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The venerable British science fiction series Doctor Who is back with a new season. Ncuti Gatwa — who is Black and openly queer — brings a vibrant energy to the story of an alien who travels through space and time in a blue box. The series, now streaming on Disney+, also features the return of showrunner Russell T. Davies, who birthed the modern era of Doctor Who. But what does this mix of new and old mean for the sci-fi institution?

We want to hear your opinions about summer snacks. Are you Team Hot Dog or Team Hamburger? What's better: churro or a funnel cake? Click here to cast your votes. The results will be revealed at a virtual live event for Pop Culture Happy Hour+ supporters on Thursday, June 27th at 6 p.m. ET.

Sign up for PCHH+ at plus.npr.org/happyhour to get access to the event.

(Once you've signed up for PCHH+, make sure to set up your special feed, where you'll see a special bonus episode from May 31st with instructions on how to register for the live event. Email plus@npr.org for any extra assistance.)

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The new FX limited series Clipped tells the story of Donald Sterling, the then-owner of the Los Angeles Clippers, who was outed as a racist. Sterling's girlfriend – who was Black and Mexican – secretly recorded their conversations. When those tapes leaked, he was embroiled in a scandal that upended the NBA – an industry that profits off the star power of its majority Black players. The series stars Ed O'Neill and Laurence Fishburne as the owner and the head coach who clashed as it all went down.

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The Sopranos changed television. The HBO series was centered on mobster Tony Soprano (James Gandolfini), a deeply flawed male antihero. That then- innovative approach cast a long shadow on television, but what really set The Sopranos apart was the fact that Tony was in therapy — a genius touch that granted viewers special access to his inner conflicts. This year marks the 25th anniversary of the show's premiere, so we're revisiting our conversation about the series.

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Sometimes, our favorite musical artists are too good to be true because they're sprung from the imaginations of Hollywood screenwriters. But what makes a fake band great? Today, we are debating the best fictional bands in TV and film — including from Mamma Mia!, Josie and the Pussycats, It's Your Move, and Miami Connection.

We want to hear your opinions about summer snacks. Are you Team Hot Dog or Team Hamburger? What's better: churro or a funnel cake? Click here to cast your votes. The results will be revealed at a virtual live event for Pop Culture Happy Hour+ supporters on Thursday, June 27th at 6 p.m. ET.

Sign up for PCHH+ at plus.npr.org/happyhour to get access to the event.

(Once you've signed up for PCHH+, make sure to set up your special feed, where you'll see a special bonus episode from May 31st with instructions on how to register for the live event. Email plus@npr.org for any extra assistance.)

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The Peacock series We Are Lady Parts is a bold and very funny comedy about an up-and-coming London punk band called Lady Parts. The members of Lady Parts, and its manager, are all young Muslim women, from various racial and ethnic backgrounds. Over the course of its first season, each member experiences triumphs and setbacks – including its lead guitarist, who strives to overcome stage fright. The show is about to return for a new season, so today, we are revisiting our conversation about it.

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What is it about a show that turns you into a bitter-ender, that keeps you dutifully watching every last episode, long after the train has jumped the tracks? Even when you know it's not good, but, for you anyway, it's just good enough to muddle through, all the way to the finale? Today, we're talking about terrible but bingeable TV shows.

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