: https://www.youtube.com/watch?v=_uWXDsQxAhA

💿 “Nostalghia,” for ballet: https://youtu.be/amEfi7Q1aoA?si=4uWz46vjwCKahes0

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows: https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

🕒 Timestamps

00:00 Yale, CUNY Graduate Center, and Tania León
01:27 “Invocation on Lel,” for chorus and chamber ensemble
07:35 “Songs for Tasya,” for piano trio
20:21 “Fenix,” for orchestra
30:53 “Nostalghia,” for ballet

Composer and clarinetist Derek Bermel has been internationally recognized for his creativity, theatricality, and virtuosity. Bermel is acclaimed for music that is “intricate, witty, clear-spoken, tender, and extraordinarily beautiful [and] covers an amazing amount of ground, from the West African rhythms of Dust Dances to the Bulgarian folk strains of Thracian Echoes, to the shimmering harmonic splendor of Elixir. In the hands of a composer less assured, all that globe-trotting would seem like affectation; Bermel makes it an artistic imperative."  (Joshua Kosman, San Francisco Chronicle). Bermel and his works have received the Alpert Award in the Arts, Rome Prize, Guggenheim and Fulbright Fellowships, the Trailblazer Award from the American Music Center, and the Academy Award from the American Academy of Arts and Letters.

Formerly the Artistic Director of the American Composers Orchestra, Bermel is also curator of the Gamper Festival at the Bowdoin International Music Festival. He recently enjoyed a four-year tenure as artist-in-residence at the Institute for Advanced Study (IAS) in Princeton, and a year as Composer in Residence with the Seattle Symphony. An avid educator, Bermel mentors young composers through ACO’s many educational programs, including Earshot and the Jazz Composers Orchestra Institute, and directs the Copland House's CULTIVATE emerging composers institute. He also founded the New York Youth Symphony’s Composition Program, formerly known as Making Score. He has given masterclasses at conservatories and musical institutions around the world, and has led several workshops alongside frequent collaborators Wendy S. Walters and S. Ama Wray.

Bermel holds B.A. and D.M.A. degrees from Yale University and the University of Michigan. Notable among his composition teachers are William Albright, Louis Andriessen, William Bolcom, Henri Dutilleux, and Michael Tenzer. His music is published by Peermusic Classical (Americas, Asia) and Faber Music (Europe, Australia).

🌐 https://www.derekbermel.com/

💿 “Intonations,” for string quartet: https://www.youtube.com/watch?v=-HIPlvYV98Q&list=PLQbBZhbfWFNm3YMztsuR6yWfIvDllBmNe

💿 “Migration series,” for jazz band and orchestra: https://www.youtube.com/watch?v=S3b2V2MY1Mc&list=PLQbBZhbfWFNlfuCERWth0jc4PfTvhkoMs

💿 “Mar de setembro,” for vocalist and chamber orchestra: https://www.youtube.com/watch?v=KW6bl8g5bvc&list=PLQbBZhbfWFNn-iyTkM8AT0I-YcZIuu4xA

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

🕒 Timestamps 

00:00 American Composers Orchestra 

04:06 Driving Penderecki: https://www.derekbermel.com/blog/2013/9/22/driving-mr-krzysztof

10:27 “Hustle” from “Intonations”

18:54 “Migration series,” for jazz band and orchestra

35:30 “Mar de setembro,” for vocalist and chamber orchestra

A sound artist and composer from Philadelphia, Pa, Dani Dobkin received a BA in Experimental Music and the Electronic Arts from Bard College where she studied under Bob Bielecki, Marina Rosenfeld and Richard Teitelbaum. Always in search of new ways to engage and interact with sound, she works with installation, modular synthesis, handmade circuits, live electronic improvisation, and interdisciplinary projects with dancers, musicians, poets, and visual artists.  Dobkin recently received her MFA in Sound Arts from Columbia University and is pursuing her Doctorate in music composition at Columbia.  

🌐 https://danidobkin.com/

💿 “Weavings,” for the Serge modular: https://issueprojectroom.org/video/serge-modular-50th-anniversary-dani-dobkin

📺 Saad’s main channel: https://www.youtube.com/@saadhaddadmusic

👨🏻‍🏫 BOOK a lesson with me here: https://www.saadnhaddad.com/lessons.html

📰 NEWSLETTER that shares the latest news about my music and shows:  https://saadnhaddad.us9.list-manage.com/subscribe?u=d52b653fc543f4ca604265d53&id=70d2af18c6

📘 SHOP for composition-related resources: https://www.buymeacoffee.com/saadhaddad/extras

🕒 Timestamps 

00:35 “Weavings,” for the Serge modular 

15:25 “Magnolias in Boom,” for chamber ensemble, excerpt 1

31:08 “Magnolias in Boom,” for chamber ensemble, excerpt 2