Jazz Focus john clark

Muggsy Spanier was a mainstay on the Chicago jazz scene in the 1920's - influenced primarily by King Oliver and Louis Armstrong, he remained true to his style for the rest of his career. Here are some of his first recordings, with the Bucktown Five and Stomp Six (with Volly De Faut on clarinet, Mel Stitzel on piano and Ben Pollack on drums), the Danny Altier Orchestra (with Maury Bercov on clarinet, Jess Stacy on piano and George Wettling on drums) and the Charles Pierce Orchestra (with Frank Teschemacher on clarinet)


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Immensely influential British big band from the mid 1940's through the 1960's, Ted Heath and His Music was just finding its way in the middle 1940's. Featuring soloists like Kenny Baker on trumpet, Harry Roche and Jackie Armstrong on trombone, Reg Owen on clarinet, Les Gilbert on alto, Johnnie Gray on tenor and a rhythm section of Norman Stenfalt on piano, Dave Goldberg on guitar, Charlie Short on bass and Jack Parnell on drums, this group could hold its own with any American counterparts.


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The short time Johnny Hodges left Duke Ellington's band produced a bounty of recordings from his regular band and studio groups. Here is the regular group with Nelson Williams, Emmett Berry or Harold "Shorty" Baker on trumpets, Lawrence Brown (trombone), Al Sears, Rudy Williams, Flip Phillips or Ben Webster on tenor sax, Leroy Lovett or Teddy Brannon on piano, Lloyd Trottman on bass and either Sonny Greer, J.C. Heard or Joe Marshall on drums and the leader's matchless alto sax


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The first band Cab Calloway led (on recording at least) had previously been known as the Missourians and before that the Original Cotton Club Orchestra. A relentlessly hot dance band, the group featured R.Q. Dickerson and Lammar Wright on trumpets, DePriest Wheeler on trombone, George Scott and William Thornton Blue dividing the clarinet and alto solos, Andrew Brown on tenor, Walter Thomas on tenor and baritone, Earres Prince on piano, Morris White on banjo, Jimmy Smith on tuba and Leroy Maxey on drums.


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New Orleans trumpet player Manone was well-travelled in the 1920's . . here he is featured with his own groups in New Orleans (with Hal Jordy, Arnold Loyocano and Johnny Miller) and Chicago (with Frank Teschemacher, Wade Foster, Bud Freeman and George Wettling). Also with Barbecue Joe and His Hot Dogs (an almost unknown band with Miff Frink - a very hot trombone player) and Bennie Goodman and His Boys (with Freeman, Joe Sullivan and of course Benny Goodman)


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Odd pairing - Assunto founded and led the Dukes of Dixieland which was at the height of its popularity in 1962. These recordings were done for Columbia at the same time as sessions by Herb Ellis and His All-Stars. Ellis was touring with the Dukes (with also included Fred Assunto on trombone, Jac Assunto on trombone and banjo, Gene Schroeder on piano, Bob Casey on bass, Charlie Lodice on drums and on two tunes, Edmond Hall guesting on clarinet) and recorded a mainstream session under his own name featuring Buddy Tate, Ray Bryant and Gus Johnson. Roy Eldridge was also supposed to be there, but when he was delayed and missed the first two sessions, Frank Assunto stepped in, providing some of the best work of his career.


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