8 episodes

Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).

LensWork - Photography and the Creative Process Brooks Jensen

    • Arts

Random Observations on Art, Photography, and the Creative Process. These short 2-4 minute talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 35 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work and building an audience. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. His latest books are "The Creative Life in Photography" (2013) and "Looking at Images (2014).

    HT1910 - My Grandfather's Voice

    HT1910 - My Grandfather's Voice

    Ours is the first generation in the history of the planet to have at our disposal such readily available means to record our memories. When our family members die, all their memories, stories, and history go with them.

    • 2 min
    HT1902 - Single-minded AttentioHT1909 - A World with No Cameras

    HT1902 - Single-minded AttentioHT1909 - A World with No Cameras

    What would you do if you were to wake up to find yourself in a world with no cameras? Would you still be an art creator with a different medium? Or, is your relationship with photography so photographic that without photography you would not create artwork?

    • 2 min
    HT1908 - The Little Things

    HT1908 - The Little Things

    When I haven't photographed for a while, it seems like a bit of rust always develops, on me. I went out photographing a few days ago and boy was I rusty. Diopter dial was moved. Focus stacking lever. Couldn't remember which direction to turn the zoom ring. Lost a Spider Holster pin when I dropped it and lost it. Geez.

    • 2 min
    HT1907 - Laserdisc, Betamax, and Photography

    HT1907 - Laserdisc, Betamax, and Photography

    Perhaps this is a flawed analogy, but I can't help but look back at the history of technology and conclude that widespread adoption is more important than ultimate quality. Does this also apply to our photographic work? As artists, we tend to want to pursue perfection at all costs. But, like technology, is it just possibly a better strategy to pursue widespread distribution rather than that last 2% of quality improvements?

    • 2 min
    HT1906 - Ideas That Go Nowhere

    HT1906 - Ideas That Go Nowhere

    Sometimes photographic project ideas come rushing at me with such momentum that they're completion is inevitable and accomplished quickly. Other times, I'll have an idea that seems to go nowhere. Over the years, I've learned to not discount those ideas that don't come to fruition quickly. Even project ideas that are decades old could suddenly become alive with meaning and a newfound energy. The trick is to develop your method for preserving ideas until they ripen.

    • 2 min
    HT1905 - Explaining a Photograph

    HT1905 - Explaining a Photograph

    I'm fascinated by how often I hear photographers talk about their images by explaining what they were trying to accomplish. Does the photograph not accomplish that without the verbiage? There are good reasons for producing image and text combinations, but using text (or talk) to justify or explain a photograph is almost always going to end up diminishing the artwork.

    • 2 min

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